Contents

The Boundary of Dreams

Relaxation and Hypnagogia

Observing Hypnagogia: The Inner Eyes

Stages of Relaxation

Scanning Channels as We Fall Asleep

Roving Thoughts and Rapid-Fire Dreamlets

Hypnagogic Experiences

Bodily Relaxation

Hypnagogic Visions

Holographic Rings
Seeing Aura Static
Seeing Neurons

Hypnagogic / Hypnopompic Clairvoyance

Time Dilation

Satori and the Entrance into Dreams

Satori

Focus Freezes Satori

Direction of the Satori

Satori in Three Dimensions

The Satori Pool

Hot Spots (Through the Veil)

The All-Color
Bright Spots in Visions
Memories — Entering Scenes

The Energy Backdrops of Dreams

The Dream Screen

Progressive Stages of the Satori Pool
The Dream Screen
Shifting Through the Dream Screen
Fast Satori

Satori Pool Visions

The CascadeMarijuana

Sources of Stimulation

Energy PatternsMarijuana

The Wave Forms Behind Forms
The Texture of Wave Forms
In Terms of Projection
In Terms of Phasing
Rousing the Waking Mind

Moving Out of Body

Extending Space

Separation from the Body

The Deep Sound

The Boundary of Dreams

Crossing into Dream Context

Main Source of Attribution Comes from Dreams

The Dreaming Mind Perceiving Physical Reality

Reality Across Contexts

The Dream State

What We Do in the Dream State

Socialize

Pursuing Interests

Vacation

Astral National Parks

Yellowstone-Like Areas

Experience Stories

Playing Games

Creating Drama

Reliving Scenes

From Memories

From Movies

From Video Games

Working Through Issues

Recurring Anxiety Dreams

Exploring Upcoming Events

Dream Research

Overcoming Fears

Moving Beyond the Body

The Near Realm

A Dream Staging Area

The Elevator to the Astral

The Research Station

Returning to the Near Realm

The Corridor to the Near Realm

Watching Someone Dream

Dreaming from the Near Realm

Partially Dreaming

Near Realm Differences

Near Realm Hallucinations

Making Physical Sounds

Hearing Your Physical Emotional Reaction

Crying

Social Dreaming

Socializing in the Near Realm

Hanging Out with Friends

Continuing Parties After Falling Asleep

Shared Experiences

Interacting with Other Local Dreamers

Playing Games

Cross-Country Road Trips

Visiting Other Countries

Waiting for a Friend to Go to Sleep

Others Departing as Morning Approaches

Socializing in the Astral

Hanging Out with Friends (Astral)

Shared Dreams (Astral)

Playing Games (Astral)

Playing Pretend
Board Games
Projected Games
Thought Form Games

Social Activities in the Astral

Amateur Performances, Talent Shows, and Competitions

Spontaneous Channeled Group Songs and Performances

Sharing Popular Rotes

Festivals and Gatherings

Astral Theaters

Going on Journeys Together

Gathering News

Social Movements

Who We Dream With

Roommates, Housemates, Bedmates

Running with Groups for Periods of Time

Friends Known Only in the Dream World

Adversaries in the Dream World

Different Dream and Waking Relationships

Someone Joining Our Dream

Our Effects on Others’ Dreams

Convincing Others They’re Dreaming

Farces and Misunderstandings

Following Another Dreamer’s Plot

Joining Someone’s Dream

Being a Supporting Character

Doctors

Revisiting Interrupted Relationships

Break-Ups

Workplaces

Visiting Past Homes and Schools

The Dream Friend — The Other

The Waking Self

The Character I’m Inhabiting

Opposition and Willpower

Fights

Sports

Traps, Tests, and Experiments

Being Tested

Astral Experimenters

Places Made to Prey On Dreamers

Others in the Astral

True Dreamers

Pranksters

Spirit Guides

Powerful Souls

Disturbed Souls

Nonhuman Spirit Beings

Our Pets

Animals

Other Astral Beings

Thought Form Automatons

Messengers
Guardians

Gateways, Memories, and Subdreams

Gateways

Location Gateways

Pictures

Miniatures

Mirrors

Rote Gateways

Books

Video Media

Web Sites

Without Rationalization

Subdreams

Reveries

Full Reveries

Reverie Projections

Being Given Anesthesia in a Dream

Unknown Gateways

Memory Rotes

Scene Transformations and Transitions

Object Permanence

Breaking Continuity

Brief Waking Interruptions

Closing Our Eyes, Turning Around, or Spinning

Passing Through a Barrier

When Exiting a House

Turning a Corner

Closing and Opening a Door

Leaving and Coming Back

Hallways, Tunnels, and Bridges

Scene Transformations

While Retaining the Same Shape

When Moving to Higher or Lower Realms

When Changing Floors

Towers — Vertically Repeated Rooms

Gradual Transformations

Expanding Around Us

Following Rationalizations

Accompanying Character Transformations

Changes in Scale and Perspective

Merging Scenes

Merging In Communications

Interaction Between Scenes

Double Context

Overlays

Due to Near Realm Perceptions

Starting From the Near Realm
Starting from the Astral

Astral Overlays

Scene Transitions — Changing Locations

Sudden Scene Changes

Crossings

Spatial Rationalizations — Hyperspace

Larger Inside Than Outside

Hyperspace Hubs

Labyrinthine Passages

The Catacombs

Vehicles on Maze-Like Paths

Natural, Without Rationalizations

Thought Forms

Thought Forms

The Nature of Astral Matter

The Elasticity of Astral Matter

Only the Exterior Hardens

Liquid Interior

The Hidden Cord

Buildings: Compound Thought Forms

Separating a Room from a House

Boundaries: Limits on Thought Forms

Passing Through Astral Matter

Telekinesis: Moving Thought Forms

Thought Form Bodies

Discerning People and Thought Forms

Appearance

Behavioral Clues

People Represented by Objects

Transformations to Objects

Shape Shifting

A Tell-Tale Sign — What You’re Proud Of

Unconscious Shape Shifting to the Person of Focus

Returning to Your Normal Form

The Etheric Body

The Astral Body

Creating Thought Forms

Conscious Creation

Its Holographic Nature

Creation in the Astral

Unconscious Creation

Expectations Create

Expectations vs Reality
Broken Expectations

Fears Create

Desires Create

Searching Creates

But Not Always

Wondering Creates

Group Creation

How Thought Forms Come Into Being

Inflating and Expanding

Caught While Expanding

Materialization out of a Cloudy Shape

Shadowy Forms

Transforming Thought Forms

Conscious Transformation

Replacement Rather Than Transformation

Unconscious Transformation

Changing Form

Attention Increases Size

Multiple People’s Influence

Releasing Thought Forms

Destroying Thought Forms

Destruction vs Object Permanence

Structures Breaking Apart

An Act of Will

Removing Attention

How Thought Forms Disappear

Melting or Shrinking

Melting from Heat

Melting and Reforming

Deflating

Decaying

Drifting

Cohesion and Inner Motion

Peculiarities of the Astral World

Changes in Light

Rare Changes in Light

Turning on Lights

Changes in Light Due to Jumps in Time

Astral Interpretations of Physical Phenomena

Fire (Dreamfire)

Explosions

Lightning

Lava

Tornadoes

Whirlpools

Ocean Waves

Flowing Water

Mirrors

Seeing the Third Eye in Mirrors

Eclipses

Unique Astral Phenomenon

Energy Warps

The Pillar of Flame

Electrical Lightning Fields

Astral Energies

Atmosphere Forms

Mystical Places

Other Odd Phenomena

Hills and Spatial Distortion

The Tiny World Effect

Flying and Scale

Hills Rising Against Us

Astral Events

Dramatic Changes in Consciousness

Astral Drugs

Location-Based Effects

Astral Warfare

Changes in Energy

Memory in the Dream State

Memories

Seeing Memories in Your Head

Creating Memories

Difficulties with Memory

Searching Memories Is Usually Creative

False Memory Rationalizations

Verifying Others’ Memories Is Difficult

Believing Mistaken Memories About Us

Determining the Source of Memories

Photos Fade to Black

The Lighting of the Memory

False Awakenings and the Near-Realm

The Nature of False Awakenings

Types of False Awakenings

False Awakening Dreams

Repeated False Awakenings

Awakening into the Near Realm

Suspenseful False Awakenings (OB)

Paralysis, the Expectant Atmosphere, Growing Light
Friendly Visitations
Near-Realm Nasties

The Electric Atmosphere from Trance States

Intuition and Direct Knowing

Direct Knowing

Question and Answer

Guiding Voices

Flow States

Questioning Flow States

Antagonism and Energy Absorption

Who Antagonizes

Kinds of Antagonism

Containing

Energy Sapping

Magnetic Resistance

Nightmares and Emotional Memories

Facing Antagonists

Facing Antagonists Violently

Transformations After Violence

Facing Antagonists Peacefully

They Become Friendly
They Transform

Facing Our Fears

Dream Languages, Styles, and Rulesets

Applying Different Rulesets

Physical World Rules

Video Game Rules

Absorbing New Rulesets

Applying Different Styles

Communication Through Computer Windows

Cinematography

The Language of Dreams

Spoken Languages

Programming Languages

Music in Dreams

Variable Tempo and Volume

The Stages of Sleep

Brainwave Frequencies

Beta — Normal Waking Consciousness

The Stages of Sleep

Stage 1 — Hypnagogia

Stage 2 — NREM Light Sleep

Thinking in REM vs NREM

Dreaming in REM vs NREM

Light and Heavy Sleepers

Stage 3 — Deep Sleep

Dreamless State of Union (The Upanishads)

Stage 4 — REM — Vivid, Emotional Dreaming

REM — Closer to the Physical

Checking in on the Physical

Vivid, Emotional Dreaming

Lucid Dreaming and REM

Physiological Correlates of Dream Activity

Eye Movement
Breathing
Physiological Changes
Body Movement
Body Position Changes and Dream Changes

Things Influencing Sleep Stages

Socializing

Sleep Deprivation

Learning

Senses in the Dream State

Closing Your Eyes in Dreams

Remote Viewing

How Light Affects Near Realm Vision

Blurry Vision Expectations

Requesting Clarity

Precognitive Dreams

Mass Shared Dreams

Impending Illness and Death in Dreams

Impending Illness

Sensed
Sensed and Rationalized
Symbolically Communicated

Impending Death

Remembering Dreams

Remembering Dreams

Why Remembering Is Difficult

Difficulty Remembering Transitions

Multiple Versions — Rewind and Retry

Things that Enhance Recall

Bringing Consciousness Over

Shifting to Physical Focus

Open Windows

Remembering While in Bed

Being Reminded During the Day

New Life Experiences

Alcohol

Valuing Dreams

Writing Down Dreams Daily
Telling Dreams to a Friend

What Hinders Recall

Sleeping In

Writing Down Dreams While Still Dreaming

Emotional Attachment

A Mindset of Fear and Rigidity

Dream Names and Words

Miscellaneous

Miscellaneous

The World’s Attitude Towards Dream Abilities

Dream Interpretation

Other Times and Worlds

Traveling to Distant Worlds

Distant or Future Civilizations

Truly Bizarre Dreams

Boring Memories

Animals Can See Spirits

Temporal Oddities

book
The Spiritual Foundations
The Law of Dreams
Home
Into Dreams

The Boundary of Dreams

TO DO: (v4) Differentiate “dreaming” from “nonphysical experience”. Rename the “dream self” the “astral self”.

Relaxation and Hypnagogia

Hypnagogia is the state of falling asleep.

In the hypnagogic state, we descend through the noise of our most recent focuses of attention. Our mind flashes quickly between thoughts and images, following trails of association. As the brightness of those thoughts slowly fades, we slowly move into a more fluid state closer to the now. We begin to see the subtle waves of Satori converging towards the center of our mind. As Satori builds into a stable pool of light, we may begin to see “hot spots” which are the brightest part of images shining through the veil separating our physical consciousness from the dream state. And then we find ourselves moving through the Satori Pool, crossing the veil, into the vividly real world of dreams.

Observing Hypnagogia: The Inner Eyes

An important part of any conscious exploration into our minds in meditation or when we’re falling asleep is opening our inner eyes. We naturally disengage focus from our sight when we close our eyes. But if we want to see what’s going on when our eyes are closed, we have to re-engage focus on our sight. Simply shift your focus back to the darkness of the visual field behind your closed eyes so that you’re looking at it in the same way you look at the world around you with your eyes open. It feels like holding your attention forward. From here, you can consciously watch what happens as your mind begins to relax and descend through hypnagogia into dreams.

When looking with my “inner eyes”, my physical eyes are looking forward as if they were open. When I’m not, they take the typical position of rolling upwards. The position must correlate to a visual focus.

Keeping the inner eyes open feels like holding up a heavy weight. At some point, the muscles just can’t continue, and you want to just sink into sleep. It’s like trying to flex and keep flexed a weak muscle. But it also feels that with practice they’ll become stronger and you’ll be able to keep that focus longer.

I sometimes feel that this practice helps draw the waking self along into dreams, helping with lucid dreaming and increases dream recall.

Deep breathing is necessary to keep conscious focus as you relax into the dream state.

Stages of Relaxation

See “Satori” below for more.

Scanning Channels as We Fall Asleep

As we relax into sleep, our concerns with daily things slowly fades, and as our mind quiets, we start to become open to picking up the thoughts of others. These appear as rapidly-changing thoughts and scenery.

Quickly scanning across channels of communication.

I closed my eyes and am watching the imagery. The channels change quickly, as I see fast and changing scenery. Each communication is on a channel. The images slow and we take longer looks into channels that interest us, then we pick a channel to listen to.

It’s like in the 80s, how we “channel surfed”, flipping through TV channels, looking for something interesting. But we do it telepathically as we relax into sleep, and our minds slow down their wild thinking.

But perhaps a better analogy would be when you’re in a crowded restaurant and there are conversations going on all around you at the same time. You can listen to any so long as you tune your attention to it.

This is what Leadbeater spoke of when clairvoyantly observing someone falling asleep (quoted above):

The denser body responded instantaneously to the water test by a very respectable picture of a tremendous thunder-storm, and that in turn, reacting on the etheric part of the brain, called up by association a whole series of vividly-represented scenes. When this disturbance was over, the usual stream of thoughts began to flow through, but it was observable that a far greater proportion of them awoke a response in this brain—also that the responsive vibrations were much stronger, and that in each case a train of associations was started which sometimes excluded the stream from the outside for quite a considerable time. (Leadbeater 59-61)Dclairvoyant • Theosophy • Leadbeater

Reports from the hypnagogic state . . . generally seemed emotionally flat. . . . The imagery seemed more like a succession of snapshots than a movie. (Van de Castle 266)ODMresearcher • modern • Van de Castle

See also “The Open Thought Stream” in communication.php and “The Influence of Undirected Thoughts and Emotions” in communication.php.

Roving Thoughts and Rapid-Fire Dreamlets

As we relax, we are dropping down through our own recent focuses of attention, starting from the brightest and descending down into less bright focuses. So long as we can pass through them without them grabbing fresh attention, we continue to pass downwards towards deeper relaxation and higher frequencies of consciousness (see the “The Fading Lights Model” in attention.php).

As we drop through our louder, brighter thoughts, we reach a place where we can pick up the thoughts of others. These two things — dropping through our own recent focuses and then scanning of outside channels — form the basis of our initial rapid-fire dreams.

Following are some thoughts and rapid-fire short dreams that appeared during conscious hypnagogia sessions. One is rapidly replaced by the next. They’re hard to remember even in a short session.

The fun of playing video games at Gasoline Alley, Liza Minnelli’s flirtatiousness, the boat on the sea in the movie Cocoon, a kindergartner in the rain, being out of body, a memory I created when told of a boy on Ritalin.

A layer of me is pulled off, inhibitions release, and I begin dreaming: A close-up of a Buddhist’s ear, a little girl opening a can at SSU and it’s me inside. She looks in and it’s all fish-eye. I awaken.

They come so fast and so seemingly random:

• Laughing with Sid about holding his hand, putting my arm around him.

• Singing a new song I just made up: “Asshooooole!” Na Na Nana Na Na Na. Full sound and all instruments amidst a music video.

• An inspired conversation

• Looking at a woman’s hair, which turned into a big spider plant with fuzzy fronds.

• I was back in the most action-packed plot of an animated movie, shooting forward through tunnels on a raft! The movie had green and black and glowing colors like The Secret of Nimh. [Return to a short sleep] Again, incredible rushing speed and movement! Huge fast streams, falling 2,000 feet, grabbing rocks along the way.

• “Com-er-ser-al”. Thinking about Japanese accents.

Then I drift to sexy thoughts and visions about my girlfriend. Then high school gym class where people have an evil plot. Then more sexy visions. “You can’t see my eyes” being said in a bug voice. Then this full music video love song visual adventure.

Hypnagogic Experiences

Bodily Relaxation

Meditation, Sept 24: Saw Satori quite clearly as yellow fuzzy circles moving inwards very clearly, almost lucidly. Breathing out releases muscle tightness. Tight lines become fluid blurs.

The clear outlines of the body we have when we’re awake melt into a less defined mass as we relax our focus on the physical.

Right off, my body melts in relaxation. The outlines become less clear.

Eventually the sensation of the body’s shape fades out completely as we return to our natural point-in-space consciousness.

Hypnagogic Visions

When breathing out, I see a steady triangle. When I breathe in, ripples come out from it, and I feel like I’m shooting forward, zooming through corridors, a vast motion. Then I drift to thoughts with images attached.

Breathe out, breathe in. Ripples come out
Holographic Rings

See “The Lights Within the Rings” in holographic-mind.php and “Holographic Focuses” in holographic-mind.php.

Seeing Aura Static

See “The Flash of Fear” in attention.php.

Seeing Neurons

See “Neurons” in fields-of-perception.php.

Hypnagogic / Hypnopompic Clairvoyance

I sometimes experience clairvoyance while falling asleep but more often when waking up. The typical experience is this:

I am laying in bed between waking and sleep and seem to have my eyes open, looking at the ceiling or the room around me. Then, I wake up a little more and open my eyes, realizing that my eyes weren’t open at all before. And yet I was seeing!

The sight at these times is a little bit like tunnel vision — the image is a smaller circle in the center of my visual field, fading to black around the edges. I don’t have a chance to look around much, but tend to be looking at one spot until I wake.

There is one special type of hypnogogic (sic) image I would like to mention. . . . You will be lying there relaxing and going into trance, and all of a sudden, you are staring at the room you are in clear as day. It’s as if you are seeing your room through your closed eyelids! . . . Use it as a clue to the fact that you are close to being able to leave your body. APCOBEr, LDer • modern • DeGracia

Lying on the sofa in the afternoon with my eyes closed, I suddenly found that I could see the pattern on the sofa-back. This told me that I was in the Trance Condition. I then left my body, by willing myself out of it, and experienced an extremely sudden transition to a beautiful unknown stretch of country. (Fox 66)APrOBEr • modern • Fox

Case No. 657—Tony Zaino

“A couple of times, when my wife works the mill night-shift, my children had to awaken me. I see her, or my children, well in advance of their touching me. but this is the thing—my wife, and my children, tell me that my eyelids are closed tight.” (Crookall 59)CBAPresearcher • modern • Crookall

My eyes were closed; but presently, with my astral sight, I could see the room quite plainly and my wife sitting sewing by the fire. I also felt a numbness creeping up my legs and the old disinclination, or inability to move. . . . I just willed to leave my body and then found myself standing on the lamplit pavement outside the house. (Fox 67-68)APrOBEr • modern • Fox

Akin to distant-point vision is what might be called immediate-environment vision, in which the dreamer sees occurrences which are actually happening in his immediate environment, and even in the room wherein he sleeps. Such dreams usually occur in the daytime during a midday nap; not infrequently just an instant before the dreamer awakens. (Muldoon 304)PotABOBEr • Spiritualism • Muldoon

Time Dilation

My fully conscious 5 minute nap felt like 30 minutes of sleep.

I used to work a job that was 10 hours a day, four days a week. During lunch breaks, I’d take a 10-minute nap during which I had what felt like an hour’s worth of dreams.

Satori and the Entrance into Dreams

Satori

While falling asleep or meditating, after a few minutes I can see rising waves of light in the darkness behind my eyes. It’s barely visible at first, and generally moves in waves from the periphery of my visual field toward the center. At first there are two waves — one for each brain hemisphere, and they are not in sync. They rise and fall in different cycles, and come to different focal points, not always in the center. But slowly they come into sync and move together towards the center.

This continues over and over. Initially, the lightness that gathers in the center fades, but as time goes on, the waves of subtle light begin to leave a small, gradually brightening pool of light in the center. Once this pool is established, each consecutive wave slightly increases the size of this pool of light. Once it gets big enough, images and dreams appear within in.

I call this “Satori”, a reference to the screen saver of that name that had a similar movement (see below). It’s the Japanese term for awakening, related to the Zen Buddhism experience of enlightenment.

The video below shows the motion, except that in reality it becomes one single wave of light coming in towards the center at a time, equal in size to the dark wave behind it. It’s dimmer, more subtle than this. Also ignore the many “eyes”.

The Satori Screen Saver
A more accurate image of a moment of Satori. Image from https://www.world-of-lucid-dreaming.com

Satori’s purpose appears to be to synchronize the hemispheres and wash out the charges of areas of the brain that are currently lit up with attention so that it can relax. This allows it to move into the synchronized brain states — alpha, beta, theta, and delta, which are required for the deep and regenerative relaxation of sleep.

Satori, in terms of tunneling, is tunneling backwards, pulling back from the day’s engagements, moving away from the physical focus.

Focus Freezes Satori

Since focus freezes the flow (see “Focus Freezes the Flow” in flow-into-us.php), focus also freezes the movement of Satori. Satori waves only move in a state of disengaged attention.

Getting stuck in a thought freezes the motion of Satori in place, preventing progression into deeper states.

When we focus, the energy in our mind comes to the center of the brain’s hemispheres. When we relax, it splits to the right and left edges. Relaxation lets us fall deeper into hypnagogia, and then refocus pauses it, allowing us to look at the phenomenology of the mind. This is also a good exercise for gaining lucidity in dreams. It forms a habit of refocusing in after each period of further relaxation.

Thinking about focus? vs nonconscious relax.
Important to release, then focus back, release, focus back.

Fear causes a strong, sudden focus. It will immediately stop the flow and thus the Satori waves.

Fear froze me up — instantly stopped the regeneration. Fear clicked off the Satori Pool like a light, then it eased back on.

Direction of the Satori

When Satori begins and you are still unfocused, each hemisphere of the brain may have a differently timed cycle and/or they might peel off to the top or bottom. The rate of movement, however, is always the same.

Could my perceptions of different directions of satori be of the same satori from different points of view within the brain?

Eating a brownie caused a change in the direction of satori. Its direction is apparently related to the where my focus is within the brain. It could be due to the change in my direction of focus as I point it to an input stream (taste) coming in from a different direction. Or, if my attention moves to the taste region, that could be the point from which I perceive the Satori.

Brownie — satori — new direction: towards top

Satori in Three Dimensions

Most often I think of Satori waves as moving across the flat visual field before me. But the brain isn’t flat, it’s a 3D structure.

If you sit in the sunshine with your eyes closed, but focusing visually, you may see something like the image on the left. I’ve seen it frequently. It’s the overlay of the left and right visual input in your brain. It’s a 3D space, where the dark center is higher resolution because it is further away, having branched to more neural endpoints.

See this with closed eyes and satori as lights in a tunnel.

The Satori, seen as moving through this 3D space, is moving down the tunnel of branching neurons, like a light traveling up the base of a tree and out to all the branches.

See “Extending Space” below.

The Satori Pool

Satori waves gradually converge in the center of the visual field. As each fluctuation comes together in the middle, it forms a subtle pool of light there that gradually expands and brightens.

Satori. Point of concentration.
Inner eye retina?

The Satori Pool grows into an opening through which we can move into the full sensory world of the dream state. It becomes like the opening of an eye, a gateway.

I like the metaphor of “the veil”. The veil is used in Sufism and Islam to describe the barrier between the physical and spiritual. There are many veils — each is the boundary of a frequency domain. Beyond the veil, dream reality awaits in its full, bright-as-life clarity. But from the waking side, it appear only dimly, obscured by the veil. The light of Satori builds up as we relax our mind more and more into a flow state, coming closer to the now, and the light that collects before us creates an opening in the veil that we can move through into the reality of dreams.

There’s a bright field in the middle with concentric circle-ripples. Then the edges become clear, making it take the overall shape of an eye. Soon I’m in a dream. I reach out to grab a disc sled from this woman and my shoulder twitches, which stirs me back to the swirling strange lights. I ask for help getting out of my body and there’s my girlfriend on top of me kissing me. I rub my astral foot up and down against hers and feel it as if it were real. Then I awaken to write.

hypnagogic imagery. then edges.

A Satori Pool that’s grown bright enough opens into a dream.

Opening. A focus appears behind it..

I saw undulations for a brief period. These undulations looked like someone had dropped a rock in the water, except they went backwards, from the periphery to the center. The undulations occurred in the darkness behind my closed eyes. . . .

The undulations faded and I was watching the darkness behind my closed eyes. I perceived a circular swirling motion between my eyes and this motion became like an expanding hole. In the hole I saw a woman’s face. APCOBEr, LDer • modern • DeGracia

Hot Spots (Through the Veil)

Sometimes we just pass through the Satori Pool and arrive in dreams. At other times, we begin to see the oncoming dreams as “hot spots” before we pass through.

Hot spots are little spots of light that develop behind the satori. They light up as the satori passes over them. They are all-color, a rapidly-cycling color that can be interpreted as any color.

Bits of full dream scenes shine forth from beyond the veil as these hot spots, and as we pass through the veil, full dreaming comes on.

The All-Color

There’s an “all-color” in hypnagogia & psychedelia, a color that is a rapid cycling of all colors. It has the sparkling quality of starlight. It can appear as any color you want it to be.

It reminds me of the psychedelic style used in the 60s-70s where the colors shift rapidly, and the picture is highly contrasted. When seeing this in the movie Head while high, I hardly realized it wasn’t normal. I accepted it like I accept a dream.

High-contrast silhouettes from “Head” by The Monkees

When you see infinity in a thing, it’s that very all-color that you see.

You all think you’re different: blue, red, yellow — oh so different!

I’ve seen Hot Spots resolve into dreams in several ways:

Bright Spots in Visions

While the Satori continues, little hot spots begin to appear in the visual field. With a slight shift in focus, these spots turn out to be a common color-theme or brightness in a dream-picture that shows through the veil before dream-visions appear.

Visual sleeping flux like satori.
Bright color spots turn into visions
Other side paths.

For example, once I saw a series of hot spots across the Satori Pool and as I watched, they resolved into the brightest points of a roman soldier’s armor, as part of a vivid, full-color moving scene. The soldier was on horseback, marching with an army along a green ridge. In this case, the hot spots were the first things clearly seen as the vision was coming into view. I saw the hot spots clearly for a little bit before the vision appeared quickly in full. And at that point, I’m in a fully visual dream.

Hot spots around the Satori Pool
The image begins to appear through the veil
The vision is clearly before you

Another scene of hot spots based on the shining armor of Roman soldiers:

I am falling asleep. Golden dots, sparks and tiny stars appear and disappear before my eyes. These sparks and stars gradually merge into a golden net with diagonal meshes which moves slowly and regularly in rhythm with the beating of my heart, which I feel quite distinctly. The next moment the golden net is transformed into rows of brass helmets belonging to Roman soldiers marching along the street below. (Ouspensky 252)ANMUpsychedelic • Theosophy • Ouspensky

Memories — Entering Scenes

Hot spots can also be focal points in the mind sphere. As we look closer or gain interest in one, we tunnel towards it on the beam of our attention, and they enlarge out around us — we find ourselves in a scene. These glowing focal points may be memories or even communications.

Hot spot is the calling laser

I lay there until I became aware of a small scene forming between my eyes. As I stared at the picture, it grew larger and larger until I was standing in it. I was near what looked like a neighborhood street corner. (Taylor 28)


I was dreaming that I was walking through my house when I woke up in the dream (became lucid). I was instantly back in my body in the paralysis, except in my third eye there was a picture. I focused on the picture, and it grew larger. Then I was in the picture. . . . I floated through the front doors into a huge dining hall. (Taylor 41-42)STOBEr • modern • Taylor

The Energy Backdrops of Dreams

The Dream Screen

The Satori Pool not only remains open through the night, but it grows and expands, the waves changing in form an intensity. It forms a beautiful, dynamic backdrop to the dream state that I call the Dream Screen.

Progressive Stages of the Satori Pool
The Satori Pool with
swirling streamers

While the Satori Pool is often my primary focus, just out of focus from it are holographic and cellular structures:

This underlying fingerprint pattern under the Satori,
slightly tuned out.
Another backdrop
of the Satori Pool.
Rarely-seen later stages of Satori, leaving lit-up trails.

There are some similarities between the deep satori and the following animation, especially the trails extending off it. The shape at the center, however, is a simple circle or oval.

Image credit to Aokoroko”, “https://creativecommons.org/publicdomain/zero/1.0/deed.en

Dreams came rapidly at this point, and it was hard to tell where they came from and how. Rapid-fire short dreams — hard to remember even in a short trance. The rapid-fire dreams were like descending rapidly through the chaos of the day (see “Roving Thoughts and Rapid-Fire Dreamlets” above).

Later Satori: a more defined neon green-blue line moving upwards with dreams underneath
The Dream Screen

See “The All-Color” above.

Shifting Through the Dream Screen

I was in bed, dreaming, when something pulled my consciousness towards wakefulness. I partially emerged from dreaming, pulling the lower part of my awareness back through a shimmering screen of pink and blue. From there I saw the screen and became aware on the waking side, like peering out from under a blanket. The dreaming was on the other side of that shimmering barrier — I just had to release my attention from the waking side and return through it to dreams. But I fully awoke instead.

Shimmering pink and blue.
Awake — pulling back through the screen.
Cross-section of the brain
near the pituitary gland.

The “Dream Screen” is the nightly evolution of the Satori Pool that we move through on the way into dreams. Consider how it changes in “Progressive Stages of Satori” above. Its changing appearance likely reflects our energy fields and focus.

The shape above is interesting — the large areas on the upper right and left are the right and left hemispheres of the brain, where the visual field appears to be. The curious rise in the lower center would be the position of various brain-related structures such as the pituitary gland an optic chiasm.

This Dream Screen reminds me a great deal of the “pensieve” from the Harry Potter books — a bowl that contains liquid memory. By submerging your face into the liquid, you find yourself in another time and place, experiencing the memories of others. The surface of the liquid is very much like this screen. In the experience above, I pulled my focus back across the screen to the physical, and, upon finding no trouble in the physical, could return forward through the Dream Screen.

The “pensieve” from the Harry Potter books
Fast Satori

Satori Pool Visions

The Satori itself can act as a backdrop for visions to form out of, rather than going through the Satori Pool itself.

The Cascade
Marijuana

The cascade, being a result of our ever-changing orientation to the Source, is one input stream that is integrated into dreams.

The cascade is described in “Within the Tunnels” in flow-into-us.php.

The patterns cascading down from the Source as we look up the tunnel towards it are transformed into dreams and visions of every kind. The cascade creates these beautiful spiraling waterfalls of light. They spiral about as we change our focus relative to the Source. We steer into a band (focus on it) and it expand out around us, becoming dreams and visions.

The cascade whips across my vision and the patterns fall towards me. I go into them. I focus at this point in the cascade and it enlarges towards me. It becomes a city scene as I go into it.

It’s the patterns within the bands that fascinate us. They form like stretching taffy or melted cheese.

The markings between the top and bottom remind me
of the strands formed by melted cheese
Stretching like taffy

These cascades form the substance (though not the final shape) of our visions.

As is often the case, our subconsciousness awareness of the cascade has made its way into popular culture. The cascade is represented as the matrix behind the apparent physical universe in The Matrix. In the movie, one can see and engage in physical scenes by focusing intently on these patterns.

The difference is that the cascade is falling toward us and is made up of waveforms rather than characters.

A representation of the Matrix by crystalpanda9083
Sources of Stimulation

My fuel for the cascade from the Source was visual, but now I’m eating a mint chocolate smoothie and I’m focusing on that input stream, and dreaming off the cascade coming from THAT sensory data.

The loud crunching of my granola became the fuel for my thoughts and visions. When I suddenly stopped eating, that particular dream had to stop, too.

Energy Patterns
Marijuana

The energy wave patterns of your mind continue to influence your dreams even after the original transition to physical imagery. They are expertly integrated into the scenes you are experiencing, adding color and texture.

Just as our physically-oriented consciousness assembles sight, hearing, touch, and more into one consistent whole, our dream selves assemble various nonphysical energy streams into our final experience.

A close-up of the larger patterns made by these mathematical lines

This first appeared as a visual close-up of patterns of dirt in the foreground of a city scene. Then, as I focused in on the pattern in the dirt, they resolved into waves made of tightly-oscillated light blue lines, like EEG readings. These appeared on the black of my mind screen. I was now seeing the original source material for the previous dream vision. The city scene was my understanding projected onto it, the way I saw it in physical terms. Importantly, the imagery is not arbitrary at all — each kind of wave pattern represents something very specific.

That wave pattern is a mathematical truth of some kind.

Moving my head forward and back forms patterns.

The slow tilt of my head forward and back generates wave forms, another screen our visions can be played upon. The position of my body is an energy backdrop to my dreams and visions. I can focus on that input, look that way in the brain where body sensations come in. I can dream on those sensations.

This means those sensations, in terms of lights, in terms of raw neural patterns, help form the visual basis of my dreams. They are integrated into the dream experience.

The Wave Forms Behind Forms

The visual scene before me broke down until I could see the wave forms behind it. They were waves made up of colored lines squiggled back and forth rapidly.

This is the “raw thing” that we perceive.

This ball-like shape takes form as part of a scene. A ball. A lamp. A box. . . .

The waves behind what we see.

Each part of the scene has a meaning. Imagine the squiggly lines are words, each telling you something, each underlying a part of the scene before you. Somewhat like the picture below.

Imagine all the scribbles are words describing what they make up
The Texture of Wave Forms
Healthy mind vs old (focused mind vs a distracted one)
High resolution and otherwise
A clear truth vs the rough shape of truth

The texture of the wave forms affects the dream. The pattern reflects the movement of the mind, the speed and freedom with which it flows. When free and unstuck, it writes in high detail, a deep truth in high resolution. Attention fills it in, clarifies it. The scene becomes more real, less easy to project other things onto.

When the tiny lines making up an image are spaced out from lack of attention due to myriad background distractions, then the whole picture has a sort of shaggy, unfinished quality to it. It’s a vague pattern, a rough shape, because we take a quick, distracted look at it.

In Terms of Projection

This is analogous to peering through our own sphere of projections at what lies beyond. Seeing from fears, desires, and other expectations, we see shapes but alter them into what we expect. Seeing with undivided attention, we see the true astral dreamscape and people around us.

Imagine a globe around us, a screen which can be anywhere from transparent to opaque. We see through it, and we project onto it. When we’re projecting onto it, we’re not seeing through it. What we project may be based on a vague sense of what’s actually there, or it may shut out what’s beyond it entirely. This is what Monroe describes as being “open” or “closed”. This is described in numerous places. People can be shut tight in their own sphere of projection.

In Terms of Phasing

This is ALSO analogous to weaving two different streams together, moment by moment. What is — what I expect — what is — what I expect. This is phasing.

This phasing can vary from 100% seeing 0% projecting to 25% seeing, 75% projecting, to 0% seeing, 100% projecting. It can change moment to moment. Experiences can trigger you to open or close more.

See “Attention Moves By Phasing” in attention.php.

Rousing the Waking Mind
A loud, clear experience rouses the waking self.

Our waking mind gets pulled into the true dream scenario when the signal is strong enough, clear enough, that it can see it clearly. It shifts away from projection, “wakes” from its fantasies. “Oh wait, I see what this actually is!” It feels like it just left a daydream into a real scene and it gets engaged without wondering how it got there.

Otherwise, it might just remain engaged in fantasies because there’s so much space to imagine into.

Moving Out of Body

Extending Space

I had an experience of space extending forward from my forehead while meditating with my forehead resting on a table. The result is that I felt like I was rising up out of my physical body.

The satori, first. Inner eyes wide open. Images and scenery come. Satori returns and I experience space expanding in front of me, like a stack of white blocks appearing between my head and the table it’s resting on. When the waves return, I am rising and lowering and the stack is getting taller, pushing me upwards.

Table. This is like a stack of white blocks.

Another hypnagogic experience:

Visions of looking down on the desk from a higher perspective, seeing the catalog, my pen, in this exact lighting, very clear, as if:

Satori usually appears to be on a flat field. But a few times, satori appeared to take on depth, a tunnel extending straight forward from my forehead:

A 3D representation of satori.
Naota gets a bump after being hit by a guitar
in the excellent anime FLCL (Fooly Cooly)

You peer out of the third eye into another dimension by concentrating your attention fully and drawing your body sensations into your mind.

Drawing your body sensations into your mind.
(remove words)
Details: beneath the tunnel at the bottom
is the head and brain of someone lying down.

The edges of my head are fuzzy. I feel like I’m in a big wide bed and I am this little point of light rising out of it. I was thinking intently about something, then I felt myself SINKING and then felt a big jerk on my solar plexus, like it separated and pulled up for a second.

It’s known that one can astral project out of any chakra. In the experience above, I appear to be exiting through my third chakra. Taken with the next image, the arm I drew may be imagined as the tunnel extending from my solar plexus.

Pierce the Veil

Separation from the Body

Suicide and Dream Fire 1998 • 5:20 AM • age 24

I awoke. It was 5:20 AM — a perfect time for lucid dream experiments! I practiced MILD and then went through the counting: “1, this is a dream, 2 this is. . . . ” I was conscious when the paralysis began coming on but I kept being disturbed by jolts and strange physical sensations. When I got past them, this intense active energy filled me. I felt like something was about to happen. I kept pulling back, feeling that if I didn’t, I’d float away or expand to infinity. I even felt a sleep twitch and a straightening of my spine.

References: MILD (mnemonic induction of lucid dreams) refers to a lucid dreaming technique.

Lucid Descent: These experiences are very much like the sensations that precede OBEs. The sleep paralysis happens just before the separation of the astral body.

Hypnagogic Visions 1996 • age 22

As I fell asleep, I felt a weird sensation of being pulled out, like spacetime stretching, turning me inside out and trying to hurtle me forwards. It was pulling from my adrenal area near my belly and heart. It felt like perspectives changing, like the whole world was getting bigger or smaller in comparison to me.

Separation Sensations: These are sensations from the etheric/astral separation, something I rarely experience consciously.

I Felt It Move 2022

I had discussed with Ruby the idea of “asking for help” in getting OB before bed, but had always thought it strange. Who were you asking? What if some local ghost answered? But we thought it was likely the higher self. So I tried holding onto my awareness as I was falling asleep. After a while, during which my consciousness rose and fell, I felt my astral body move! I was lying on my side, and it was a brief falling sensation, about 6” to a foot behind me. As I thought about it, I understood the lack of body sense people describe in the astral body. Either the astral body was moving out backwards and I was feeling the falling sensation from the astral body’s perspective, or the astral body was moving out forwards and I was feeling the falling away sensation from my physical body’s perspective — there was no way to know.

It Moved!: There is dual perception at this point, from both the physical body and the astral body.

So asking for help worked! I’ve read about that from several sources. I don’t usually ask for help in life. I learned there’s usually a price. So I have that issue to overcome.

The Deep Sound

There’s a sound associated with going deep into dreams and out of body. It’s like a deep AAAAAAAA, like the deep, resonant voices of monks. It sounds like a great doorway is opening before you. As is often the case, dreams are so real that it often doesn’t occur to you that you’re dreaming.

Falling asleep last night, heard a rumbling maw in the distance and thought “is that the body exiting sound? . . . nah” Damn! It was like a deep, primal, opening of something huge, a deep deep rumble, a maw.

Going Under! 1997 • age 23

I was woken by Buttercup snoozing the alarm or something and then laid down facing away from her. I then got it in my head to turn over and wrap around her, and I felt the urge to but it was too late! I felt myself being pulled inwards and this mawing deep slow voice sound, like my voice, but slowed down to a deep “auuuuu,” like this sound:

Going Under:
Sound from this video by MusicMindMagic

The sound was startling and slightly disturbing. It was not physical — it came from a strange internal source, not through my ears. The pulling inward sensation was a pulling from the body sensation. Then there was an almost popping sound, like a transportation or change was occurring. When it was complete I lost all body sensation and then completely blacked out for 1-2 timeless seconds — a lot longer than I had imagined it would be.

After the 1-2 second blackout, I was back, in this dim space where I felt very small. I said in my head “Shit, I’m dreaming!” and then struggled to come back, with the singular motivation of rolling over in bed behind it. I didn’t even remember this until 5 minutes after I woke up for good (after another short dream).

Body Separation Experience: The way this came about was in the style of an OBE. A Lucid Dream begins as a dream, while an OBE begins while being consciously awake and watching the transition across.

TO DO: Find the tape recording of the DEEP SOUND!

The Boundary of Dreams

This entire section is KEY in understanding dreams.

Crossing into Dream Context

Marijuana brings us very near to the dream state. From here, I can see my dream context moving in and taking over the attribution of physical sensations.

Dreams and reality morph keenly into each other. Rustling paper in the physical world is interpreted as voices from the dream world. Dreams relate my guitar playing to The Tower (a recurring dream location). I’m slowly sliding into my dream contexts. They’re re-attributing my physical experiences. I’m seeing similarities up the stream: “This is like a pinball game, like The Tower now, now like yesterday in waking life.” It’s hard to say which one is more real. I’m experiencing the now in widely varying terms.

I’m dreaming using the same sensory data that my physical self is perceiving. I can feel the dream context impinging on the physical — faint traces of dreams, FEELINGS from the dream side, HINTS of other worlds. Its own context appearing around what I see with my eyes.

My attention is being drawn across to another frequency, another context (another world of meaning) that interprets and translates physical input. That context can completely reinterpret everything and relate it to itself, much in the way that any thought does. “How do these sensations relate to my story?”

Consciousness weaves perceptions into its context.

My wife and I were talking about her new technical job at work and she began to fall asleep. I sat down on the bed, and she said: “It would be nicer if you came into the comput . . . the phone book and snuggle with me.” I laughed and she realized what she said and explained to me that in her head, the phone list was the closest thing to the word “blanket” in the work context because “a blanket is something you pull over you, like pages of a phone book.”

Which context is more real? When falling asleep, physical body sensations fade and dream context becomes more and more real, until we find ourselves following that context instead. We tune into it. We project ourselves into whatever reality we are most focused in and so at that point we move about fully in a dreamscape.

I interpreted the sound of keys in the waking world as the sound of a dog’s chain collar in the dream. Once the dream context becomes more real than the waking one, waking sensations are attributed to the dream.

James, living in the astral, discusses the experience of being near to but outside the stage of physical reality:

Each barest whisper or muffled cry . . . appears also elsewhere, translated into a different medium.

It is as if one actor’s spoken line were simultaneously transposed into a musical note in some vast ever-continuing composition; into one original line or color or shape that was part of some massive, spectacular painting always in process. (Roberts 133-134)AJoaAPchanneled • modern • James

The signal is real, but what it means, what it is translated to and the terms in which it is understood, can be literally anything.

Main Source of Attribution Comes from Dreams

The transition from waking context to dream context is fascinating. It’s a switch over of attribution due to a change of context, and that’s IT. That’s ALL it takes. One moment the metallic sound is most likely the wind chimes outside your room, and the next, it’s the sounds of weapons clanging in battle.

This is absolutely essential to understand. Our physical sensations can be bent into any shape or form that will make sense based on our context — even a context we’re not yet aware of. Their actual form barely matters at all.

The Dreaming Mind Perceiving Physical Reality

These give me the feeling of the mind being in strange and unfamiliar contortions. In the dream state, it changes its shape and frequency, resulting in it being in positions from which normal physical stimuli are perceived in very different ways.

It’s like when I travel through strange maze-like catacombs or passages to get to different places. I can end up sideways or upside-down to the previous perspective, but the new perspective seems normal.

Reality Across Contexts

The hat on the table, while possessing all of the necessary paraphernalia of reality for that scene, might also, however, serve as a different kind of reference point for one of the other programs simultaneously occurring. In that reality, say program two, the entire configuration of hat and table may be meaningless, while still being interpreted in an entirely different way from a quite different perspective. There in program two the table might be a flat natural plain, and the hat an oddly shaped structure upon it—a natural rather than a manufactured one. . . . Any of the objects shown in the program you are watching, then, may be used as a different kind of reference point in another reality, in which those objects appear as something else. (Roberts 358)UR2channeled • modern • Seth

As you’ve seen, I’ve have had many experiences like this. When something (an object, person, sensation) appears in our context, it is interpreted within that context.

Ruburt found himself in an out-of-body state, looking at a jacket. It had four rectangular pockets. It was giant-sized. As he looked at it the front flap was open. In the dream he flew through this flap literally into another dimension, where the point of the flap was a hill upon which he landed. From that second perspective, the pockets of the jacket in the first perspective became the windows of a building that existed in a still-further, third dimension beyond the hill. . . .

He knew . . . that if the shades were pulled in the windows in Perspective Three, then the jacket-pocket flaps would appear to be closed in Perspective One. He also realized he had been directing the erection of the building in Perspective Three by making the jacket (in Perspective One). . . .

Ruburt was validly involved in the erection of that building, and he did indeed travel through various dimensions in which the objects in one represented something entirely different in another. . . . Any given object in one dimension has its own reality in another. (Roberts 362)UR2channeled • modern • Seth

What Seth calls “dimension” here I call “context”.

From a smaller scale, the objects on my desk could be interpreted as mountains and buildings. This results from a strong belief in our present context — one so strong that the possibility of an incongruous object does not occur to us — it must become something that fits our context. This happens instantly, without thought; it’s a natural translation into our context. This means each center of thought is a self-fulfilling prophecy, adjusting anything that doesn’t fit.

See also “Double Context” below and “Overlays” below.

The Dream State

What We Do in the Dream State

What do we do in dreams? The same things we do in waking life, without any of the work and responsibilities. It’s a time of socializing, exploring, adventuring, playing games, and experiencing stories.

Socialize

Just like in waking life, we are social creatures, and spend time hanging out with friends, family, neighbors, and anyone we run across. This is a large part of our dreaming experience. See the main section “Social Dreaming” below.

Pursuing Interests

Vacation

What would you do if you had the freedom to do anything? One idea: go on vacation!

Astral National Parks

Buttercup and I love visiting National Parks, and I find myself attracted to similar beautiful lands in the astral. It’s so much easier to get to them and the parks are so much more impressive in the astral world!

Yellowstone-Like Areas

Yellowstone National Park is one of my favorite national parks, and find my way to similar lands in the astral. Anything related to geysers, fumaroles, hot pools, volcanos, or lava grabs my interest.

Experience Stories

One of the most common things people do in the dream state is participate in stories. The stories are people’s memories, in the form of rotes — fully immersive wrap-around realities in which we can become the characters and even change the outcome of the story. People can create fictional rotes as well.

In waking life, we watch movies and shows, read books, and (even closer to this experience) play immersive video games.

Playing Games

This refers to in-person games with others in the astral or near realm. See “Playing Games” below and “Playing Games (Astral)” below under “Social Dreaming”.

Creating Drama

We can create drama when we’re looking for some excitement, either to challenge ourselves or just for fun — just as children do during imagination play.

Reliving Scenes

When our dream experience reminds us of a notable scene from a recent experience, book, movie, or game, that association can cause the dream to bend onto that track and take the form of that experience. We then relive that scene in a new way as our dream experience takes its shape.

From Memories

From Movies

From Video Games

It is not at all uncommon for the context in my dreams to be a video game I have been recently playing. In a video game, we enter a world with different rules where only certain actions are available to us. It is easy for a dream experience to continue under these limitations, in the same manner that it is easy to dream within the normal limitations of physical life — such as the idea that one is unable to walk through walls or fly.

Working Through Issues

We create drama in dreams that reflects our issues in physical life. In this way we engage with and prepare for how to deal with difficult situations by living through them.

Recurring Anxiety Dreams

Exploring Upcoming Events

Dream Research

Being as interested in the nature of dreaming as I am, this falls into the category of pursuing interests for me. When I become lucid in the dream state, I engage in experimentation with myself and my environment.

Overcoming Fears

Our dream self tests our waking self, putting it in different situations, training it to overcome fears.

Moving Beyond the Body

In the very first stage of sleep, the astral body separates from the physical body into the near realm, viewing the astral version of the physical world from its own higher frequency. This is the staging ground for all of our nonphysical experiences and dreams.

The Near Realm

Many times throughout the night, our focus shifts to the primary astral body within the near realm. The astral body may be within the physical body, just outside of it, or freely moving about. Experiences in or near the body include near-realm conversations, in which we converse telepathically with people near us in the physical world. At these times, we hear clear voices but the people aren’t visualized.

When the astral body is separated from the physical, we socialize with other dreamers in the near realm. It’s the state of hanging out with other dreamers in a room, going in and out of dreams, communicating, playing games, telling stories. The stories and games are considered “dreams” (See “Social Dreaming” below).

This is also the state where we end up in a false awakening, and write down or tell others about the dream we just had (see “False Awakenings and The Near-Realm” in into-dreams.php).

The near realm is, I believe, the home focus of the MetaDreamer, which is a focus encompassing dreams and waking life. This focus is aware of the time, day (if significant), body’s position, and sensory impressions from the physical world. It’s also aware of dreams from a higher perspective, orchestrating plans through the night, allowing the mind to transition between focuses.

This may be part of the NREM stages 2-3, which is far less visual and physically-oriented dream state. Sometimes thinking or dreaming is reported in this state. The other day I was snoozing, in NREM, and I was, in fact, just thinking.

See “The Stages of Sleep” in into-dreams.php.

A Dream Staging Area

I have experienced on many occasions what appears to be a dream staging area. I feel like I’m in an undefined cave-like space in a hazy darkness. This cave exits to a fully visualized place in the astral, and remains to an extent out of sight while I go about my adventures. I’m more aware of it in the earlier hours of the night.

I’ve also experienced this expansion of space in hypnagogia (see “Extending Space” above), and I once experienced the cave-like shape under hypnosis; the flat black screen of my visual field expanded outwards from me into a open 3D space (still black) in the rough shape of a cave.

It’s in this state that I sometimes feel the shape of the area I’m in but it’s not filled out with physical forms. It’s like the lines and boundaries are made of a mostly-transparent smooth material that’s like concrete or ice. When REM dreams begin, a visual environment can be overlaid on these spaces.

The Elevator to the Astral

The elevator to the near realm most often takes the form of a tall round shaft with a rounded cave at the top. It goes from the near realm to a real college and town in the astral. Exploring and talking with people here can lead to various dreams.

Digging shafts and caves in the arcade game Dig Dug
reminds me of tunneling through astral frequencies in
the dream staging area.
Image credit to Namco

The Research Station

There is one version of the staging area that appears to be linked to my reincarnating self, where I sometimes interact with other versions of myself. It appears my physical metaphor for this is a space research station and classroom like Starfleet Academy from Star Trek. However, everyone there is big, burly, bearded versions of me. I call this place Space Station Benji. It’s able to connect to any dream experience through a rounded opening, as if the dream experience were taking place in one of Star Trek’s holodecks. This comes rather near the truth of things, in fact.

The research station can connect anywhere to the dream

Returning to the Near Realm

The Corridor to the Near Realm

Of course all it takes to return to the near realm is to focus there. But we’re often in a dream in which our waking self has engaged to some degree and everything has taken physical form. When in this state, we return to the near realm in a physical way, by running through an empty space or a darkened, undefined corridor back to our bedroom and sleeping body.

Watching Someone Dream

Dreaming from the Near Realm

Many of our dreams begin from the near realm, in which we essentially go into a fantasy based on something we experienced there. They’re like daydreams that become real. At other times, we just settle down to rest in the near realm and have unrelated dreams.

See also “Due to Near Realm Perceptions” below. In those examples, perceptions of the near realm and the dream merge together.

Partially Dreaming

Rather than going entirely into a subjective dream, we can partially dream on top of the current scene. The other characters are real people, making their own choices, but interpreted through the lens of the partial dream.

Imagine kids playing pretend, or lovers role-playing.

Near Realm Differences

Near Realm Hallucinations

Making Physical Sounds

Hearing Your Physical Emotional Reaction

As we’ve seen, preceding our own speech is the thought we are about to speak about. This thought can be heard telepathically by others before we even begin to speak. We ourselves “hear” the physical expression of that thought as words in our head. When we speak, we are simply putting physical expression to that internal voice. The internal voice is the same, whether we give it voice or not.

Emotions work the same way. When we feel something strongly, we internally “hear” the physical expression of it — even as we’re expressing it. In the near realm we hear this expression out loud, and it feels like it’s coming from a different place, one closer to the physical. From this state, that physical sound our body made is very clearly “not us”.

Crying

There’s something about crying in dreams that’s unusual. Crying is a uniquely physical way of expressing sadness. I believe in this state we hear the physical body’s “inner voice” crying. That’s why the sound of it seems to come outside ourselves, from a place closer to the physical body.

Social Dreaming

Our nonphysical experiences can be very social, taking place in the more fluid but objective nonphysical reality of the near realm and the astral. These nonphysical social gatherings are a relatively unknown but important part of our nightly experiences — one from which we communicate and dream.

These experiences are the realm of the dream self. They’re more real and true experiences, often lacking the physical rationalization that is a part of many dreams. It corresponds to state 6) Astral Experiences (True Dreaming).

From this focus we can “go to sleep” to dream, and “wake up” from dreams back into the astral or near realm. Some dreams are rotes communicated from others.

Not only may he visit distant scenes of surpassing beauty, but he may meet and exchange ideas with friends, either living or departed, who happen to be equally awake on the astral plane. He may be fortunate enough to encounter those who know far more than he does, and may receive warning or instruction from them, he may, on the other hand, be privileged to help and comfort some who know less than himself. He may come into contact with non-human entities of various kinds—with nature-spirits, artificial elementals NOTE: thought forms, or even, though very rarely, with Devas NOTE: nature spirits. (Leadbeater 31)Dclairvoyant • Theosophy • Leadbeater

You also have quite a legitimate relationship with people that you do not know as you go about your daily concerns. And you perform work of which you are unaware. . . .

You are involved [in] many activities: helping people who have died, in your terms; speaking to others who are quite alive, in the dream state; learning to understand and manipulate subjective realities. . . .

You have begun to become aware of some of your own reincarnational existences [in dreams]. . . . You should also become aware of other personalities who work with you when your normally conscious ego is quieted. (Roberts 377-378)


You do indeed meet, many of you, in the dream state, at other levels of actuality. You exchange ideas. You help each other. You have, in those terms, an interior family. (Roberts 419)CWSchanneled • modern • Seth

Even today the ESP dream studies conducted at Maimonides stand as some of the best empirical evidence that, in our dreams at least, we are able to communicate with one another in ways that cannot presently be explained. (Talbot 61)HUscientific, researcher • modern • Talbot

See “Intentional Influences” in communication.php for details.

Last night, in dreamtime, you journeyed with me to visit my children. What a pleasant reunion we had. I wondered today, if dream memories carried over into their awakening? (Starnes 52-53)LFSchanneled • modern • James

See also “Communication” in nature-of-dreams.php.

Socializing in the Near Realm

Imagine you’re hanging out in the living room with a bunch of friends or family. Some of you are conversing, some are playing games. Others are deeply involved in their phones. We do the same thing when asleep. We gather together socially in our astral bodies. Some interact telepathically with each other while others go into dreams (their games or phones). They’re still nearby and somewhat easy to communicate with, but only partially aware of the room since they’re somewhat closed, engaged in their dreams. Your conversations, emotions, and activities in the living room might reach them in their dreams.

This takes place in the astral or near realm, sometimes in a less visually defined space, and sometimes in a fully immersive shared dream space (which may either be the astral realm or full scenery projected over the near realm).

After getting high with a group of friends in Banana House, I realized that we were all sitting in the same room, awake, but dreaming different dreams. When we communicate, our dreams begin to synchronize.

At night, the same thing happens. We’re all asleep and dreaming here in Banana House. Perhaps we’re hanging out in the hallway, or in the living room. I’m dreaming a happy dream while Brendan is dreaming a dark dream. When dreaming, we project different things onto the people and places around us.

Hanging Out with Friends

In my dream self focus, I identify some experiences as “dreaming” and some as “not dreaming”. Socializing in the near realm is considered “not dreaming”. It feels more real, with less involvement from the waking self. It lacks rationalizations. Social dreaming is a state from which we can go into a dream, and to which we return when we wake up from that dream.

The following experiences illustrate this socializing in great detail.

Continuing Parties After Falling Asleep

After drinking with friends and then falling asleep, I frequently continue socializing with people in the near realm.

Shared Experiences

I believe most nonphysical experiences are shared to some extent. This is usually the case when socializing in the near realm or astral, but usually not the case in rotes, in which unknown characters take a familiar form to convey their emotional meaning. Subjective dreams can be influenced by others nearby, whether the others are awake (astrally or physically) or dreaming themselves.

It requires both people remembering the experience upon awaking and discussing dreams with each other to confirm these, which is a rare thing.

I dreamed I met Elkington on the Common as arranged, but Slade was not present. We both knew we were dreaming and commented on Slade’s absence. . . . The next day when I saw Elkington, I said nothing at first of my experience, but asked him if he had dreamed. “Yes,” he replied, “I met you on the Common all right and knew I was dreaming, but old Slade didn’t turn up.” . . . On interviewing Slade, we learned that he had not dreamed at all. (Fox 47)APrOBEr • modern • Fox

“A Danish gentleman sought to improve his position by going to the city of Mexico. Some months after he left, I dreamed that I saw him sitting in my father’s office, and immediately ran up to him, exclaiming, ‘I’m so glad you’ve come back.’ He put his hand up, as if to repulse me gently, and said gravely, ‘You must not come near me. I am dying in Mexico of the sore throat, and I have come to tell your father.’ . . . Three weeks after, I overheard a gentleman say to [my father], ‘Well, doctor, have you heard about your friend H——?’ My father having replied in the negative, the gentleman continued, ‘I was told he died at Mexico, three weeks ago, of sore throat.’”

- Lita Jarratt (Gurney, Myers and Podmore )PotL1researcher • Society for Psychical Research • Gurney, Myers, & Podmore

This one is significant! This is clearly the dream self of the dying man, a) knowing that his body is in Mexico dying, but b) not knowing enough to realize sickness can’t be spread in dreams.

In addition, it is a shared experience. The man is not there for Lita, but both meet in the dream location of a third person — her father.

“The other night my husband and I dreamt at the same hour, the same dream—a subject which neither of us had been thinking of for months. It was a dream of wandering about our first home, and in it looking at the same spot.”

- Jane E. Fielding (Gurney, Myers and Podmore 315)PotL1researcher • Society for Psychical Research • Gurney, Myers, & Podmore

“When I was a young child . . . my mother took me into her room to sleep. She awoke in the middle of the night, or early morning, out of a dream in which it had appeared to her that the servant was attempting to murder her with a knife. I had awakened at the same time, and was sobbing in my crib by her bedside. Upon her inquiring what was amiss with me, I replied that I had dreamt that John was murdering her with a knife.”

- A. A. Watts (Gurney, Myers and Podmore 380)


“I went up in the afternoon to my room, locked the door and fell asleep upon my bed, having undressed myself and merely covered myself with the sheet, it being a warm day. After a while, I was startled out of sleep by dreaming in a very lively way that a gentleman, whom I had never seen before, was stooping over me. He was dressed in a dark gray tweed suit; he wore on his little finger a cornelian ring, and a small cameo pin which was a veiled figure. I observed that one of his eyes drooped a little. There were a number of Zulus standing behind him. When he bent down towards me he put out his hand and said, “Poor thing, you seem tired.’

“The impression was so vivid that I jumped off the bed to see whether the door could have come open, but I found that it was locked as I had left it. . . . In the middle of August we moved to Folkestone. . . . As I was going down the Military Hill leading from the camp to Sandgate, I met the gentleman whom I had seen in my dream, wearing the same clothes. He stopped, and looked at me, and said, ‘I think we must have met before.’ I said, ‘Yes’; then introduced myself, and told him of my dream. . . . He had dreamt of seeing me lying down in a white gown.”

- M. R. Wedgwood (Gurney, Myers and Podmore 593-594)PotL2researcher • Society for Psychical Research • Gurney, Myers, & Podmore


“I fell asleep, and it was then that the idea of my grandmother’s illness or death (I am uncertain which) first came to me. . . . Every particular of the room which I saw was strongly impressed upon me; that the old lady was breathing very heavily; and, strangest of all, my mother, who was and is in Australia, seemed in the room. She, as I thought, turned to me, saying, ‘I fear, Duncan, she is dying!’ How long it was before I wakened I cannot say; but every fact was strangely distinct, for I seem to remember even the ticking of the clock. The gas being quite bright when I awoke, I rose to extinguish it, and quite accidentally noticed the time.

“On receiving the intimation of her death . . . the time, I noticed after my surprise had passed away, was between 4 and 5 a.m. . . . The time I had noticed was 5:30.”

- John D. Best (Gurney, Myers and Podmore 411)PotL2researcher • Society for Psychical Research • Gurney, Myers, & Podmore

Two people asleep in different parts of the world appear and interact at a third location.

Examples of “collective” dreams, in which a large number of people sleeping in the same location all experienced a similar dream were mentioned by Manaceine. One of those involved a group of several hundred soldiers who slept in a “haunted” abbey because quarters were scarce. They awoke screaming and fled the building in terror, complaining that a large dog with long black hair had jumped upon their chests and disappeared through an opening. They refused to sleep there the following night unless the officers stood watch in the building. Although the officers obliged, “about one o’clock, in all the rooms at the same time, the cries of the previous nightmare repeated, and again the soldiers rushed out to escape the suffocating embrace of the big black dog.” These dreams vanished after they left that location. (Van de Castle 101)ODMresearcher • modern • Van de Castle

I succeeded in projecting myself into her room. . . .

I . . . went over to her dresser, put my hand upon her hair-brush, walked over to her and put my hand upon her shoulder, stood there for a few moments, then went back and placed my hand upon the hairbrush, then back to her again, etc.—repeating this about a dozen times. . . .

The next day I inquired if she had seen me in her room. “No,” was the reply, “but I dreamed that you were there. . . .

“I dreamed that you were trying to brush my hair . . . and that you kept running back and forth, trying to find the comb, and that I kept telling you it was on the dresser.” (Muldoon 242-243)PotABOBEr • Spiritualism • Muldoon

Notice how Muldoon’s friend weaves a story around his strange actions, in an effort to make sense of them.

Interacting with Other Local Dreamers

Playing Games

While hanging out with other dreamers, we come up with unique games to play.

Cross-Country Road Trips

I go on a lot of cross-country road trips with friends in the near realm. These typically involve a car rationalization. The purpose is to hang out with new and old friends, to attend gatherings, celebrations, and raves, and to visit parks, take tours, and see sights.

Visiting Other Countries

The US is huge, and I usually remain local to America when in the dream state, even though I travel far and wide. In rotes, I translate everything back to familiar American terms.

So it’s surprising when I travel to another country and the architecture and people are quite different.

Waiting for a Friend to Go to Sleep

Others Departing as Morning Approaches

Socializing in the Astral

What’s the difference between socializing in the astral and near realm? The near realm reflects physical locations, and while it can appear fully formed but there’s a sort of transparency to it, a different level of perception. The astral is more vivid. It’s painted in full color, fully formed, and doesn’t reflect any physical location.

Hanging Out with Friends (Astral)

Shared Dreams (Astral)

This section shows some dreams that were verified to be shared by those involved. It also includes some that had such an accurate representation of a person involved, behaving in unanticipated ways, that it must have been them.

“I dreamed that for some reason or other I had poisoned a woman, and the same night Mrs. Toy had a very vivid dream, in which she thought I was going to be tried for having committed a murder.”

- Edmund Toy (Gurney, Myers and Podmore 314)


[Mr. Merrifield] had a most distressing dream in which his death was foretold to him as about to happen within 24 hours. . . . He then told the whole story to his wife.

She immediately said . . . “I had dreamed most vividly that I was a widow, and the pillow was actually wet with tears. I never had such a vivid dream before, and it has troubled me ever since.” (Gurney, Myers and Podmore 316)


“The dream you ask me to narrate took place in 1856. . . . I had a vivid impression that I was dying, and awoke with a start to hear my husband sobbing so painfully that I aroused him to ask what was the matter, upon which he said the he had dreamt that I was just on the point of dying.”

- Mrs. Willmore (Gurney, Myers and Podmore 316)PotL1researcher • Society for Psychical Research • Gurney, Myers, & Podmore

Playing Games (Astral)

Playing Pretend

We sometimes play pretend in the astral, as children do. Sometimes this results in the creation (projection) of thought form scenes, characters, and objects as we get more into it.

Board Games

Board games are popular in the astral — especially those with miniature characters or environments. This is because we can occasionally project ourselves into the scenes and become part of the action.

Projected Games

Some games are projected on top of an existing environment, like an augmented reality game.

Thought Form Games

Social Activities in the Astral

Amateur Performances, Talent Shows, and Competitions

Spontaneous Channeled Group Songs and Performances

This is my favorite thing in dreams. My absolute favorite.

Sharing Popular Rotes

Just as in the physical, we share the best or funniest story rotes with each other, and they spread across the dream world in this way.

Festivals and Gatherings

Some time later I’ve “woken up” in a place in America. It is a sort of “dreamers’ convention” — gathering of vivid dreamers. At one point I’m sitting on a bed. Have two toothbrushes. Wonder if this is a dream. Easily pass them through one another and realize that it is.

(Subject N.C.) (Green and McCreery 20)LDPLDer • modern • Green & McCreery

See also “Learning” in nature-of-dreams.php.

Astral Theaters

Going on Journeys Together

Practically every night I go on a journey somewhere, often with Buttercup.

Gathering News

This is rarely the reason for socializing in dreams these days, since news is ever-present and immediate. But sometimes, when communication breaks down or there is an important event occurring overnight, we can learn things through dreams.

Social Movements

Who We Dream With

Roommates, Housemates, Bedmates

The people sleeping near you are best positioned to appear in and influence your dreams.

Running with Groups for Periods of Time

Part of the continuity in dreams is socializing with the same group of people for a few weeks or months. Often these are people we’ve met in dreams.

Friends Known Only in the Dream World

After spending so much time socializing in the dream world, I’ve made a lot of friends. Rarely do I recall their names. Here are a few examples:

Adversaries in the Dream World

Luckily this list is a lot shorter. Only one comes to mind, and I don’t know any of the backstory.

Different Dream and Waking Relationships

Someone Joining Our Dream

We jump into dreams and rotes together frequently from the near realm. Anytime we communicate with someone, we can enter their dream (or vice versa) through the energy bridge. We can even observe their dream without going entirely into it.

Our Effects on Others’ Dreams

Being that we dream socially and interact, it follows clearly that we have effects on other people’s dreams.

See also “Shared Experiences” above and “Shared Dreams (Astral)” above.

Convincing Others They’re Dreaming

Rarely does anyone believe me when I tell them we’re dreaming, and never has anyone grasped the full meaning of that.

“I am on a high hill above a lake, searching for Indian artifacts. It seems that I am being told about the culture which existed in the area during primitive times. . . .

“At this point Alta walks by. I ask ‘Do you know that we are dreaming?’ She laughs. So I point out the three stone objects on the ground. In their midst items of silverware begin spontaneously to appear—first a fork, then a cup. I look at her face. She is puzzled, seemingly on the verge of ‘waking up.’ I take the items away and other objects appear. We begin to laugh as the process speeds up. We are inundated with beautiful silver objects. Then I awaken.” (Sparrow 8)


Suddenly I realize that we are dreaming. . . . I look down on the girl and say, “We’re dreaming!” She scoffs at this and refuses to believe me. I tell her that I will prove it to her by temporarily withdrawing from the dream. As I do this, I hear her gasp in surprise, so I return. She is elated when she realizes that she has nothing to fear. (Sparrow 20)LDDCLLDer • modern • Sparrow

Sometimes I will be SLY with the person and not let on that I know I am astral projecting. I will approach the person and interact with them in a matter of fact way, without any indication that I know I am projecting. Whatever is going on, I will just go along with it. Then, out of the blue I will say something to the effect, “Hey, wake up, we are in the dream world; This is all a dream.” Often, in such circumstances, the person looks at me as if I am joking or I am a nut. And then, I will float up about five feet off the ground and say, “Ha! Can you do this in the physical world?”. When I do this, I often elicit a reaction of surprise from the person I am talking to. They no longer think I am joking! . . . However, depending on the circumstances, they will either fall back into their catatonic stupor, or I will bring them into some kind of adventure or another. APCOBEr, LDer • modern • DeGracia

Farces and Misunderstandings

Misunderstandings are commonplace in dreams, what with people often being in different contexts, thinking what’s happening is physical life, or unknown characters appearing as people we know.

Farces are natural occurrences in dreams.

Following Another Dreamer’s Plot

When we’re in a rote, we’re experiencing someone else’s story. Rotes are very common in dreams, both as a part of conversations (telling a story), and in recreation (books, movies, etc). Since the characters are usually replaced by people and places with the same emotional meaning to us, they sometimes don’t seem like someone else’s story, even though they are.

Outside of rotes, we regularly encounter independent dreamers having their own experiences, following their own plot lines, and they sometimes pull us in and change the course of our dream.

Joining Someone’s Dream

It’s possible to enter someone else’s subjective dream experience.

I turn around to see that Treenie is standing nearby.

I gasp. “What are you doing here?”

“Trying to decide if I am in your dream, or if you are in mine.” (Roads 8)IaTROBEr, LDer • modern • Roads

Being a Supporting Character

A lot of times I happen upon weird events already underway when I arrive; a bit of objective dream reality happening in the astral world around me.

Doctors

Beware of doctors in dreams. They will do the most horrible stuff to you.

Revisiting Interrupted Relationships

In physical life, relationships and jobs can end abruptly. We don’t just slowly stop going to a school or college — we graduate and then are done. But our long-term focus on those things don’t just stop. Our invested attention only slowly fades from our minds and so we find ourselves returning to those people and places in the dream state.

Break-Ups

When a relationship ends, not due to disinterest but due to circumstance, we often continue them for a time in dreams. For me, this applies most to girlfriends and friends left behind after graduating.

Workplaces

I find it’s not unusual to visit past workplaces in dreams, especially in the months following my time there. It’s as if lingering thoughts from the routines and relationships with people there draw me back.

Visiting Past Homes and Schools

We may also return to places we used to live or go to school. In such a case, the current residents might be unknown to us.

The Dream Friend — The Other

In many dreams I find I’m drawn to use the word “we” when describing what I’m doing. It feels as if I am accompanied by an unseen “friend”. It’s not clear upon waking who it is, but there’s always a sense of warm companionship.

Sometimes this “we” refers to myself and the character I’m inhabiting in a rote. At other times I’m in my dream self focus and the “we” refers to my waking self riding along with it. Sometimes it seems to be Buttercup, who I have a long-time open connection with, and who also enters my dream context whenever she shifts in bed next to me.

The Waking Self

The Character I’m Inhabiting

For more examples, see “Character Inhabitation” in attention.php.

Opposition and Willpower

Willpower is the sole factor determining who wins a fight or sporting event.

Fights

Sports

The trouble with sports in dreams is that your acts of will always succeed unless it’s against a dreamer with an equal or greater will. You play with perfect skill and what you want to happen happens — even if it requires going into a subjective reverie to experience it.

Traps, Tests, and Experiments

Being Tested

Astral Experimenters

Places Made to Prey On Dreamers

It surprises me how many times I’ve encountered places that are made to prey on dreamers. It’s not something I’ve ever read about. These places seem like they’re meant to trap dreamers within like a venus flytrap. They use a variety of tricks to accomplish this, playing on our fears and desires.

These places are made to trigger us into a “waking self fragment”, a state of shortened context in which the waking self fully believes that the dream is waking life with all its consequences. This usually results in the expression of strong emotions, which may be their purpose. We essentially act as power generators for those in the lower astral (where these places are) that have cut themselves off from the flow and seek energy from others.

Put this together with dreams where the dreamer appears to be tested or experimented on and the behavior modification of “The Orange Light”, and it paints a unsettling picture of some of the things going on in the dream world.

This isn’t just an astral phenomenon. There are people in waking life who antagonize others and feel good when they do — they are unknowingly absorbing the emotional energy their victims release. In fact, there’s a stage of childhood where children (boys, usually) get a rush of energy every time they antagonize someone. You can see it in the smile on their face afterwards. This may be a response to the separation of the dream self and its stronger flow of energy at around the age of 7. This may continue to differing degrees through the next period of their lives, from 7-14. They “rage bait” another person unless he is “cool” or “chill” — a reference to the diminishing returns of emotional energy coming off them. My son’s own strong emotional reactions encouraged more antagonizing behavior until he learned to let it roll off him. Perhaps that’s why so many men grow up to be emotionally closed and unavailable — a state of being closed off to the flow of energy.

See “Antagonizing for Energy” in planes-of-consciousness.php.

Others in the Astral

True Dreamers

On rare occasions, I’ve spent time with another dreamer focused in their dream self, using an intimate knowledge of the astral world.

Pranksters

I love running into astral pranksters. These are people in their dream self focus creating humorous situations to mess with people.

Spirit Guides

Powerful Souls

Disturbed Souls

Experiences in the physical can really twist up some people, who close to the flow and obsess about their negative experiences. They may think themselves into scary shapes and project frightful images of themselves. These are temporary states, and though they may go on a long time, they will one day come out of it and continue their journey of awakening and remembering.

Nonhuman Spirit Beings

In the astral we may encounter nonhuman spirit beings like animals, fairies, guardian spirits, and things you’d never heard of.

Our Pets

Animals

Other Astral Beings

Thought Form Automatons

Thought forms imbued with enough attention can last a long time, performing their prescribed duty of protecting, relaying messages, or even engaging in games.

See “Thought Forms as Gods, Ghosts, and Protective Spirits” in thoughts.php.

Messengers
Guardians

Gateways, Memories, and Subdreams

Gateways

A gateway is a passage from one setting to another through a picture, book, movie, or anything else which draws us in. In some cases, we are entering a rote (story experience). In others we’re just entering into a new setting.

We go through gateways when what’s on the other side seems more interesting or fun than where we are. We do this simply by focusing our attention on the gateway, and (mostly) forgetting where we are and what we were just doing. As our focus grows, we move into the new scene. Going through a gateway can be considered entering a subdream.

These transitions are done through phasing (see “Phasing and Tuning Consciousness” in movement.php). Attention shifts from our present location to the gateway, leaving a tiny part of ourselves (our phased attention) behind us like a foot in the door. We can travel from gateway to gateway in this way. When we exit a gateway, we return to the scene we came from. There are no limits to how deep we can go; we can go from gateway to rote to rote to gateway to rote, all without returning back the way we came.

Should our attention be drawn too entirely into the new scene, we may literally lose our place in the previous settings such that we lose the thread and forget where we came from. We can still return there later, but not the way we came.

I’ve returned through several rote gateways, but I don’t recall returning through location gateways.

Location Gateways

Location gateways take you to a new location context.

The Journey Begins by Lester Lieske shows an example of a picture gateway

Pictures

Picture gateways includes posters, pictures, cards, and maps; things representative of a place rather than a story.

This same effect can happen from an OBE perspective, as Peterson discovers:

I went to go through the wall into the lounge, where there was more light, as it was pretty dark in my room. Suddenly I was in a strange world. “Where the hell am I” I thought. There was very dim light and there was a damp fog all around me. There was a large building in front of me with an old fashioned thatched roof. To the side of me was an old rail fence made of massive, rough hewn timbers. I leaned against the fence and thought about it all. I looked past the house and saw the reflection of water. There was a lake on the other side of the house. . . .

Then it hit me, why this scene was so familiar to me, I was in a picture! I have a large picture hanging on the wall in my room, in the exact position where I had tried to pass through the wall. This picture has an old house with a thatched roof and a rough hewn fence around it. There is a lake behind it and it is early dawn, when the sun is just starting to illuminate things. There was no doubt about it, I was in my picture.

I’d had enough of this, it was too dim to enjoy the projection, or to do anything. I focussed (sic) on my physical body, which I could still feel. I concentrated on moving my mouth and eyes and this soon brought me back to my physical body. . . .

Within a couple of minutes I was back out of my body again. “This is great,” I thought! I hovered above my body and looked about the room. There in the gloom was the picture on the wall, the one I had entered by accident. I went towards it again, just to see if it would happen again. As I got closer it got bigger and bigger and I seemed to shrink into it. As I got right up to it, instead of passing through it, I seemed to move into it and there I was again in this dimly lit, damp world with the old house and the fence. Everything felt real about it, the fence felt like wood and even the air smelled different, it had a farm like, swampish smell about it. ToPOBEr • modern • Bruce

Miniatures

Moving into the size context of miniatures is a different sort of gateway. We end up not in another place, but at a different scale. This can occur through focusing on action figures, models, toys, and board games. See “Changes in Scale and Perspective” below for examples.

Mirrors

Light does not reflect in the astral. When we encounter a mirror, our expectations might project a reflection there. We can cross through it into a reverse version of where we just were. This takes us into a fantasy world.

Rote Gateways

We enter into rotes (recorded story experiences) to experience them. This makes them a type of gateway.

Books

Rotes can take the form of books. We can enter the book as a whole, or in the case of comic books, graphic novels, and illustrated books — we can enter through a specific picture gateway.

Libraries and comic book stores are places filled with gateways in the dream world. And, in a way, the physical world as well.

Video Media

Memory or story rotes may take the form of video media, including movies, videos, TV, and video games. The box for a movie or video game can also act as a picture gateway into the rote.

Web Sites

The web is the latest form that rotes can come in.

See also “Rote Gateways” above.

Without Rationalization

Subdreams

A subdream is a dream within a dream, whether through a gateway, rote, or just zoning out or falling asleep within a dream. When you stop and think in dreams, you will usually go into a subdream.

Imagine you’re walking down a hallway and you see an interesting poster. You stare at it, and it becomes a gateway. You enter it into a subdream. As you finish that dream, you reappear in the hallway by the poster where you left off and continue along your way.

You have to finish a quest before you return.

Reveries

Just like in waking life, things can get boring while traveling or waiting for something in dreams. We can become lost in thought and daydream, or occupy ourselves with our phones where we can communicate, play games, read stories, or watch videos. At these times we can call up some entertainment or invent some drama. When we do this, we go into a reverie subdream.

The only difference is that in dreams the transition is complete — we become fully present in our distractions for a time. Then we return to the scene we were in previously.

These reveries are not necessarily private. In a few situations I remember someone watching one of mine, or joining in one.

Full Reveries

Full reveries happen in a little internal world, usually unrelated to our current context.

Reverie Projections

Reveries don’t always take us into an entirely different scene. Sometimes they are little bouts of imagination projected out into our current context.

Being Given Anesthesia in a Dream

Unknown Gateways

Sometimes the specific gateway is forgotten, and we just remember entering a subdream, and possibly also returning from it.

Memory Rotes

Memory rotes are a hugely important part of dreaming. Engaging with them makes up a significant portion of our dream time.

See “Sharing Memories” in communication.php.

Scene Transformations and Transitions

Imagine, if you will, that someone is distractedly watching your waking life. They’re watching your whole experience, not differentiating between the sources of that experience. If someone were watching me, for example, they’d see me get out of bed, do my morning routine. But my attention would barely be on that. Instead, I’d be focused on thinking about that scene at the party in the book I read the night before. They’d see me reliving it, and imagining telling my wife about it. Downstairs, while eating breakfast, I go to a website on my phone and watch a video about a festival in India. In my mind’s eye, I appear to be there in the action. Now I put my dishes away, talk with the kids, then play a video game where I’m a gun-bearing warrior in a wasteland. This watcher is unfamiliar with physical life and doesn’t understand the transitions. I’m just appearing suddenly in different places, as different people, doing wildly different things. Now I ride a bike to work through forest and city scenes. I see someone at work who tells me a story about their trip to Glacier National Park. They show me pictures and videos. I feel like I’m there. I recount an experience I had while there, reliving it mentally. Now I’m writing code on a computer, flashing back and forth between screens of code and the resulting web pages. I return home, and while having lunch I read a chapter from a graphic novel in which a group of people is exploring different dimensions. My waking self knows these transitions well and connects them to their different sources — videos, stories, books, games. But to the watcher, my inner experience changes wildly from time to time without explanation.

This is how we perceive dreams. Catching and understanding the transitions are key to understanding them.

 

There are several reasons for the scene to change, including passing through gateways, going into (or coming out of) a reverie or rote, sending or receiving communications, travelling, or simply thinking about something new. Scenes can also change outside of these circumstances. They can change in place (transformations) or change to an entirely different scene (transitions).

The astral world is incredibly responsive to our thoughts, and takes the form of our thoughts almost instantly. This responsiveness is at odds with our physical belief in object permanence. Without that belief, when our attention turns from something, it would instantly cease to exist for us, and what our attention turns to would snap into existence before us.

Typically, scene transitions and transformations require a break in the continuity of our perception to overcome the expectation of object permanence. This break in perception can be due to an object in the way, such as a wall or door, closing our eyes, turning or spinning around, turning a corner, passing through a doorway, or simply leaving and then returning. Of course nothing actually impedes our perception, but these are all physically familiar triggers that allow for a change of scene.

The shortened context of being closer to the now in the dream state helps this to happen. We have to be able to forget what the scene was a moment earlier. Otherwise our memory would span the gap and our expectations would cause the scenery to remain the same.

We can be anywhere instantly if we desire to and know how. It’s only physical habits that hold us back.

Different dream places fade in as I change my focus from thought to thought.

Object Permanence

Things remain the same in dreams because we expect them to. This is the expectation of object permanence we learned by living within a physical body. For our environment to change, we need to either travel in a physical way to someplace new, or we can interrupt our perception of the scene around us, allowing a new one (or a changed one) to take its place.

Breaking Continuity

Breaks in continuity (usually visual), allow the scene to change, bypassing our belief in object permanence.

Brief Waking Interruptions

Dreams are clothed with forms that are familiar to us, forms that we understand and which convey meaning to us. These forms can be shaken off due to a momentary awaking or shifting in bed. Upon returning to the dream, it may have taken on different forms. It’s the same dream, but with a different appearance.

When the story continues (rather than restarting), the different forms might be because for the current part of the story, different scenery and characters might fit better.

While the scenery and characters may change, the same plot continues. The plot is the essence of the story.

Closing Our Eyes, Turning Around, or Spinning

Closing our eyes, turning around, or spinning allows the scene to change by creating a visual discontinuity that gets around our belief in object permanence. These are well-known techniques used in lucid dreams and OBEs to change locations.

Several subjects have found that covering or closing their eyes in the lucid dream, and thinking of the change of scene which they would like to see on reopening them, has had the effect of producing the desired scene, or at least something approximating to it. (Green and McCreery 97)


A lucid dreamer decided that he would prefer to be in a glass-house at Kew Gardens, rather than travelling on the London Underground, as he seemed to be doing at the time. The result of his concentrating on this idea was that the roof of the carriage began to look dome-like and semitransparent, and his fellow passengers began to sprout twigs and leaves. Cases such as this suggest that what lucid dreams find it difficult to produce is not just discontinuities related to the level of brightness, but sudden and total discontinuities of any kind. . . . One might say that lucid dream imagery seems to “prefer” to proceed by evolution rather than revolution. (Green and McCreery 112-113)LDPLDer • modern • Green & McCreery

Saint-Denys discovered that placing his hands over his eyes in a dream could blot out the existing setting and enable him to fix his attention on whatever new objects or events he wished to evoke. (Van de Castle 97)ODMresearcher • modern • Van de Castle

I turned and looked at his door and it was closed. I did my new trick and looked away, then looked back, and it was open. APCOBEr, LDer • modern • DeGracia

I turn around to have a last look at the city. . . . The city has vanished! . . . Even the landscape of hills has vanished. An undulating plain of short, pale green, fine-bladed grass stretches out before me. . . .

I can see the water sparkling far below me at the bottom of the hill. . . .

Turning back, I gaze once more at the vacated city site. . . . A pair of vast silver Gates has appeared, hundreds of feet wide and as many high. (Roads 90)IaTROBEr, LDer • modern • Roads

This same behavior is in effect in “Destruction vs Object Permanence” below.

Passing Through a Barrier

Passing through a barrier creates a break in continuity that lets the scene change. This can include walls, floors, the ceiling, the ground, and the surface of water.

When Exiting a House

It often happens that when one exits their house in an OBE or in the dream state, they transition to a new location. Sometimes this new location is visible through the window before exiting.

There are three reasons I can think of for this. The first is that the break in continuity when passing through a wall or opening a door allows a change of scene. The second is that one may be passing out of the range of the etheric body, which acts as our anchor to the near realm. The third is that one’s house is often a metaphor for one’s physical body, and upon passing out of it one enters a new environment.

See also “Astral Body Separation” in nature-of-dreams.php.

In order to function, in real time, close to the physical dimension; [the astral body] must contain etheric matter. ToPOBEr • modern • Bruce

Left my body and passed out of the house. Sudden transition to a strange town or city. Night, and the streets crowded. Moved about unseen by the people. (Fox 88)


Left my body and passed out of the house. Sudden transition to an oriental city. Bright day. Crowds of natives, who looked like Indians, and some Europeans. (Fox 89)APrOBEr • modern • Fox

Through the window [of his bedroom] I saw that I was quite a few stories off the ground, and there was an unfamiliar city off in the distance. I decided to fly about and explore.


When I got on the roof over my bedroom, I looked out across the street (which does not exist on the physical plane). There was a row of very quaint houses of a typically American design. APCOBEr, LDer • modern • DeGracia

The following is from a lucid dream:

On pulling up the blind, we made the amazing discovery that the row of houses opposite had vanished and in their place were bare fields. . . . I opened the window and climbed out on to the sill. I then jumped, and floated gently down into the street. When my feet touched the pavement, I awoke. . . .

As a matter of fact, I was very nervous about jumping; for the atmosphere inside our bedroom seemed so absolutely real, that it nearly made me accept the manifest absurdity of things outside. (Fox 69)APrOBEr • modern • Fox

The first lucid dream I remember having was when I was only 7 years of age.

First, I had an ordinary dream of which I don’t remember much. By the end of this I was together with a schoolfellow in my playing room, when I suddenly realised that I was dreaming.

I therefore said to my friend: “Hey, wait a minute – we’re dreaming!” He seemed to ignore what I had just said. . . .

I didn’t become angry. Instead a sensation of wonder and a feeling of possessing superior knowledge overwhelmed me. Then I went to the windows, which were covered by drapes, and shouted out loud: “So you don’t believe me! Well, then look for yourself!” And while saying this I pulled down the curtains.

Outside was a scenery quite different from that of the “real” world: a small village in the most beautiful colours, and covered with tinsel. All the buildings seemed to be glowing. I could see a church and also hear the sound of church bells.

It was a very beautiful sight and the mood of the situation felt so nice, so I didn’t hesitate to jump out of the window and into the village. (Green and McCreery 126-127)LDPLDer • modern • Green & McCreery

(Subject O.D.)

I saw through a window up over the sink that it was raining outside, and I could feel that pleasant fresh feeling that one feels on warm and sunny rainy days. I was really surprised that it rained on the astral plane and that it felt so similar to what it’s like on the physical plane. I really wanted to go outside and feel the rain for myself. I tried to pass through the wall to get outside but I couldn’t. I tried to go forward and backward, but just couldn’t pass through the wall. The window was open, but there was a screen blocking my way. I tried to open the screen but couldn’t, so I decided to tear the window out. I smashed through it but the hole was too small to crawl through, so I tore away the wall around the window. But the hole was still too small to pass through! So I tore down the whole kitchen wall! I figured, hell, it was just somebody’s thought-form anyway, and they could reconstruct it easy enough! Now the hole was big enough to climb through and I jumped through it. But I wasn’t outside! Instead, I was in a strange and unfamiliar hallway. I turned around and the kitchen with the hole in the wall was gone! There was just a door there now. APOBEOBEr, LDer • modern • DeGracia

Even when the thought form barrier is removed, passing outside the house causes a transition to a different location. This has happened to me, but I can see the unusual location outside the windows, such as the Blaine House courtyard outside the windows of my apartment in Atlanta or outside my room in the Dark Tower.

Turning a Corner

Closing and Opening a Door

Leaving and Coming Back

Hallways, Tunnels, and Bridges

A hallway, tunnel, or bridge allows us to exit one scene and enter another. By their nature, the old scene is left behind us, and a new one can expand into being ahead of us.

Bridges are more natural physical rationalizations when traveling at faster speeds.

Scene Transformations

Scene Transformations refer to instances where the scene retains much of its original character and appearance, but changes in various ways.

For example, an explosion changing a scene while you’re watching is too large of a change to happen while you’re watching. Object permanence is battling with your expectations. But close your eyes a moment and when you open them, your expectations will have changed the scenery around you to charred wreckage.

While Retaining the Same Shape

What we are often experiencing in the astral is an objective reality that we are painting over with familiar physical imagery. Depending on what fits best, we paint that scenery onto the scene to make it physically familiar and understandable to our waking self.

When context or the story changes, a different type of scenery might make more sense and replace the previous scene. Or our thoughts might simply wander to a different topic which paints a different scene onto our surroundings.

When Moving to Higher or Lower Realms

When Changing Floors

Towers — Vertically Repeated Rooms

A hyperspace tower is a room repeatedly stacked upon itself. As you go up, each one is smaller in size than the one below it. Each higher level may be the same room in a slightly higher frequency domain, meaning that it is closer to the now and has less expansion into space.

Chinese tower architecture seems to be a representation of this. An example of this is the Sun Pagoda.

A hyperspace tower of the same room, repeated
but smaller and brighter each time
The Sun Pagoda in China
Image credit to Tony Jin
under this license

The Tower is a long stretch of possibility. The Dark Tower is this room right here in Banana House stacked upon itself over and over again. It’s repeated patterns.

A hyperspace room is a tower — always! Long stretch of possibility = the tower, great challenges.
The Tower of Babel, of hell = simultaneous dreams? Repeated patterns = the tower!

Now, if you are on a lower subplane, how to you get out of it? One trick I learned is the following: fly through the ceiling of wherever you are at. When you do this, you will go through the ceiling and come up through the floor of the same room you just left! But actually, it will not be the exact same room; it will be the room but on a higher subplane. Do this a few times until you see light outside and do not feel the heavy, eerie feeling anymore. You will then be on a higher subplane. This does not always work, but it does work sometimes, so it’s worth giving it a try.

I flopped out of my body and rolled onto the floor. My vision was blinking but I quickly realized where I was at and thought, “Shit! I gotta get outta here!” I saw I was on the lowest astral plane. I felt that dark, heavy uncomfortable feeling. Everything was in grays and browns. And worst of all, there were ghoulies all over my bedroom! They were broken and twisted bodies, moving about in their lethargic fashion. At least I didn’t get frightened this time. I stayed level headed. My first thought was to wake myself up, but then I thought, “no, I’ll just go to a higher plane.” So I flew upwards through the ceiling, passed through the ceiling and came up through my floor. I did this a second time. Now there was sun shinning through my window and the ghoulies were gone, and everything was in normal colors. I was quite pleased with myself.

I flew through the ceiling, this time going outside the house. It was sunny and beautiful outside.

APCOBEr, LDer • modern • DeGracia

Gradual Transformations

Expanding Around Us

New scenes can expand from small points until they surround us and become our new environment. This is usually perceived in physical terms as approaching the new scene. But when in an enclosed environment like a house, this makes less sense than the scene before us simply expanding out around us.

This is equivalent to a thought form expanding or our descending into a rote.

Following Rationalizations

These scene transformations follow a rationalization, giving that rationalization a more natural setting.

It may seem odd that while we can rationalize fast movement to calm the waking mind, the dramatic change of scenes that can follow aren’t enough to wake it up. It makes sense as low-context focus following. When the rationalization (say, a surfboard) becomes my primary focus, the scene changing to match it (a beach) only reinforces the rationalization. This is because once I’ve focused on the surfboard, the previous scene barely registers and is quickly forgotten.

Accompanying Character Transformations

The following dreams show the true flexibility of the mind, and reveal how easily and entirely the characters and surroundings can change while the essential story continues.

This is the “Roaming Context” I speak of from marijuana experiences. The story continues while the forms shift from one context to the next to the next. Dreams like this imply a shorter context than usual, a “higher mind”, closer to the formless. For more, see “How Context Determines Meaning” in pure-essence.php.

Changes in Scale and Perspective

In the astral, scale is easily changed. You can zoom in or zoom out to any degree relative to your surroundings. When you enter a rote, you shrink down into it, then expand back out of it when you exit. This changing of scale can be accomplished at any time.

Our “location” at any given time is due to what we’ve expanded out around us with our attention, whether it is a subjective memory or objective place.

This natural scaling of perspective is why toddlers will sometimes try to sit in doll-sized chairs. In the astral, we’d naturally scale to fit.

The dreams “Hanging Out with Friends” and “The Green Dragon of Sauron” in “Overlays” below are also great examples of changes in scale.

Merging Scenes

Any time our overall attention shifts to something new or we receive a communication from someone, we may end up with multiple scenes around us. Our waking mind often assembles these scenes into something that makes sense within physical space. A lot of strange dream environments are a result of this spatial rationalization. Different scenes appear and we try to place them within our current physical environment.

Merging In Communications

When we receive a rote or telepathic communication with imagery, we sometimes merge that imagery in with our current environment as a spatial rationalization. This happens when we split our focus more evenly between the environment and communication.

For moving into someone else’s environment through communication, see “The Energy Bridge” in communication.php.

Interaction Between Scenes

When two disparate scenes begin to come together, the objects in one become different objects in the other. This is like the beginning of double context, or the first stage of two scenes merging into one.

Double Context

Not only can a dream change its context while staying on the same track, but it can have multiple contexts at the same time.

Double context can continue as long as our attention is split between the two contexts, but typically it happens as part of a gradual change of scene, starting with one point of correspondence, then adding another and another until the new scene is dominant. During the transition, things are seen in both contexts at the same time.

Double context is a strange thing. It’s simply accepted. It may be the case that two different layers of self are experiencing the same objective thing, but projecting different forms onto it. These layers could be the dream self and waking self, our dream self observing from different contexts, our waking self at different ages, or even contributions from a past life self.

Overlays

Due to Near Realm Perceptions

While in the dream state, our astral body sometimes moves about the physical, going to habitual places. It occasionally becomes aware there, even in the midst of an entirely different dream experience. When that happens, its perception of its near realm environment will merge with the scenery of the dream. In my experience, this most often happens in terms of changing the spatial aspect and scale of the dream experience to match the physical one.

But isn’t our astral body there in the dream? As strange as it may seem, we can form multiple astral bodies. Consider how we may pass through a gateway, fall into a reverie, or enter a rote. We can project a body into the new scene we’re in, and when we pass through the next gateway, we generate a body within that scene as well.

My physical body sleeps, while my astral body is at my desk, dreaming.

The movement of the astral body in the near realm while we dream is described in detail in “Movement of the Astral Body Due to Dreams” in nature-of-dreams.php.

Starting From the Near Realm

Overlays are fascinating. When our focus begins in the near realm, the astral scene can be attached to various entry or exit points in the physical location.

This is what makes the classic storybook “Where the Wild Things Are” famous. In four images, Max’s bedroom transforms (and expands) into a dream world.

Step 1: Max’s bedroom
Step 2: Max’s bedroom begins transforming

Step 3: Max’s dream with room boundaries and elements
Step 4: Max’s dream

This is similar to going into a dream while in an OBE, but this doesn’t require a fully lucid OBE. see “Going into a Dream While OB” in nature-of-dreams.php.

Starting from the Astral

If we’re already within the dream when the near realm perception begins, the dream environment often has to undergo some wild changes to make sense of the two different perceptual streams. The existing dream surroundings take on the shape limitations of the physical room our astral body is in, sometimes with connecting hallways to nearby rooms. This sometimes requires changes in scale.

In this case, we’re starting from the dream, and merging it into physical constraints.

Step 1: Starting from the dream
Step 2: Merging in the physical room

Astral Overlays

This kind of overlay can happen in the astral as well.

Scene Transitions — Changing Locations

In scene transitions, the entire scene is changed, rather than parts of it. Common causes include:

Memory rotes and subdreams always bring about entirely different scenes. Gateways are the scene, in miniature form, before we move into them.

Another cause is telepathic transport. When someone opens up a communication to us, we may travel across that energy bridge to them and appear in their environment (see “Telepathic Transport” in communication.php).

If you don’t like the dream pool you are in, or are in a real time OOBE and want to enter a dream pool, here are a couple of ways to do it: . . .

ToPOBEr • modern • Bruce

Spinning and fast travel result in a break in visual continuity, which allows the scenery to change. Visualization may work, but may take you into a subjective fantasy. And the last option is going through a gateway.

Sudden Scene Changes

Scenes may appear to suddenly change around us, but this typically means that we’ve missed the transition.

I am walking uphill. . . . I know intuitively that I am going to encounter some Vietnamese soldiers soon. . . . The small band of soldiers . . . is all women. . . . I feel especially attracted to one woman and she is also strongly attracted to me. . . .

I pick her up in my arms. . . . I am most willing to be with her.

Suddenly, the scene changes. . . . I am standing now on . . . a back country road near my home town. . . . The area is quiet, peaceful, and deserted at the moment. . . . Suddenly the road is jammed with vehicles and traffic has stopped completely. A long line of cars is waiting on the road, bumper to bumper, and my van is one of them. I enter my van and sit for a while. . . .

Now I notice that the line of traffic is moving again and my van is moving right along with it . . . without a driver! . . . I discover my psychologist friend Karl riding in the passenger’s seat and we chat with excitement. . . .

The scene changes again. Still lucid, I am now sitting around a table right along the Colusa highway. . . . The table is covered with many platters of delicious food. Karl and three student hitchhikers are with me having a very exciting discussion about psychology. Two of the students are young Oriental women. [One] young Oriental woman . . . picks up a large platter of luscious, juicy, sliced pineapple. Holding it up to me in a very playful and vivacious manner, she smiles broadly and says, “Would you like to have a piece?” Quickly I respond with a very suggestive tone in my voice: “Oh, I would love to have a piece from you.” (Kelzer 72-74)tSatSLDer • modern • Kelzer

Note the easy transformation of the dashboard with road beyond to a table with highway beyond, and how the woman and Karl remain, even though the scene changes.

Crossings

A crossing is a more rare kind of transition to encounter. Rivers and roads are common rationalizations of these crossings. Unlike other gateways which are more like doors, crossings are more like long boundaries between dream locations.

Sometimes what appears to be on the other side of the crossing isn’t actually there once you cross over. The projected appearance is more a continuation of the location on your side.

One of the most well known is the river that many people cross over at death. Many in NDEs come near the river only to turn back. In Greek mythology, it is known as the River Styx. It’s a common physical form given to a very real boundary that, once crossed, usually cannot be returned across except through a new incarnation.

Spatial Rationalizations — Hyperspace

When disparate astral locations appear together at the same time, our physical consciousness might make sense of them through “spatial rationalization”. We may place one scene within another, or connect them through doors, hallways, or around corners. This rationalization may require that one physical space be layered over another, but this is no obstacle to consciousness, which moves through attention.

In this way, spatial rationalization can create environments that are hyperspatial in nature. For example, we could enter a small house and find an ocean beach awaiting us. We could go into a building from the parking lot, then back out a door next to it to find ourselves in a mountain valley.

Larger Inside Than Outside

One appearance of hyperspace in dreams is entering a small building or room to find that it is much larger inside. The door could be considered a gateway but typically the inside is still bounded by walls — at least, you feel it must be bounded by walls since it’s inside a building (explanation rationalization).

Consciousness exists in a higher dimension, and is not bounded by 3-dimensional space. That said, it may appear to be out of physical habit.

Hyperspace Hubs

A few times, I’ve encountered places that were hyperspace hubs; a hallway with doors that each led to a different location. This appears something beyond the way we spatially rationalize locations as they gain our attention.

The Shepherd: “‘Where’ does not apply to this reality. We are not transversing space as you know it, but in truth we are unfolding through frames of reality.” (Roads 150)


“We are in a different continuum, but we have not traveled any place to do this.” . . .

The farther we walk down the corridor, the longer it seems to become. (Roads 153-154)


I wander down the corridor. . . . In either direction there is nothing but the long, wide, seemingly endless corridor, and the doors. . . . Not all the doors are the same. Some are very formal, yet colorful, while others appear in various styles, ranging from high and wide to short and narrow. (Roads 167)


“How is it possible for such a long corridor to be in such a small craft? . . .”

“This craft follows the continuum principle. Within this craft, all space is available in an infinite continuum. . . . It appears that this corridor is endless. In actuality it is not, but in the reality we have created, it is. A continuum is where a finite state, or space, becomes infinite. . . . In a similar way, Earth life appears to be finite, but in a Greater Reality it is infinite.”

“These doors seem to go on and on forever. Whatever is behind them?” I ask.

“They are the home environments of the travelers on this craft. The same continuum principle applies to each of them. . . . The rooms are a finite size that fits within this craft, while a simultaneous infinity also holds true. . . . A small craft has the potential of a large planet.” (Roads 172-173)IaTROBEr, LDer • modern • Roads

Labyrinthine Passages

The Catacombs

I’ve been down in the catacombs hundreds, maybe thousands of times. My dream self knows their intricate twisting passages and intersections intimately. I can navigate the hundreds of labyrinthine rooms and corridors for hours without getting lost, and I feel that the various paths I took would lead me to one of a number of different places in the dream world. But it is dim, dungeon-like, and at times claustrophobic.

Vehicles on Maze-Like Paths

One thing I’ve experienced a few times is traveling with others on a vehicle which seems to run along a track or fixed route through strange maze-like paths. These twisting passageways always take us to entirely different places. It’s similar to traveling through the winding paths of the catacombs. In both cases we travel through unadorned gray structures that seem like they are made of stone or concrete.

I believe this reflects the inner passageways of the astral world. I wonder if this is a rationalization of riding on astral currents.

Natural, Without Rationalizations

Thought Forms

Thought Forms

The Nature of Astral Matter

The Elasticity of Astral Matter

In these experiments, I tested the elasticity through interactions with my astral body’s hands. If we expect it to be elastic, it will be, but then it will return to its original form.

Only the Exterior Hardens

Liquid Interior

Thought forms appear to have a white liquid interior. At times, when they are suddenly pierced or crushed, this liquid comes out. This is not a projection; if we expected to see red blood, we would. But the natural state of thought forms is that only the exterior hardens into the expected shape, color, and texture. The interior retains the natural ivory-to-white color and flowing liquid nature of unformed astral matter.

This was likely subconsciously referenced in the movie Aliens, when Bishop, an android (very realistic but not “real”, like a thought form) is cut and white liquid flows out (see his hand below):

In Aliens, an artificial man bleeds white.

The Hidden Cord

As we’ve seen, the astral body has an occasionally-visible but nonetheless essential astral cord connecting it to the physical body. Here are some instances where I see a cord connected to a thought form, one essential to its staying “inflated”.

A nonphysical cord (vortex, tunnel) connects every thought form to those feeding it with attention. This higher-dimensional connection does not need to appear as part of the 3-dimensional projection. The fact that it is not seen is simply a reflection of our not expecting it to be there. But sometimes when we relax, the deeper reality peeks through and the cord drifts into physical dimensions.

Buildings: Compound Thought Forms

There seems to be some unique rules about properties, their buildings, and the rooms inside each building. Each constitutes its own space within a larger space. There is a flow through a cord into a property, and from that to each building, and from each building to each room, and finally from each room to each furnishing within.

The analogy of grapes on a vine works well. Also, the analogy of being inflated through that cord remains a solid one.

Analogy of the thought form structure of a building

Separating a Room from a House

Boundaries: Limits on Thought Forms

Passing Through Astral Matter

How solid is dream ‘furniture’?

I tried pushing my hand into various objects such as a tabletop. Although there might be a delay before anything happened I usually found that my hand would penetrate the table after a second or so. . . . I pushed the tips of my fingers onto the glass and after a delay of about a second my fingers started to go through. It was as if the glass made way for them so that all times my hand was a perfect fit in the hole it was making in the glass. The resistance to penetration was characteristic of what engineers call a ‘push’ fit, neither sliding nor requiring great force but offering steady resistance or ‘drag’. (Worsley)DRLDer • modern • Worsley

Flying on, I come to a wall covered with graffiti. I place my hands upon the wall and push gently: my hands go directly through it. I can feel the wall’s grainy texture. The letters written on it show clearly through my hands as they pass to the other side. . . .

In front of me is a glass window covered by iron grillework. I have an urge to feel what it will feel like to go through glass and iron. Again I place my hands in front of me and push. This time I feel a great resistance. Some substance like taut plastic film presses back against my hands and face. I am having trouble breathing, as though a sheet of light plastic were being pressed against my face. . . . I push even harder. Suddenly, I burst through and find myself outside the building again. (Garfield 115)PtELDer • modern • Garfield

Telekinesis: Moving Thought Forms

Thought forms respond to thought, no matter the distance. So telekinesis in the dream state is extremely easy.

Thought Form Bodies

Just like everything in the astral, our bodies are thought forms. We are in fact a single point of consciousness, but our astral body forms around us in its familiar form whenever we expect it to be there.

Discerning People and Thought Forms

Everything in the astral is a thought form, including our own astral bodies. We unconsciously create thought forms through our thoughts and expectations. These can and often do take the form of people and animals. They are usually controlled entirely by the expectations of whoever is focusing on them.

It’s possible to create a thought form of a person, and due to the inherent attention on them, that person can communicate through that thought form, possibly even inhabiting it to join the scene with us (see “Contact and Recognition” in communication.php).

We could also be projecting our own subjective projection onto an objective person with some similarity of feeling or appearance (mistaken identity). This happens during the viewing of many rote experiences, but can happen outside of them as well.

So how can we tell if the person we’re talking to is actually that person? A waking self fragment doesn’t entertain any other possibility — it thinks the dream experience is physical life. This requires a higher level of awareness — that of the dream self or the full, lucid waking self.

This section illustrates some ways to tell. In my experience this is most often done in retrospect, when remembering the dream. The best way is by being aware of our own thoughts and expectations preceding their appearance and while interacting with them.

Appearance

Uninhabited thought forms will generally have a rubbery or glassy look. There is no sparkle in the eyes. Sometimes they will seem slightly overinflated.

Behavioral Clues

Behavior is often a big indicator. An “uninhabited” thought form will:

People Represented by Objects

In most of these cases, I can’t begin to explain why this happens.

In some cases, this may be a matter of misattribution. Say I’m looking at a pair of pants and I get a telepathic message from my sister. I may think that the pants must somehow be my sister. See “Mistaking the Source of Communication”.

Transformations to Objects

Shape Shifting

We can easily change our projected form, simply by wanting to, or imagining ourselves in a new form. Sometimes this is done unconsciously, such as when we focus on (become) someone.

A Tell-Tale Sign — What You’re Proud Of

The trick to shape shifting is to get so completely into the new shape that you leave behind all aspects of your old shape, especially things you are proud of. If you’re proud of your height, your strength, your sexy curves, your unique hairstyle, your tattoo, your clothes — whatever you find it hard to let go of — that thing will show up in the new shape. The same thing goes for things you are ashamed of — you’ll bring with you whatever has your attention.

I’ve seen this in a cartoon or video game when I was a kid — a shapeshifter who always retains a quality from their original shape. More recent examples are Nimona, Beast Boy, and Jake the Dog, which all retain their original color when shape-shifting.

Nimona retains her pink coloring across transformations
Image credit to the movie Nimona

Unconscious Shape Shifting to the Person of Focus

While in altered states of consciousness I’ve seen how one entrains to another person’s frequency to communicate with them, how one becomes them, takes their shape, and that’s not just a metaphor. We sometimes astrally take the shape of a person affection, interest, or inspiration, even for a minute or two, without realizing it. Imagine how this adds to the confusion in the astral world!

In rotes, we simply inhabit the characters we’re drawn to.

Returning to Your Normal Form

The Etheric Body

The Astral Body

Our own astral bodies are thought forms. Our essential nature is a single point of conscious light. It unconsciously projects the shape of your physical body at times.

Creating Thought Forms

The laws involved in the creation of thought forms are exactly those described in “The Workings of the Holographic Mind” in holographic-mind.php, most specifically “Pattern Recognition: Expectations” in holographic-mind.php and “Projections: Specific Search” in holographic-mind.php. The very same projections we use mentally in the physical world create our world in the nonphysical.

There are interesting similarities between high-energy astral matter and molten metal — both become fluid, malleable, and bright. From this state they can solidify into a form. The analogy of water and ice is helpful. Higher-dimensional astral matter (water) instantly flows into and “freezes” as a three-dimensional form (ice) created by the focus of attention. When attention is withdrawn, it slowly drains back where it came from, giving the appearance of melting ice. The rate at which it melts or drains is due to the inherent “heat” of the realm (water) where that matter exists, and our own focus of attention can be seen as a temporary “cooling” force. Higher frequencies have a higher “heat” which melts thought forms faster.

This melting can also be seen as receding into the past. Our attention on something now brings it forward into the present before us. Similarly, melting can be seen as receding into the distance (shrinking), while attention brings it close to us (growing). Since physical time is part of physical space, these are connected.

The creation and sustaining of thought forms reflects the way the Source creates and sustains all of reality. Our attention, flowing from the Source, provides an intermediary flow into a mental image that enlarges it and brings it forward.

The transience of all created forms is due to the transience of our attention. Eventually we will all melt back into oneness like the thought forms we create. Enlightenment is inevitable.

The nature of thought and thought forms is discussed in detail in “How Thoughts Take Form” in thoughts.php. See also “Focus and Proximity” in planes-of-consciousness.php.

In the dream state and in certain other levels of reality, ideas and their symbols are immediately experienced. There is no time lag, then, between a feeling and its “exteriorized” condition NOTE: the thought form produced. It is automatically experienced in whatever form is familiar and natural to the one who holds it. (Roberts 322)UR2channeled • modern • Seth

Note that Seth refers to thought forms in different ways throughout his years of channeling; thought forms, constructions, projections, symbols, and hallucinations.

Conscious Creation

Its Holographic Nature

Since it is possible to create any reality in the spirit world, it is not unusual that some souls wish to spend their off periods in the houses where they lived on Earth. . . .

These souls may want to mentally construct an exact duplication of familiar settings around where they used to live, such as the surrounding countryside, parks and streets, and any structures which remind them of their old hometowns. They only have to conjure up these places from memory and use directed energy beams for the images to appear. . . . Once in place, they will disintegrate only when the soul loses interest. (Newton 295)DoShypnosis • modern • Newton

They create thought forms using “directed energy beams”. This reveals the holographic nature of thought form creation. Our focus directs the beam of our attention, which projects and thus creates our environment out of the same matter of which our astral body is made. In this way we create holographic thought forms that are as solid as we are.

Creation in the Astral

My dream self knows how to consciously create thought forms and can do so easily.

If my waking self is awake when consciously creating a thought form, I have to overcome my belief in object permanence. This can be done by closing my eyes, or doing the creation out of sight.

Dreaming that I was walking along a road—straight and I think walled on one side—and realized I was dreaming. I knew this was a thing I had been trying to do and thought, “Now I can make something happen.” I thought I would like to have an apple. I saw a patch on the road ahead and thought, “By the time I reach that it will be an apple.” Before reaching it, I found I had another apple in my hand. (Garfield 167)CDLDer • modern • Garfield

A higher, more direct desire was fulfilled — the holding of the apple was the future of the seeing of the apple.

Don DeGracia tries to envision his hands while OB, unknowingly creating them as thought forms.

Then I faded out of the lockmold NOTE: focus and was back in the void again.

I tried my newly discovered hand trick again. This time I got strange results. I saw my hand appear, kind of ghost like and transparent, then disappear as I withdrew my immediate attention from trying to feel/move it. I re-concentrated on feeling it. Now I was looking at my palm, thumb and about 1/2 of one finger. This kind of grossed me out cause it looked like melted wax or something where the rest of my hand should have been. Then I watched my other fingers “grow” or materialize, first as stumps, then they formed into my fingers. APCOBEr, LDer • modern • DeGracia

My thoughts attracted and inspired some extraphysical NOTE: nonphysical consciousness who were practicing the creation of morphothosenes NOTE: thought forms and somehow could capture my thoughts there on the street. . . .

The group of about eight . . . were playing with forms that they created instantaneously. . . .

One of them grabbed me as if by the collar and he emitted his thoughts, with mannerisms typical of a French artist, emphatically proclaiming to the other observers: “Look! This one here does not have documents! He doesn’t exist! He came from very far away. He is clandestine! There is nothing I can do but call the Inspector.”

At the same instant, another one appeared in front of me and two others behind me. They were transformed into policemen holding and pointing huge, extravagant machine guns. . . .

I knew I had nothing to fear and that it would be better to play along, participating in the farce. . . .

A fifth extraphysical consciousness dressed himself as a higher ranked policeman, came toward the others and stated:

“Hold it there! I am the inspector! I am in possession of this citizen’s documents and have come on his behalf. Free him!”

From inside his huge coat, he started pulling out, one by one, an extensive collection of documents of all types, shapes, and forms—constituting an enormous pile. As he continued to take documents out of his coat, more would appear from the seemingly bottomless pocket.

The spectators were delighted by the scene. . . .

Moments later, another extraphysical pedestrian caught their attention and became the center of their momentary interest. (Vieira 32-33)PotCOBEr • modern • Vieira

Unconscious Creation

Our environment in the dream state is the result of the existing objective environment mixed with or painted over by our own unconscious projections. These projections create thought forms.

Whatever we focus attention on is brought into our experience in the dream state. The higher law assumes that whatever we focus on is what we want to experience.

Our changing focus may be caused by desires, fears, imagination, expectations — anything that moves the attention to something that’s not present.

Expectations Create

Our expectations create our thought form environment through passive projection of our past experience into the now. See “Pattern Recognition: Expectations” in holographic-mind.php for a detailed explanation of how this works.

Expectations vs Reality

The following is from an OBE:

Jane: “I was still walking very slowly, with my astral eyes slitted to cut down the focus of distractions. I closed them to deepen my trance and reached out for the bathroom doorknob. I felt it hard and round, perfectly normal in my astral hand. Then I paused in uncertainty; something didn’t seem right. What had I done wrong now? I opened my astral eyes fully and stared down at my hand. It circled a ‘knob’ of air. For just a moment I felt the hardness, the bulk of that knob. Then only air was there. Obviously, I’d hallucinated the doorknob. The door was still several feet away.” (Roberts 356)SD&Pchanneled • modern • Seth

Broken Expectations

Expectations typically create, but not always. Sometimes you can be wrong, since dreams are a mix of objective and subjective.

Fears Create

Sometimes seeing a single frightening thing will cause countless more to appear as you look for them (searching creates) or as they recur in our thoughts (the flash bounce model). Sometimes a situation or environment triggers a related fear (association expectation). Sometimes a potential fear just occurs to us (wondering creates).

My fears are often expressed without much emotion as a “what if” or “wouldn’t that be bad if” and then of course it happens. A classic fear-based scenario is wondering “what if someone sees me” when we’re doing something crazy in the dream state.

Desires Create

Searching Creates

When we’re looking for something, whether in physical life or dream life, we focus part of our attention on what we’re looking for. This holographically projects that image outward, which lights up matches in our attention. See “Projections: Specific Search” in holographic-mind.php for a detailed explanation of how this works.

In a dream, if that projection is strong enough, it takes form as a thought form. So when we search for something in a dream, we’re likely to find it.

Searching frequently creates multiple copies of whatever is being looked for. Sometimes this is due to what we find not being exactly right, so we continue the search. At other times it seems almost to be an unintentional recurrence of the search, perhaps based on the pull of attention back to the thrill we felt in finding what we were looking for (the flash-bounce model).

But Not Always

Searching usually creates, but not always. If distracted, or the desire isn’t strong enough, the search won’t be enough to create the thought form being sought.

A desperate or emotional search will usually create. Expectations almost always create — they’re expectations in the first place because our experience has shown a clear, dependable pattern.

Wondering Creates

When we ask “what if” in a dream, this causes a projection of the imagined scenario. The idea occurs to us, and we look for it (project it), which makes it happen. This can be inspired by fear, desire, or curiosity.

I’ve included fear-based wondering in the section “Fears Create” above.

Group Creation

How Thought Forms Come Into Being

When we focus attention on a three-dimensional image from our past, we project it outwards from us. Our attention creates an invisible cord to a where that image will appear in the astral space around us, and the pressure from the flow through our attention instantly inflates it, perfectly reproducing it. The omnipresent astral substance (elemental essence) instantly flows into that form. Our continuing attention sustains it, and when attention (and thus the cord) is withdrawn, the substance slowly drains back to where it came from.

See “Thought Forms” in thoughts.php for a deeper understanding of thought forms.

Inflating and Expanding

Just as forgotten thought forms melt and deflate, new ones inflate. Almost always, it happens so quickly, we only see the perfectly-recreated final form.

But sometimes I catch thought forms midway through their creation. My attention freezes them in place until I withdraw it, at which point they finish coming into being. They freeze due to our expectation of object permanence. At that point, we may mistake them for something else, and our attention might redirect them into that new shape.

Caught While Expanding

Our belief in object permanence means that when our attention falls on a thought form that is in the process of expanding into its final form, it stops expanding, and only continues when we look away.

Materialization out of a Cloudy Shape

A strong focus will instantly create a perfectly detailed thought form. When created with a weaker focus, we may be able to see a thought form come more gradually into being. We may see them grow from small, vague, white, semitransparent, soft-edged things to fully-defined forms with colors.

Shadowy Forms

Shadowy forms appear to be a beginning stage of thought forms — a weak thought, not specific enough to finalize the form. In other words, “someone is there” without any specific idea of who.

Transforming Thought Forms

Conscious Transformation

I remember once seeing myself in a large empty room without windows. Besides myself there was in the room only a small black kitten. “I am dreaming.” I say to myself. “How can I know whether I am really asleep or not? Suppose I try this way. Let this black kitten be transformed into a large white dog. . . . I say this to myself and immediately the black kitten becomes transformed into a large white dog. At the same time the opposite wall disappears, disclosing a mountain landscape with a river like a ribbon receding into the distance.

“This is curious,” I say to myself; “I did not order this landscape. Where did it come from?” Some faint recollection begins to stir in me, a recollection of having seen this landscape somewhere and of its being somehow connected with the white dog. (Ouspensky 249)ANMUpsychedelic • Theosophy • Ouspensky

Now I look at the lady standing beside the mirror and I think to myself, “I don’t want her to be here; I want Linda to be here.” And with that thought, the woman becomes Linda. (Kelzer 245)tSatSLDer • modern • Kelzer

It’s easier to project different details onto something than to turn it into something else entirely.

Replacement Rather Than Transformation

In the following examples, rather than transforming, one thing disappears to make way for something new.

I become aware that I am dreaming. . . .

I decide to practice directing the actual content of the dream. I focus on a tree in the dream scene, and I mentally command it to turn into a house. Slowly, the tree dematerializes and disappears and a small white house appears in its place. (Kelzer 16-17)


I become lucid. . . .

I mentally command the tree to turn into a . . . (pause) . . . rabbit! . . . Instantly the tree vanishes and I see only a blank, brown screen in my field of vision. I feel disappointed and . . . keep visualizing a rabbit. Soon I see the white outline of a rabbit on the brown screen. First I see it from a side view and then from its backside, as it begins to hop about with movements similar to an animated cartoon.

Suddenly, the scene changes again. (Kelzer 18-19)tSatSLDer • modern • Kelzer

Unconscious Transformation

These are due to changes in context, preference, or expectations.

Changing Form

Attention Increases Size

One of the fundamental laws of consciousness is that attention makes something bigger.

In dreams this manifests as the proximity of someone or something to you, just as in the physical world, the closer you are to something, the bigger it is. In dreams, the more our attention is on something, the bigger it appears to us. As you begin to think of something, it starts out pin-prick small (far away) and expands (gets closer). Watching something expand from your attention is the equivalent of getting closer to it.

Physical reality requires the extra step of moving the physical body. Our attention draws us to move ourselves physically toward something, and doing so makes it appear bigger.

Multiple People’s Influence

Multiple people can influence a thought form, either consciously or unconsciously.

Releasing Thought Forms

One can consciously try to get rid of a thought form, though this is usually counterproductive, since attention is what thought forms require to exist.

Destroying Thought Forms

Thought forms are built by attention, so attempting to destroy one will generally only strengthen it. However, if it is our own creation, our intentions may eventually come to pass when we remove our attention from the form, then return it, expecting to see it transformed into a version that appears destroyed.

Destruction vs Object Permanence

All thought forms are made of the same astral substance. It can look like anything, but doesn’t have the inner physical properties of wood, glass, stone, and so on. Trying to make it respond as if it were these materials is difficult. While thought forms respond to our expectations, our focus on them preserves their present form. Sometimes it takes a break in our focus to allow the desired transformation.

I dreamt that I stood at a table before a window. On the table were different objects. I was perfectly well aware that I was dreaming and I considered what sorts of experiments I could make. I began by trying to break glass, by beating it with a stone. I put a small tablet of glass on two stones and struck it with another stone. Yet it would not break. Then I took a fine claret-glass from the table and struck it with my fist, with all my might, at the same time reflecting how dangerous it would be to do this in waking life; yet the glass remained whole. But lo! when I looked at it again after some time, it was broken.

It broke all right, but a little too late, like an actor who misses his cue. (Van Eeden)aSoDLDer, OBEr • Van Eeden

Structures Breaking Apart

An Act of Will

We may will thought forms to disappear. This engages the higher self, who is able to prevent us from projecting imagery.

The following is in terms of OBEs. Seth refers to thought forms in this context as “hallucinations”:

You may “awaken” in your house, for example. If so, check your rooms against their normal arrangement. Anything that does not normally belong there may be an (sic) hallucination NOTE: thought form, part of the usual dreaming process. If you will such images to disappear, they will, leaving you within the basic unhallucinated environment. If you rationalize any such elements or accept them uncritically, you may fall back into normal dreaming. . . .

Keep this up with any other such images that you meet. . . . You can accept such images and play around with them or watch them to see what develops, but only if you realize they are hallucinations. (Roberts 366)SD&Pchanneled • modern • Seth

The shapes of lesser importance created in a haphazard way, without any definite consistency, dissolve fairly easily under the influence of will. We must never be too trustful of appearances. If they belong to groups it may be that we are not so strong as the people who have created them and may be ill-used by them. It is better not to take any notice of such forces.

Under the influence of thought certain shapes dissolve and leave not a trace. . . . Others have far more resistance, and we are obliged to have a kind of struggle with them before they will go. In certain cases I noticed that a liquid residue was left behind, a thick, blackish kind of amorphous protoplasm. Sometimes it was a residue symbolic of broken glass. . . .

In the majority of cases thought-forms are less vibrant, less active than beings in evolution. Their magnetism is far less powerful. During these studies I one day had occasion to dissolve the astral form of a dog. Only the head remained, and I saw a child come towards me and tell me that it was really a dog. The intense nature of the life which animated this head made me understand my mistake at once. (Yram 154-155)PAPOBEr • Yram

It’s interesting that Yram could dissolve the astral form of an independent creature. Perhaps he is only influencing his perception of its form.

Removing Attention

Since attention is what creates and sustains thought forms, removing our attention is the fastest way to make them disappear.

Of course we must remember that we’re not the only consciousness out there. This technique is effective at releasing our own thought forms, but those with the attention of many people will remain, even without our attention. In such a case we can always focus ourselves elsewhere.

Now at any of these various stages of consciousness, other phenomena may also be perceived—thought-forms for example, energy manifestations, projections from the personal subconsciousness, and projections from the collective unconscious. . . .

Often they are incipient forms given activity by the personality who encounters them. The nature of their activity, therefore, will be projected outward from the personality onto the relatively passive materialization. The person encountering these has only to turn his attention away to “deactivate” the phenomenon. . . .

It has some energy of its own, but needs additional energy from a perceiver for any interrelationship to take place. If such a materialization appears threatening, than simply wish it peace and withdraw your attention from it. It draws its main activating energy from your focusing, and according to the intensity and nature of your focus. (Roberts 281)SSchanneled • modern • Seth

‘Does the first [picture] fade, once the artist has withdrawn his attention from the canvas?’ I asked. ‘No,’ replied my friend, ‘it remains just as you see it now, so long as anyone is looking at it. You see, once a picture is created in astral matter, that picture remains static for anyone to see, so long as a single thought is concentrated on it. When all thought is withdrawn from it, then it gradually disintegrates into the main astral atmosphere and is lost for ever, or until a new thought creates it again as a new picture.’(Richelieu 92-93)ASJOBEr • modern (Theosophy) • Richelieu

When I move to the temple my lovely cottage will dissolve back into the ethers. . . . It was manifested out of the etheric substance, and when no longer needed it simply disappears. (Starnes 95)LFSchanneled • modern • James

How Thought Forms Disappear

Melting or Shrinking

As a thought form loses the attention that sustains its existence, it begins to shrink and melt like ice in the sun. Sharp edges become rounded as the entire object slowly shrinks, loses definition, and colors fade to white/clear. However, unlike ice there is no liquid left over when it is gone. Its substance simply recedes back where it came from.

The exterior first become glassy, as if covered with ice. Then colors continue to recede inward, as it becomes semitransparent and shrinks away. (This doesn’t show the smoothing of edges and details)

This same melting phenomena happens with any conscious creation done in the astral dimension. If you create for example, a sword, it will appear in your hand just as you imagine it, briefly, and then melt away. . . . If you concentrate on it you can hold it in shape, but as soon as your concentration wavers so does the creation.


I tried to move to another realm in the dream pool. I looked at my hand. . . . It was white and pale and unreal looking, it began to melt quickly, like white ice under a blowtorch. My fingers were soon stumps and then my hand melted and my arm began to follow. I tried remaking it. It grew back as I concentrated on visualizing what it should look like, but started to melt again as soon as I stopped concentrating. ToPOBEr • modern • Bruce

Melting from Heat

Heat in the astral is an interesting thing. The higher you are in frequency, the warmer it is, and the more fluid reality is. The environment is more responsive to thought. Thought forms melt more quickly, as if there is an ambient heat that affects forms. At even higher levels, forms flash quickly into being and then melt rapidly away. Attention only solidifies them when fully focusing on them.

People describe the higher astral as pleasantly warm, and the lower as cold. But since we have no physical body there, this is a translation to our sense of temperature. And yet, like astral proximity, astral “heat” has a readily visible effect on our surroundings.

Melting and Reforming

Thought forms slowly melt away when attention is withdrawn from them. However, if attention is returned during the melting process, they will stop melting. Sometimes they reform into something new — a smaller object with a similar shape that fits the dream context.

Deflating

Decaying

It’s uncommon, but sometimes I find though forms deprived of attention decaying, rotting, or crumbling apart.

Drifting

A thought form released from our attention is also released from our expectations, including the expectation of gravity. Thus I’ve sometimes seen released thought forms drifting about like balloons.

Cohesion and Inner Motion

When we dissolve a thought-form, the first thing we notice is a slowing down in the whirling movement of its atoms. The shape loses definition and seems to go out of focus. The dimensions change, the image grows smaller and loses cohesion, and finally disappears. (Yram 155)PAPOBEr • Yram

Peculiarities of the Astral World

This section touches on my experiences of the astral from the dream state including unique astral phenomena and physical things that translate strangely in the astral. This is where physical expectations run up against astral reality. The astral does not work the same way, even though we are expecting it to.

The planes of consciousness are covered in detail from an OBE and between-life point of view in the entirety of “The Planes of Consciousness” in planes-of-consciousness.php.

Changes in Light

The amount of light we experience is a result of how open we are to the flow. Said another way, the light in our astral environment is determined by our frequency of consciousness. It’s the emotional index of our focus, and as such it typically doesn’t change without changing our focus.

To experience a different amount of light, we have to change our emotional focus, which would shift us to a different frequency, and thus a different environment would spring up around us. This makes the act of simply switching on or off a light in the near realm or astral very unreliable.

However, in dreams we can project an environment with different light levels to satisfy our expectations. This is a subjective projection that will only remain as long as we keep some attention on it.

Rare Changes in Light

While each astral or near realm frequency has its own ambient light, we are free to project light or darkness over it. When this happens, we are moving into a dream projection, and as soon as we withdraw our energy from it, the ambient light will return to its natural state.

Turning on Lights

A common experience when in the near realm is to attempt to turn on the lights. This typically fails. The light level is inherent in the frequency of consciousness we must be focused in to be in any given environment.

One common limitation on control of the perceptual environment reported by lucid dreamers consists in being unable to control the general level of illumination. (Green and McCreery 99)

Appear to wake up in bed normally. Try to turn on bedside light but it won’t work. Feeling very groggy. Get up and try to turn on main light. That won’t work either. Then go through to kitchen to try to turn on that light. Same story. Think that maybe metered electricity has run out and think of going to look in cupboard with torch, but also start to suspect that this is a dream. Surroundings dark (but lighter than they would be if lights were really off).

(Subject N.C.) (Green and McCreery 110)

In an experiment carried out by Dr Ridley Hearne eight habitual lucid dreamers were asked to make deliberate experiments with light switches while in a lucid dream. . . . The one subject who succeeded at the task found that she could only do so by covering her eyes in the dream, which abolished her previous imagery.(Green and McCreery 110)

I switched it on and off several times and looked up at the light, which was a naked bulb. It kept sparking and flickering – I could see the filament light up and glow orangy-red. I thought, “typical of this place, nothing works properly”. (Green and McCreery 111)

I went to the bedroom light switch and turned it on. To my surprise, a light came on behind me in a room to the side, but not in the bedroom. Then I tried the kitchen light switch. Nothing happened. (Hearne, 1981) (Green and McCreery 111)

Moss reports various methods which he believes facilitate successful performance of the task, such as finding an angle of view which includes both the light switch and the light source in close proximity to each other in the visual field. (Green and McCreery 111-112)LDPLDer • modern • Green & McCreery

Some of these failures to change are due to an effect like the object permanence expectation. One might call it a “light permanence” expectation. In one example, only a light behind the dreamer came on. In another, covering one’s eyes interrupts the continuity, thus allowing the change to occur.

I switched the light on. I heard the click and felt the switch depress, but couldn’t discern any other change in the room. It certainly didn’t flood with light. I pressed the light switch once more and again, noticed no difference other than the movement of the switch. Each time, I looked toward the ceiling where the light bulb is. JoATOBEr • modern • Moon

I have noticed a similar delay between operating a dream light switch and the light coming on. . . .

I have found that if I regard dream lights as naturally slow to change, like the dawn, they will often come on, even from complete darkness and grow steadily brighter over a few seconds. (Worsley)DRLDer • modern • Worsley

Changes in Light Due to Jumps in Time

Our own experience doesn’t jump in time, but rotes can move across time from scene to scene, just like any story.

Astral Interpretations of Physical Phenomena

While projections and expectations can recreate anything perfectly in the astral, certain physical phenomena are usually off in predictable ways. There are two independent reasons that physical-only phenomena take unusual forms in the astral world:

First, the dream self focus has a weaker understanding of physical-only phenomenon (much like its lack of biological understanding), and creates its best approximation of them in the astral.

Second, and more importantly, there are limitations in the action and behavior of astral matter, which lacks the actual internal qualities of the physical elements and is instead made of a universal substance given many forms. Astral matter does not have temperature, acidity, reactivity, combustibility, or any other innate physical characteristics, leaving only our expectations to determine its behavior.

Fire (Dreamfire)

Fire does not naturally exist in the astral. Astral matter does not give off heat (or cold), does not combust, does not create smoke, or consume other matter. Unless one or more of these actions is specifically expected, looked for, or a necessary part of the story, the fire thought form doesn’t have these characteristics. It’s merely a light phenomenon, representing fire.

Explosions

Explosions aren’t natural in the astral. They only happen through expectations taking form, and often happen quite differently than expected.

Lightning

Lava

Lava in dreams is a very interesting substance. It’s astral matter that remains amorphous, but also has the high-energy qualities of producing light and heat. This more energetic astral matter is more responsive to thought.

In the astral, heat doesn’t burn or starts fires (though our focused expectations can cause it to appear that way). Lava will sometimes melts physical objects, as melting is a natural way for astral matter to act.

Tornadoes

These are similar to physical tornadoes except they sometimes come in great numbers, change the landscape, and/or carry me to a new location.

Vortexes are a result of flows, which is inherent to consciousness, and thus natural to astral matter. Consider that our chakras are vortexes, connecting energy across different frequencies.

Whirlpools

Whirlpools are like tornadoes, in that they are a vortex that can act as a gateway to another place.

Ocean Waves

Flowing Water

Sometimes a river in the astral is a rationalization of a nonphysical flow of energy. As such it doesn’t need to follow any rules of gravity and may flow in any orientation — even straight up!

Mirrors

Astral matter does not reflect light, so mirrors don’t work as they do in the physical. If we see an image of ourself in a mirror, there are two possibilities.

First, it may be the result of projection. In this case, we would appear just as we expect to — yet the results are often surprising. Second, it may be the result of jumping out to look at ourself from an outside perspective. In this case the strange results may be due to the influences of our focus or feelings at the moment. Once, when talking to a cute girl, I unconsciously took on her form.

I’ve had several dreams where mirrors show false reflections meant to manipulate or scare me.

NOTE: While OB I floated over to the mirror on the back of the bedroom door and noticed I had no reflection. (Taylor 52)STOBEr • modern • Taylor

Being OB (as opposed to lucid dreaming), his expectations didn’t take form by projecting out into the environment. Therefore he sees the truth of the mirror — no reflection.

Also, this is where the myth that vampires have no reflections comes from!

I had also seen my reflection in a mirror. The thing that I noticed straight away was that I had these huge teeth that all poked out of my mouth and onto my bottom lip — a bit like a television character called Dwayne Dibbly. I looked like some clown or goof! I was a bit bothered about looking so stupid but figured it was a handy disguise in case anyone should see me and recognise me in their house.


I remember that I had been breathing heavily. Seeing my reflection, I could see why — I looked like a mad man. It was me, but I had this fierce expression on my face and my eyes were wide and glaring. I rushed upstairs before anything bad happened. JoATOBEr • modern • Moon

In the dream I am part of an audience. I see men high in a balcony of the huge auditorium throwing small pellets into balloons, which burst and release a drug into the atmosphere. The lights go out. I close my eyes and can feel the effect already. “Oh, yes,” I say knowingly. I float up in the air into the balcony level and, hovering in the air, observe myself in a mirror. . . . My face appears in a series of bizarre forms. In one of the reflections, my face is covered with a network of scars. In another, I appear wild, with long flowing hair, a bikini top, and a native skirt. Waves of passion flow through my lower body as I move and my eyes are wild and staring. (Garfield 196)CDLDer • modern • Garfield

I looked around wondering if there was a mirror. Inspecting the shelves against the cave wall, I saw a mirror about 10 feet up on the cave wall! (No real surprise, huh?) I flew up to it and looked at myself. What I saw looked like a horror story version of myself. It was me, but my skin was all white and flaked, my eyes were completely white and chalky looking, and my eye sockets were deep as if my face was just a skull. I thought to myself, “Oh my!”. But I wasn’t unusually startled. This is not the first time I had seen weird images of myself in astral mirrors. I continued staring at the image and it then transformed into a normal image of myself. I thought that was interesting. I turned and looked around the cave, then turned back to the mirror. I saw the same thing; first the horror image, which then transformed to the normal image. APCOBEr, LDer • modern • DeGracia

It’s trivial in the astral to jump to an outside perspective to look at yourself. When looking in the mirror, Garcia could have been looking at himself in this way. He saw what his astral form had shifted to upon relaxing of his focus on it, and then gradually projected what he knew he looked like physically over that.

I saw this mirror on the wall and decided to float over to it. . . . I saw myself. . . . Looking at my eyes this time I saw a doubled pupil but the rest of the eyes seemed normal and just like the physical world.


I saw a mirror in front of me, so I decided to look at my reflection. This time my face looked a little older and my eyes were pools of blue water with bubbles floating upward.


I cruised over to the mirror once again. . . . I saw little old me, only thing that was different is that my pupils in my eyes were at the sides of the eye. TVOSOBEr • modern • Warner

Seeing the Third Eye in Mirrors

I am at the edge of a roof, looking into a mirror. At first I cannot see any reflection; startled, I say, “That means I’m dead.” Then, smiling to myself, I correct the conclusion, “No, that means I’m dreaming.” Now the image begins to take shape in the mirror as I watch, and I examine it carefully. The skin seems to be coming in rumply, oldish, scarredlike. I say to myself, “Oh, don’t do that,” and it clears as I look. The color of my ordinary eyes is, I observe, this time a deep blue. On my forehead, between my brows, is a mark that I know is a kind of rudimentary third eye. (Garfield 208)PtELDer • modern • Garfield

Here you can see how expectations influence what happens. At first, she sees truly — there is no reflection in the mirror. Then as her expectation intensifies, the image takes shape. And when the shape isn’t what she expects to see, it’s corrected.

I am dressed to go out . . . checking my appearance in the mirror before leaving. As I do so, I notice, just below my hairline, almost hidden by the hair, a third eye. I wonder what it is for. Testing its vision, I decide it is not too good for seeing. (Garfield 207)


I am in a bedroom looking into a mirror in the early morning. I am surprised to observe how large and dark the pupil of my left eye looks. . . . I realize with a start that I have three eyes. They are straight across, with the third one directly between the others. . . .

I look into the mirror again and the reflection shows a man, with two eyes, a broad face, and curly hair. . . . Then the image shifts once more to myself with three eyes. . . . Again the image shifts and now, instead of a middle eye, in its place between my brows is a round spot. At first uncolored, the dot grows white and begins to pulsate. At that, my whole body starts to throb. I feel the familiar surge of passion. (Garfield 209)PtELDer • modern • Garfield

Eclipses

There is no sun or moon in the astral, so my dream self only has a vague idea of what an eclipse is.

Unique Astral Phenomenon

Energy Warps

Energy warps appear to be openings to higher, more energetic frequencies. They can be a point from which higher-energy matter comes from, or an area that has an empowering and expanding effect on everything.

The Pillar of Flame

I have had several dreams that feature a circular chamber with a pillar of flame in the center. When I touch it or go to it, I feel ecstatic energy or get transported into another dream. Is this a representation of the spine filled with pranic energy? Or some universal astral structure?

Electrical Lightning Fields

Astral Energies

Atmosphere Forms

If you look up in the sky in a dream, you may see atmosphere forms. Sometimes it’s people or things flying high overhead, and sometimes it’s like a movie is taking place high up in the sky with glowing figures.

Mystical Places

There are a lot of strange and mystical places in the astral realms. People can gather to visit them or go on tours just like in waking life.

Other Odd Phenomena

Hills and Spatial Distortion

See “The Great Hills” in dreams-intro.php for more about the shape of these hills.

The Tiny World Effect

The tiny world effect is one where it appears as if the world is a sphere the size of a house. Things appear and disappear rapidly over the horizon as we move forward. The physical context drops quickly away. It’s like a visual representation of shortened context. Things disappear quickly out of our attention when attention shifts.

Cuphead & Mugman walking with the tiny world effect.

A tiny world. Context has dropped off around the edges. This is your whole world.

Flying and Scale

A feeling of expansiveness might be related to having a smaller size — a smaller penetration into physical space. This is an effect of being at higher frequencies, closer to the Source. Here we have vast amounts of space to move in and little weight — you can see how in higher realms it feels easier to fly. Gravity is a fading habit.

[Arnold-Forster’s] commonest flying dreams were in “lofty rooms and the great staircases of palatial buildings which I do not know,” although they sometimes occurred in the British Museum or other public galleries. (Garfield 162)CDLDer • modern • Garfield

Hills Rising Against Us

Hills are extremely meaningful in the dream world. When steep enough, they are essentially barriers. At times I’ve been prevented from going somewhere by a hill or cliff that rises up before me as I approach it or attempt to climb it.

This may be the effect of trying to leave a rote by spatial means rather than by pulling back out of it the way we came in.

Astral Events

Dramatic Changes in Consciousness

Astral Drugs

I sometimes experience altered states of mind from astral drugs in the dream state. The effects are instantaneous, and not always related to my expectations. These experiences point to the possibility that there are astral substances that can have psychological effects, but I don’t know how that would work since everything is made of the same astral matter.

Any mental state we’ve experienced in physical life can be reproduced, as well as some we haven’t. Consciousness is so flexible that the memory of the effect is enough to bring it back fully, much in the same way that any style we’ve experienced can be perfectly reproduced. These altered states are a style of experience.

Location-Based Effects

It’s well known that consciousness changes as one’s frequency increases and decreases. But some changes in consciousness appear to be related to different locations very near to each other.

Astral Warfare

Sri Yukteswar: “Among the fallen dark angels expelled from other worlds, friction and war take place with lifetronic NOTE: pranic bombs or mental mantric* vibratory rays. These beings dwell in the gloom-drenched regions of the lower astral cosmos, working out their evil karma.” (Yogananda 402)AoaYwisdom • Hinduism • Yogananda

These sound like mythological stories. I would not have paid them much mind had I not experienced similar psychological bombs myself. They’re quite terrifying.

Changes in Energy

Memory in the Dream State

Memories

In the now of dreaming, our waking memories can be difficult to access. When we do remember, we may move into that memory and experience it as the world around us, as if it is happening again right now.

Whatever our attention focuses on is happening now.

Memories are an essential object of consciousness — we can enter them, move freely within them, and alter them. Even here in our physical bodies, when we remember, we are opening and going into the memory of that experience. In our moment-to-moment waking life, we are all recording memories of our experience. Most day-to-day experiences are dimly attended to by our attention and as such will likely never be recalled or shared with others. Others are important, life-shaping experiences that held the full weight of our attention and shine bright in our memory (both positive and negative experiences).

The process of interacting with rotes is described in “Interacting with Memories” in attention.php.

For the basics on memory, see “Memory” in attention.php.

Seeing Memories in Your Head

When we remember something in the dream state, we “see it in our head” as clearly as the scenery around us. This happens both with our own memories and memories shared by others. We can fully go inside it, seeing it instead of the scenery around us, or we can partially go inside it, which results in us projecting it to varying degrees into the scenery around us, usually merging the two experiences in strange ways.

Creating Memories

By thinking back to a scene and imagining, we’re able to create new memories that appear to be in the past.

Difficulties with Memory

Searching Memories Is Usually Creative

“Searching memories” is very purposefully worded. We remember things naturally in the dream state, but when we search for something specific in our memory, we often create what we’re looking for. We use the same specific search process as in the physical world — we imagine what we’re looking for to hold up as the target while we scan our memory for matches. However, in the dream state, that initial imagination is vivid enough to be mistaken for the match itself. We perceive it happening in the “now” of the dream, even though it’s understood as having happened in the past.

False Memory Rationalizations

We may unwittingly create memories to fit a past event someone is referring to, or to explain how we got into a specific situation. This is a form of explanation rationalization. The goal is the same as other rationalizations — to quiet the waking mind, which might panic at not remembering something it should know or not knowing how it got somewhere.

Verifying Others’ Memories Is Difficult

Believing Mistaken Memories About Us

Determining the Source of Memories

Determining the source of memories (astral or physical) is an important skill, as our actions mean different things in different contexts.

The waking self often mistakes astral experiences in the dream state as physical experiences.

Photos Fade to Black

It’s impossible to take and keep photos in the dream state. The dream state is a more fluid, flowing state of now than the physical. Fresh creativity flows into everything. A static, flat, stationary picture can only exist so long as it is continuously maintained in attention.

The Lighting of the Memory

While our mind as assembler usually makes everything fit together seamlessly, sometimes the lighting of the original memory is visible even when integrated into a scene.

False Awakenings and the Near-Realm

A false awakening happens when we think we have awakened from the dream state (or returned from an OBE), but we are actually still OB or dreaming.

The Nature of False Awakenings

What can happen many times is that you will think you are awake back here on the physical, but in fact you are NOT. This is called a “false awakening” by Oliver Fox. . . . Basically, you will come out of the OOBE and think you are physical again, but you will actually still be projecting! A number of times I have woken up from an OOBE, laid gathering my memories and promptly gotten up and started recording my experience in my journal only to discover I was not really awake here in the physical! . . .

If you do not realize you had a false awakening, it will become like a normal dream and you may go off and do other things, characteristic of your dream behavior, only to find yourself waking up for real here in the physical sometime later. APCOBEr, LDer • modern • DeGracia

Types of False Awakenings

There are three distinct types of false awakenings. A “false awakenings dream” is an ordinary dream of waking up, usually to write it down or communicate the dream to someone. “Awakening into the near realm” occurs when we exit our dream back into the near realm near our sleeping body. Finally, a “suspenseful false awakening” is an awakening into the astral or etheric body. One awakens in bed in the near realm into a strangely charged atmosphere.

False Awakening Dreams

In a false awakening dream, we dream that we have woken up, and may begin to write down our experiences or begin our day.

You think you are awake. So you get up, eat breakfast and fret about not going OOB. Then you wake up. That’s a good example of your mental ability to project a reality. LLDOBEOBEr • modern • Wilson

At the end of a dream I am writing my dream with a pencil across the pillow. It is something about Western philosophy. I force myself to sit up and see whether the writing is clear. I find it is only a series of dots and dashes. I then force myself actually awake to write. (Garfield 170)CDLDer • modern • Garfield

I then began a totally weird false awakening. . . .

I opened my eyes, looked left and saw the chest of drawers besides my bed that had been placed there yesterday when I moved my room about. First thought was to write my OOB down, so I jumped out of bed and went to another drawer on the other side of the room. I pulled out a writing pad (and possibly pen?) and moved back toward the bed. I then noticed that Vortigem Tarrant (Capital Radio DJ) was sitting in a chair to my right. A couple of kids were also to me (sic) left in the room. In addition, my dog was sniffing around near the kids. Still, my suspicions weren’t aroused! As I told Vortigem about having “had an amazing OOB — best one yet out of 40/50”, my dog jumped on the bed and got hidden beneath the folds of the duvet as I tucked myself in.

Then woke up for real and was totally confused. Going to that drawer across the room, I found no such writing pad — it was on the floor. And the pen was on the chest of drawers to my left. What was interesting was that in the false awakening, my room was just as it really is. I had only changed it over yesterday after 4 years! JoATOBEr • modern • Moon

Subject E: “I awoke to the realisation that the bedside radio was still on. Someone passed the door on the way downstairs. I turned the music low; strange, I thought, the radio being on at this time of night – what was the time? I reached out of bed to look at the clock (about six feet away) but as I did so an eerie feeling came over me, and I hesitated; yet everything looked perfectly natural so I went ahead, against a mounting tension of the atmosphere, and picked up the clock – hereupon it suddenly changed in my hands! Hastily I put it down; its black dial had turned white and hands moved to the nine and ten. I recognised this was the false awakening. Pausing a moment to ponder the significance of the position of the hands (for I knew this could not represent the actual time) I dived back under the blankets. Monsters were pressing on me, I called for help but could not wake up – not until I had seized the monsters and fought them, and flung them on the floor.” (Green and McCreery 69)LDPLDer • modern • Green & McCreery

Repeated False Awakenings

A cycle of dreams within a dream can continue through three or four dreams. (Garfield 158)CDLDer • modern • Garfield

The philosopher Bertrand Russell, interestingly, reports appearing to wake up hundreds of times in succession after an anaesthetic (Russell, 1948, pg. 186). (Green and McCreery 66)LDPLDer • modern • Green & McCreery

Delage: “One night I was woken by urgent knocking at the door of my room. I got up and asked: ‘Who is there?’ ‘Monsieur,’ came the answer in the voice of Marty, ‘it is Madame H . . . who is asking for you to come immediately to her house.’ . . .

“‘Just give me time to dress’, I said, ‘and I will run.’ I dressed hurriedly, but before going out I went into my dressing-room to wipe my face with a damp sponge. The sensation of cold water woke me and I realized that I had dreamt all the foregoing events. . . . So I went back to sleep. But a little later, the same knocking came again at my door. ‘What, Monsieur, aren’t you coming then?’

“‘Good heavens! So it is really true, I thought I had dreamt it.’

“‘Not at all. Hurry up. They are all waiting for you.’

“‘All right, I will run.’ Again I dressed myself, again in my dressing-room I wiped my face with cold water, and again the sensation of cold water woke me and made me understand that I had been deceived by a repetition of my dream. I went back to bed and went to sleep again. The same scene re-enacted itself almost identically twice more.”

When Delage “really” awoke the next morning, he could see the “whole series of actions, reasonings and thoughts had been nothing but a dream repeated four times in succession with no break in my sleep and without my having stirred from my bed.” (LaBerge 130-131)LDLDer, researcher • modern • LaBerge

Awakening into the Near Realm

We can also awaken from a dream into the near realm near our sleeping body. From this point we may hear telepathic conversations going on around us by others sleeping nearby, or engage in any manner of social dreaming.

Suspenseful False Awakenings (OB)

Paralysis, the Expectant Atmosphere, Growing Light

In a suspenseful false awakening, we find ourselves in a trance-like state near or within the physical body, but conscious in the near realm. Common experiences include paralysis, the expectant, electric atmosphere, and the slowly growing diffuse light.

The second classification of false awakenings is one in which the dreamer seems to awaken in a realistic manner, in his own bedroom setting, but in addition, there is a strange atmosphere. I call it Suspenseful False Awakening. The dreamer usually remains in his or her own bed. . . . Suspense, excitement, or apprehension come immediately or in a few minutes. This type of false awakening differs from the first type in that it always (rather than sometimes) begins with the dreamer in bed. (Garfield 159)CDLDer • modern • Garfield

The subject seems to wake in his or her bed in the normal way, but the atmosphere seems stressed, electrified or tense, and he or she has a feeling of foreboding or expectancy. In a false awakening of this kind ominous and anxiety-producing noises may be heard, and “apparitions” may be seen. (Green and McCreery 69)LDPLDer • modern • Green & McCreery

Dreams of the wrong-waking-up class are undoubtedly demoniacal, uncanny, and very vivid and bright, with a sort of ominous sharpness and clearness, a strong diabolical light. (Van Eeden)aSoDLDer, OBEr • Van Eeden

Case No. 731—W. F. Thomas

“About the middle of the night I ‘awoke’—in my physical body I thought. The appearance of everything was identical with the normal physical scene, but (1) a beautiful pale blue phosphorescence pervaded the atmosphere, causing a shadowless, dawnlike light on everything; (2) the air was electric with atmosphere crackling in my ears; (3) I felt different—wide awake, excited, and apprehensive; (4) I had a feeling of expectancy.” (Crookall 89-90)CBAPresearcher • modern • Crookall

I passed from unremembered dreams and thought I was awake. It was still night, and my room very dark. Although it seemed to me that I was awake, I felt curiously disinclined to move. The atmosphere seemed changed, to be in a “strained” condition. I had a sense of invisible, intangible powers at work, which caused this feeling as of aerial stress. I became expectant. Certainly, something was about to happen. Suddenly the room was faintly illuminated. A soft greenish glow, suggesting phosphorescence, was emanating from a glass-doored Japanese cabinet beside my bed. From this source, it spread slowly and evenly, like a luminous gas—a cold, spectral light, of unvarying brightness. For a while I stayed motionless, watching it. I did not feel afraid, but I was filled with wonder. Then, wishing to observe more closely the source of this mysterious light, I made an effort to overcome my strange disinclination to move. Instantly the light vanished and things were as usual. I was really awake now, with my head half raised from the pillow.

Note: I did not know it, but I could have left my body quite easily (by the method of instantaneous projection) when in this condition. (Fox 48-49)


I heard also, when in this state, in addition to physical sounds, several strange noises: crackling sounds suggesting electrical phenomena; roaring and whirring noises as of gigantic machines; a peculiar snapping sound . . . sounds like the surging of an angry sea and rushing winds; and sometimes voices calling. (Fox 62)APrOBEr • modern • Fox

Friendly Visitations

In the following experiences, the mental contact preceding a friendly visitation calls one back to their own physical body. These must be physically-focused visits, as we can communicate by thought with anyone in the dream state without being called back to our physical bodies.

I opened my eyes with a start. The clock by my bed read 3:30 A.M. The room, normally dimly lit by the night-light on my dresser, was now glowing with an unearthly illumination. The air was very cold and subtly vibrating. My body was electrified, my heart racing, all my senses alert. I had experienced these sensations enough to know what they meant—I was being visited by an otherworldly presence. . . .

I sat up in bed and centered myself with a prayer for protection and clarity. I became very still. My awareness moved from its normal parameters into a less limited realm. . . .

Immediately I recognized this energy. It was Sandy, a client who had died of chronic heart disease a few nights before. . . .

He appeared before me youthful, vigorous, and radiant. (Fairchilde 1)VftAchanneled • modern • Fairchilde

I told [my mother] I was expecting an astral visit from Barrow, and must go back to my bedroom and await his coming. Instantly I was caught up, as though in some invisible current, and borne back to my body. I awoke—at least, I was certainly under the impression that I was awake—and was much annoyed. . . .

At this point I became aware of two things: (1) that a sudden almost indescribable change had been effected in the atmosphere, which seemed charged with expectation (the “before a storm” sensation intensified) and rarefied, or perhaps compressed. It seemed to me that the atmosphere was being strained. . . . (2) That my bedroom door, which had been shut, was now ajar—a faint golden light streaming through the opening. . . .

Literally in a flash, my friend came. He did not enter by the door. He appeared instantaneously, in an egg-shaped cloud of intense bluish-white light, and stood by my bed, gravely regarding me. He was dressed in a white robe (possibly his nightshirt); and as my eyes recovered from the dazzling effect of his sudden appearance, I saw that inside the blush-white ovoid surrounding him, were bands of color—deep red, rose-red, violet, blue, sea-green and pale orange. . . . The pale orange was centered around the head, shooting upwards from it in a widening conical ray, until it reached the ceiling. . . . He did not speak, but I felt that he was telling me mentally not to be afraid. . . . All this happened in a moment or two; then . . . he vanished as suddenly as he had come. (Fox 49-50)


I passed from an unremembered dream to find myself apparently awake in the darkness of my room. In a moment or two, I became aware of that curious change in the atmosphere, which has already been described. The thought came to me that something unusual was about to happen, but I had no idea as to the form this expected manifestation would take. Then, with startling suddenness, an ovoid of blush-white appeared a few feet from my bed, and in it was a seemingly solid figure, which I instantly recognized. The apparition was clothed in a simple white robe of intense brilliance, but no astral colors were discernible. . . . I stretched out a hand to touch the figure, and then it immediately vanished. (Fox 52-53)


Some time in the night, while it was still dark, I woke—but it was the False Awakening. I could hear the clock ticking and dimly see the objects in the room. I lay on the left side of my double bed, with tingling nerves, waiting. Something was going to happen. . . .

Suddenly there appeared a large egg-shaped cloud of intensely brilliant bluish-white light. In the middle was Elsie, hair loose, and in her nightdress. She seemed perfectly solid as she stood by a chest of drawers near the right side of my bed. Thus she remained, regarding me with calm but sorrowful eyes, and running her fingers along the top and front side of a desk which stood on the drawers. She did not speak.

For what seemed to be some seconds I could not move or utter a word. Again I felt the strange paralysis. . . . Wonder and admiration filled me, but I was not afraid of her. At last I broke the spell. Rising on one elbow, I called her name, and she vanished as suddenly as she had come. . . .

The following evening we met and I found Elsie very excited and triumphant.

“I did come to you!” she greeted me. “I really did.” . . .

She described how she was running her fingers along a projecting ridge on the front of this desk. (Fox 57-58)APrOBEr • modern • Fox

Near-Realm Nasties

It is from the near realm that we can sometimes encounter those focused in the lowest astral frequencies, those still clinging onto the physical. They may attempt to antagonize us in order to absorb our emotional energy, as they have cut themselves off from the flow from the Source.

Sometimes after the False Awakening I had the rather frightening experience of feeling an apparently solid hand touching or gripping me. . . . On one occasion I was seized by steel-like arms and squeezed until I seemed to be gasping for breath. At last I managed to cry out, and as the trance was broken, I saw a misty white shape dissolving in the night. One apparition of a non-human kind particularly impressed me. . . . My visitor resembled a conical mass of glistening snow and nearly reached the ceiling. It had no features, but two blazing blue eyes completed the picture. (Fox 61-62)APrOBEr • modern • Fox

See “Lower Astral Inhabitants” in planes-of-consciousness.php.

The Electric Atmosphere from Trance States

This same state of mind and its accompanying phenomena can also occur during the trance state preceding sleep or an OBE.

As I opened my astral eyes, I turned right round within my physical body so that I faced the other direction. Great forces seemed to be straining the atmosphere, and bluish-green flashes of light came from all parts of the room. I then caught sight of a hideous monster—a vague, white, filmy, formless thing, spreading out in queer patches and snake-like protuberances. It had two enormous round eyes, like globes filled with pale blue fire, each about six or seven inches in diameter. . . .

Once more I turned within myself and viewed the room. The monster had gone, but the flashings continued for a little while. These too subsided, and then the room seemed just as usual, except for the fact that it was dimly and evenly illuminated by no visible source of light. . . .

NOTE: He leaves his body and travels about, then: My body called me back. I made the journey home in a flash and found myself still in the Trance Condition. . . .

Just as I was about to leave my body, I heard my wife say with peculiar distinctness: “No! You must not do it again now, or I shall be frightened.” I thought her voice was probably only an illusion and so hesitated. Then she spoke again: “Wake up dear!” I still thought the voice was most likely unreal in the physical sense, but. . . . I broke the trance quite easily and questioned her. She had not spoken and had no recollection of seeing me leave my body. (Fox 92-95)APrOBEr • modern • Fox

It was likely his wife subconsciously communicating with him, from a level where she observed his experiences.

In my drowsy condition, I used to watch these mounting spots [from a fish-tail burner NOTE: a heating device] as they traversed the dark space and became lost in the outer brightness, and sometimes things would suddenly “go wrong.” The light of the gas-flame grew dim and that mysterious pale-golden light from nowhere suffused the room. I would hear strange noises, crackling and snapping noises, while little shafts of blue flame, like miniature lightning, darted from the corners of the room. And then came the apparition: a man with a grotesquely horrible face, a wolf with eyes of fire, a lion, a huge serpent, a great black bear standing erect so that it reached the ceiling—I saw all these at different times. And I just yelled and yelled. The apparition would stay quite still, glowering at me, and I could hear my mother running up the stairs in answer to my frantic S O S; but as soon as she turned the door-knob, the fearsome beast vanished and things “came right” again.

Such apparitions, lights and sounds are common happenings in that trance condition which forms the prelude to a conscious projection. (Fox 20-21)APrOBEr • modern • Fox

Intuition and Direct Knowing

I awoke from a dream in the middle of the night on July 7th, 2023 at about 2:40 am. I had seen an image and had some important thoughts on it, so I woke myself up to write it down. After doing so, I kept falling back asleep and finding the thoughts and revelations continuing, and I woke myself a few more times to write down thoughts. Among them:

Thought forms are 5-dimensional objects. Their melting is their fading from the 4th dimension which is attention. It’s a slow transition out of the 4th dimension as our attention turns elsewhere.

It sounds just like the revelations I have from marijuana. No surprise, as that state is very close to dreaming. We have access to all that higher (frequency) subconscious knowledge every night.

See also “Communicating with the Dream Self” in nature-of-dreams.php and “Channeling” in communication.php.

Direct Knowing

Frequently in dreams I just know things without any source of knowing. When I wonder something, the answer may appear instantly in my head or through the context of the dream. In some cases, this may be the back story that comes with rotes. In others it may be a communication coming from someone. Either way, questions are often automatically answered in dreams, just as when I’m in touch with my subconscious intuition through psychedelics. Whatever the reason, in the dream state we simply know things.

It is almost impossible for you to be aware of the full perceptions possible, for the ego would not stand for it. Often, even in simple dreams, however, you will feel concepts or understand a particular piece of information without a word being spoken. (Roberts 326)SD&Pchanneled • modern • Seth

In the dreaming state you are presented with certain kinds of immediate knowledge. It often appears out of context in usual terms. (Roberts 276)


In dreams the reasoning mind loosens its hold upon perception. From your standpoint you are almost faced with too much data. The reasoning mind attempts to catch what it can as it reassembles its abilities toward waking, but the net of its reasoning simply cannot hold that assemblage of information. Instead it is processed at other levels of the psyche. (Roberts 279)DEVF1channeled • modern • Seth

Question and Answer

Sometimes I ask a question, either out loud or in my head, and receive an answer. This is a slower, more physical rationalization of direct knowing.

Guiding Voices

Flow States

Flow states are like a cross between intuition and channeling. We step aside and allow a greater self to operate through us.

Tanya: “In the dream I was in a rink with a number of other people. We were playing hockey and I was skating in the manner I always had, competent yet hesitant. At that moment I realized I was dreaming so I told myself to allow my higher knowledge to take over my consciousness. I surrendered to the quality of complete skating. Instantly there was no more fear, no more holding back and I was skating like a pro, feeling as free as a bird.

“The next time I went skating I decided to experiment and try this surrender technique. So I hit the ice . . . and my feet followed my heart. I was free on the ice. . . . I’ve skated with that freedom ever since.” (LaBerge 190)LDLDer, researcher • modern • LaBerge

Questioning Flow States

Antagonism and Energy Absorption

Antagonism in the nonphysical is primarily due to people and their thought forms at slower frequencies. These people are at lower frequencies because they have cut off their own access to the Source. There are also places that seem designed to ensnare dreamers where people of this sort gather (see “Places Made to Prey On Dreamers” above).

There is but one goal in this antagonism — to elicit emotional reactions from the dreamer or OBEr. These reactions cause an expression of energy that can be absorbed by those doing the antagonizing. They come to believe this is the only way of getting energy — at least, without opening up and seeing themselves truly.

That basic life energy is the only thing of value to those in the astral — the only form of interpersonal commerce. Knowledge and overcoming fears and desires are the keys to becoming immune to antagonism. Additionally, we can avoid these people and places by focusing on higher things, which takes us out of their slower range of frequencies.

Who Antagonizes

Two kinds of obstacles are met in the invisible realms. The first of these are beings living in a lower stratum of the fundamental matter, and the second are images created by ourselves or by unknown intelligences.

To defend yourself from any of these, all you have to do is to call your guides, to raise the consciousness to a higher and purer level. . . .

The obstacles we are likely to meet in the Invisible world are the results of the inferior quality of our own aspirations, which place us provisionally at the mercy of the lower vibrations of matter and its denizens.

Remember, also, that a thought is often enough to cause an entity which pleases or displeases us to appear or disappear. (Yram 96, 98-99)PAPOBEr • Yram

See also “Stuck in the Near Realm - Earthbound Souls” in returning-home.php.

Kinds of Antagonism

Containing

Containing or trapping someone causes an energetic release as the person struggles to escape and becomes frustrated or panicked.

The main aim of antagonistic forces seems to be to hinder the experimenter. They therefore produce images which try to imprison the student in space, or they attempt to sap his vitality.

The first kind are many in number: barriers, very narrow tubes, boxes, cages, and prisons. . . . Agents such as grease and glass are also used. . . .

In the second instance, pointed objects are created, or mirages of rain, which draw away the student’s strength and force him to return to his physical envelope. . . .

All these hindrances are produced when we leave our room in order to reach a new dimension. (Yram 105)PAPOBEr • Yram

I found myself outside my body, in my own room. . . .

I went towards the door, intending to pass through it. I had hardly done this when a new room appeared and kept me prisoner. . . . I dispelled the illusion, but immediately another room took its place, this time one with a window. In order to leave this room I broke the window-panes. Still under the power of the mysterious influence, the glass broke into sharp points. . . . I decided to risk it and tried to squeeze my way past the jagged edges guarding this opening. . . . I was neither cut nor scratched. I felt only a strange discomfort which drew away my strength, as if it had been held in a reservoir from which it was rapidly being emptied. I had to return to my body. (Yram 106)


Sometimes obstacles crop up during a projection. . . . I was wandering about a town built in the ether when, arriving at a certain spot, I saw, to my great surprise, that the streets were closing up in front of me. Soon I found myself in a sort of tube shut up at both ends. Immediately I invoked my guides. (Yram 107-108)


Another day, after having projected my astral body in the room where I lay, I rose perpendicularly into space. Suddenly a series of thatched roofs came in my way, doing their best to stop this ascent. Aided by prayer, I managed to see daylight and carry on. (Yram 108-109)

I tried to lift out. I couldn’t, there were voices and I was being stopped. Instead, I willed myself to go to the left. At first, I moved slowly, then faster. Seems I outwitted whatever was trying to stop me leaving my body. I kind of ran out of steam some distance outside the house. Felt I was being pursued and then caught. Was frightened and wiggled back to my body. JoATOBEr • modern • Moon

Energy Sapping

Dr. Wiltse: A small, densely black cloud appeared in front of me and advanced towards my face. I knew that I was to be stopped. I felt the power to move or to think leaving me. My hands fell powerless to my sides, my shoulders and head dropped forward, the cloud touched my face and I knew no more. (Muldoon 30)PotABOBEr • Spiritualism • Muldoon

Magnetic Resistance

The evil influence of the people by whom I was surrounded came to me in the form of invisible electro-magnetic waves of an extraordinary power of resistance. (Yram 103)


I travelled hundreds of miles, intending to visit one of my friends living on earth, when a grating suddenly sprang up before me. By an effort of will I forced it to disappear and continued my journey. Already I was near my goal. I could actually feel the magnetic aura of the person in question, when I had the very definite impression of being attracted by two opposing forces. One was pushing me towards my goal, the other was pulling me back. Despite my efforts, I had to yield to the second force and come back to my body. (Yram 108)PAPOBEr • Yram

Nightmares and Emotional Memories

Some experiences in the dream state are memory or story rotes passed along by others. In this case any antagonistic forces within are part of the story. In memories, we’re dealing with recordings and the antagonists are not people who can absorb our energy.

However, our emotional reactions while within the memory are real. Are we merely observing the story? Or have we inhabited a character in the story and started to change the plot? If so, we have become emotionally involved. We express those emotions in the body left outside of the memory while experiencing it.

So passing a rote of a dramatic, scary, or emotional story may still have the intended effect of making us express energy that can be absorbed by the one who passes us the memory. For this reason, some in the lower astral may pass us nightmares or emotionally draining memories.

Facing Antagonists

There are two sources of antagonistic forces — external and internal. External antagonists are independent people and their thought forms in the lower astral. Internal antagonists are our own thought forms created from our fears.

When we are the cause, the best and most straightforward way to be free of them is to remove our attention from them. Our attention is what creates and sustains them. Fighting them will only provide them with more energy.

If the source is external, then the goal is to make you express negative emotions. Don’t let them get to you. Don’t be fooled, don’t open the rote, don’t get emotionally involved. This takes practice and knowledge.

In either case, the answer is to calmly move our attention elsewhere. It’s the waking self that feels the need to engage, to fight for its life, to defend its reputation, to flee. This all comes from the physical and is not helpful in the dream state.

Facing Antagonists Violently

This can feel good, as we give in to behavior that has been bottled up in the physical. It’s also likely that the energy of the violence directed at the antagonist fills them up temporarily, allowing them to settle down into themselves. However, our own tendency towards violence does get strengthened.

A man comes out of his seat and deliberately and aggressively stands in our way. I say to myself, “This is a lucid dream and no harm can come from this, so I’m going to kick this guy in the nuts.” With that I kick him in the testicles and he folds up with great, shrieking convulsions. (Kelzer 246)tSatSLDer • modern • Kelzer

In the hypnotic study that Bruce Dane carried out in my laboratory, one of the hypnotic subjects had been experiencing a long-standing recurrent nightmare involving a particular frightening male figure. Following her experience in the laboratory, this figure appeared in several dreams, but each time he did, the dreamer was able to become lucid. The first time he appeared in her dreams at home, her immediate response was to turn and yell at him to scare him away. She did the same thing the second time he appeared. The third time he appeared, she was gratified to report that her response had been more creative in that she had materialized a bag of “magic darts” to throw at him. . . . In yet another lucid dream, the same subject was able to enlist a dream figure’s help in holding some male attackers at bay until the police could arrive. When the attackers began shooting at her, she materialized a crash helmet for herself and turned their bullets into popcorn balls! (Van de Castle 448-449)ODMresearcher • modern • Van de Castle

She keeps engaging with him, and he keeps returning.

Tholey: After my father’s death in 1968, he often appeared to me in my dreams as a dangerous figure, who insulted and threatened me. When I became lucid, I would beat him in anger. He was then sometimes transformed into a more primitive creature, like a dwarf, an animal, or a mummy. Whenever I won, I was overcome by a feeling of triumph. Nevertheless, my father continued to appear as a threatening figure in subsequent dreams. (Garfield 141-142)CDLDer • modern • Garfield

Transformations After Violence

I dreamed I was having dinner with a rather uptight group of psychologists when a woman across the table suddenly started recriminating with me for leaving the world of the academic elite and lowering my standards to those of the Sunday newspapers. I protested that this was an exaggeration, and that I believed the layman was entitled to at least some of our ideas, especially as he was paying for our research. At this she literally spat across the table that I was bringing the whole profession into disrepute, that we must retain some vestige of authority, and so on. My fury rose to such a pitch that I had an irresistible desire to beat her up, and no sooner had I become aware of this desire than I realized with the utmost clarity that I was dreaming and could do exactly what I wanted because dream bodies cannot get hurt.

So, leaning across the table, I grabbed her by the hair, punched her face, and knocked her front teeth out. This inspired me to further violence and with an exhilaration I have never previously experienced I dragged her onto the floor and began to beat up her body in the same way. Of course, she fought back, and I could still feel the slashing of her fingernails across my cheek and the kicks of what felt like hobnailed boots on my back. At last I detected the waning of her strength, and the fight was over. Then the scene changed, and I found myself in another room walking toward this woman, who was now transformed and wearing a nurse’s uniform. As we approached each other, I reminded myself that I must not magically change the events of my lucid dream but allow them to happen spontaneously and observe the outcome. I noted that she was smiling now and that her front teeth were back in place. She then put out her arms to me in a friendly gesture, and we hugged each other.

I woke up with a great sense of well-being, as if my humanistic underdog had really made its protest against my academic topdog. . . . I felt it not just in my mind but throughout my whole body.

(Faraday, 1972 p. 310) (Green and McCreery 133-134)LDPLDer • modern • Green & McCreery

She is very thankful for the energy boost and temporarily becomes her better self.

Facing Antagonists Peacefully

An alternative to turning our attention away from external antagonists is that we can feed them with calm, open, loving attention. This direct flow into them can have transformative effects, as they immediately cease trying to scare or frustrate energy out of us. The flow of energy ends the hunger for the time being, and they return to their normal selves. This is but a momentary relief, however. They need to fully reconnect with the Source to make the flow a permanent one from within themselves, and that requires internal change. Without that, they will return to their antagonistic behavior as their energy dwindles.

In these dreams, I noted on many occasions what seemed to be the manifestation of some underlying divine law. If the shape of horror was faced boldly, it would either be dissipated or actually changed into a thing of beauty, and the latter always happened when my compassion was aroused and conquered my aversion. (Fox 29-30)APrOBEr • modern • Fox

What we consider unacceptable within ourselves and in others must be confronted lucidly, modified through dialogue and interaction, and wedded to our conscious selves. (Kelzer xv-xvi)tSatSLDer • modern • Kelzer

They Become Friendly

Dreams are full of misunderstandings. People come across each other from completely different contexts and misunderstand each other’s actions. What seems like an enemy might not be.

That aside, I think in some cases the relationship actually changes at the moment of confrontation. What happens is that instead of trying to force emotional energy out of you, you provide a full stream of it with your open attention. Suddenly satisfied, the antagonists relax into a better version of themselves.

C.D.Y.: I’m in a dark, poor section of a city. A young man starts chasing me down an alley. I’m running for what seems to be a long time in the dream. Then I become aware that I am dreaming and that much of my dream life is spent running from male pursuers. I say to myself, “I’m tired of this never-ending chase.” I stop running, turn around and walk up to the man. I touch him and say, “Is there anything I can do to help you?” He becomes very gentle and open to me and replies, “Yes. My friend and I need help.” I go to the apartment they share and talk with them both about their problem, feeling compassionate love for them both. (Sparrow 26)


Sparrow: “I run to the north and hear the man calling to his companions to join him in the pursuit. . . .

“We hear the gang storming up the stairs. I see a man going to meet them with a gun. . . . I decide to withdraw. I awaken.”

As the dreamer goes back to sleep, there is an immediate confrontation with the unfinished situation:

“From a distance I see the same group of men who were in the previous dream. As they approach, I decide not to escape. They come up to me like a group of dogs, just waiting for a wrong move. But as I laugh nervously, they begin to slap me on the back, and smile in a playful manner.” (Sparrow 20-21)LDDCLLDer • modern • Sparrow

They Transform

Saint-Denys wrote, “Just as the monsters were about to start pursuing me again, I suddenly became aware of my true situation. My desire to rid myself of the illusory terrors gave me the strength to overcome my fear. I did not flee, but instead, making a great effort of will, I put my back up against the wall, and determined to look the phantom monsters in the face. This time I would make a deliberate study of them, and not just glance at them as I had on previous occasions. . . .

“I stared at my principal assailant. He bore some resemblance to one of those bristling and grimacing demons which are sculptured on cathedral porches. Academic curiosity soon overcame all my other emotions. . . . The monster’s features were all precise and realistic. . . . The result of concentrating my attention on this figure was that all his acolytes vanished, as if by magic. Soon the leading monster also began to slow down, lose precision, and take on a downy appearance. He finally changed into a sort of floating hide.”

And that was the end of Saint-Denys’ nightmares. (LaBerge 176-178)LDLDer, researcher • modern • LaBerge

During another experiment I was being chased by an individual whose thoughts created cubes in which he tried to shut me up. Suddenly he attacked me. I had the feeling of being kicked twice on the head. Despite the pain, I managed to free myself and take up the offensive. I destroyed his thought-forms and rose above him to a somewhat higher stratum. Still, he did his best to follow. Being unable to reach me, his powerful will took the shape of stones which it seemed that he was throwing at me. Tired of his insistence, I became aggressive and raised a huge bench over his head. . . . Luckily I stopped in time, put down my weapon, and forgave him. Immediately a strange metamorphosis took place, and I saw this entity turn into a dog. (Yram 101-102)PAPOBEr • Yram

Facing Our Fears

In the dream state, we can practice facing our physical fears, knowing nothing can hurt us.

Fear only enters the astral from the physical. In the flesh it is a part of life, because in the physical world, fear helps us keep our physical bodies alive. In the astral there is no death, only the memory and habit of the fears we bring with us.

One man who was very fearful of heights used his lucid dreams of flying to gradually rise higher and higher. As he became able to ascend further in his dreams without discomfort, his waking apprehension gradually decreased. (Van de Castle 449)


A woman with a long-term fear of bugs decided in a lucid dream to shrink herself to such a degree that cockroaches seemed ten feet tall. . . . She looked at a cockroach close up and “we had a nice talk.” The dreamer next “dreamt myself into being a bug so I could see what it was like. . . . I looked at this bug and saw him the way that other bugs must see him.” . . . When she woke up she wasn’t afraid of bugs anymore and could pick one up if she had to. (Van de Castle 449-450)ODMresearcher • modern • Van de Castle

Dream Languages, Styles, and Rulesets

As we’ve seen, nonphysical experiences take the physical forms that have the closest meaning to us. But we are complex creatures. We know different sets of rules for different games or social situations, countless artistic styles, and we may know different languages. These are all different ways our dream experience can physicalize while still having meaning to us.

Imagine a dream experience in terms of a musical, or in terms of your favorite video game.

Applying Different Rulesets

Physical World Rules

Life in the physical world is the primary external ruleset we apply to dreams. See “Waking Influences on Dreams” in nature-of-dreams.php.

Video Game Rules

Dreams that are about a video game are invariably a cross between real life and that game. They’re always fully realized 3D places with realistic imagery (not pixelated) but they often follow the plot and rules of video games.

Absorbing New Rulesets

A rote can even come with its own set of rules that get absorbed as backstory.

Applying Different Styles

Another influence on dreams is that of styles. Whatever style of experience is most freshly in our minds may influence the physical form of the dream environment. This can include any kind of artistic style or uncommon ways of interacting with the world.

Communication Through Computer Windows

These dreams happened during a time when I was playing with the UI of my Mac, changing the appearance of scrollbars, menus, colors, and backgrounds.

I think these are especially revealing in that they reveal different streams of communication coming into the dream.

Cinematography

The Language of Dreams

Spoken Languages

Programming Languages

Music in Dreams

Variable Tempo and Volume

Something with a steady beat undergoes alterations as our attention shifts to and from it.

The Stages of Sleep

Brainwave Frequencies

Scientists have determined several distinct brainwave patterns during wakefulness and sleep based on EEG measurements. Gamma (heightened perception) is 30-140 Hz, Beta (awake) is 15-30 Hz, Alpha (relaxed) is 8-12 Hz, Theta (deeply relaxed) is 4-7 Hz, and Delta (deep, dreamless sleep) is 0.5-3 Hz.

The higher the frequency (Hz) measured in the physical brain, the more physically-focused the mind is — the more consciousness is phased towards the physical. Think of it this way — let’s say we have 200 Hz of consciousness available. When only 1 Hz is focused in the physical, where is the rest focused?

See also “Physics: Brainwaves and Frequency” in flow-into-us.php.

Beta — Normal Waking Consciousness

Beta was not meant to carry the full weight of conscious activity, however, although its accelerating qualities can lead to initiations into “higher” realms of consciousness. . . . The other patterns (delta, theta, and alpha) are highly important to physical and mental stability, being very interwound with cellular consciousness. In cases usually called schizophrenic, the beta acceleration is not supported by the stabilizing attributes of the other known frequencies.

It is possible, then, for a brain to register all of the known patterns at once, though your machines would note only the predominating rhythm.

A kind of inverted beta pattern, difficult to describe, often appears suddenly in the midst of the other ranges, driving through them, accelerating consciousness to a high degree of creativity. . . . Other activity escapes [your machines]. They cannot note the rapidity with which you move through all of the known patterns constantly. . . .

In between one moment and the next of the waking day, there are, in your terms, long delta and theta waves that you cannot recognize. They are not recorded by your machines because quite literally they go in a different, “unofficial” direction. Each official waking brain wave is a peak in your world of a far deeper “wave” of other experience, and represents your points of continuity.

Each beta wave rides atop the other patterns. In normal sleep, the “conscious” wave rides beneath the others, with the face of consciousness turned inward, so to speak. All the recognized characteristics of consciousness are “inverted,” probing other realities than the one you know. They are quite effective and lightning fast. In sleep the beta waves are not turned off—the “conscious” part of you, with its beta rhythms, is elsewhere. . . .

The normal waking consciousness, with its characteristic patterns, can indeed follow [into sleep]. A mixture of brain waves would result. Consciousness as you think of it expands tremendously under such conditions. . . .

People of various nations do differ to some extent in their prevalent brain frequencies. . . . All in all, however, the beta has predominated, and been expected to solve many problems unsuited to its own characteristics. (Roberts 704-705)UR2channeled • modern • Seth

The Stages of Sleep

Stage 1 is a short period when a person is first falling asleep. This is a relaxed wakefulness, where alpha waves transition to theta waves. This is where we experience hypnagogia. Hypnic jerks reveal that there is some dream activity at this phase, as they result from intending to engage in dream actions while the body’s muscles are not entirely suppressed yet.

Stage 2 is light sleep, where temperature drops, muscles relax, and heart rate and breathing slow. Dreaming is very rare. This stage shows “sleep spindles,” which are short bursts of high brain activity, and “K-complexes”.

Stage 3 is deep sleep, which increases the physiological changes in Stage 2. EEGs show delta waves, which are high-amplitude, low-frequency waves of 0.5–4 Hz. Dreaming sometimes occurs here, but much less than in Stage 4. Most of the time asleep in the first half of the night is in this stage.

Stage 4 is REM sleep and vivid dreaming. Brain activity increases, with brainwaves being similar to waking.

Stages 2-4 cycle throughout the night. As sleep progresses, Stage 3 (deep sleep) periods shorten and Stage 4 (dreaming) periods lengthen.

(Sources: Wikipedia, The Sleep Foundation)

These are just the outward physical signs of the true action going on within our consciousness. It’s like trying to figure out what’s going on in a movie while standing outside the theater. To understand the various states of sleep from the inside, see “The States of Consciousness” in nature-of-dreams.php.

There are several very definite stages of sleep, and they all perform various services for the personality. They are also signals for different layers of consciousness, realization, and activity. (Roberts 246)SSchanneled • modern • Seth

Following REM awakenings, subjects typically reported that they had been dreaming, following non-REM awakenings, that they had been “thinking.” (Van de Castle 265)ODMresearcher • modern • Van de Castle

Stage 1 — Hypnagogia

Stage 1 typically lasts 1 to 7 minutes, but can be extended beyond that through our focus.

[REM activity] was not present during the onset of sleep; subjects awakened at this time reported imagery that differed from that of actual dreams: floating, drifting, seeing flashing lights, and so forth. (Van de Castle 231)ODMresearcher • modern • Van de Castle

The floating and drifting sensations are indicative of the separation of the astral body.

This stage is covered in detail in “The Boundary of Dreams” above.

Stage 2 — NREM Light Sleep

Thinking in REM vs NREM

When awakened during NREM periods, subjects often report a fairly logical preoccupation with recent events, that is, the ideation is relatively bland and innocuous, there is less distortion, many pure memories are related to recent activities, and the subject himself labels the experiences as “thoughts,” not “dreams” (Foulkes, 1962) (Moss 45-46)HIoDhypnosis • modern • Moss

If subjects are awakened after REM bursts, their images are generally visual in nature, but if they are awakened after intervals of no eye movements during REM sleep, their reports are more conceptual in nature and are similar to those obtained from non-REM sleep. (Van de Castle 272)ODMresearcher • modern • Van de Castle

Just as in waking life, we may turn within to think for a little bit, even within a fully physical-appearing environment.

Dreaming in REM vs NREM

Subjects classified as dreamers, on the average, reported content more often after non-REM awakenings (53 percent) than did nondreamers after REM awakenings (46 percent). This pattern became more pronounced as the night progressed; dreamers reported more content from non-REM awakenings during the last four hours of sleep (67 percent) than during the first four hours (17 percent). . . .

REM reports were longer, displayed more intense visual imagery, and showed a higher degree of integration and continuity; specifically, the dreamer often engaged in physical movement, several scene shifts occurred, and the dreamer displayed more emotional involvement. The non-REM reports seemed to involve more recent events or daytime concerns of the subject without too much distortion, although some of them did sound very dreamlike. . . . Non-REM imagery started to take on more “dreamy” aspects during the latter part of the night; a late non-REM report might resemble a REM report from early in the night. (Van de Castle 265-266)ODMresearcher • modern • Van de Castle

The increased continuity and emotional involvement of REM reports reflects the stronger involvement of the waking self, rationalizing the experiences and mistaking it for physical life. This indicates our focus is in a Waking Self Fragment, possibly the dream self putting the waking self through challenges and tests.

You’ll find that your dream reports from REM periods are more dramatic, like a horror film or spy story; those from your non-REM periods are calmer and thoughtlike, more like a documentary film. (Garfield 35)CDLDer • modern • Garfield

Light and Heavy Sleepers

Light sleepers reported dreaming after 71 percent of their non-REM awakenings, while only 21 percent of the deep sleepers reported dreaming after their non-REM awakenings. Among the light sleepers, the differences between REM and non-REM reports were very minor, and they generally classified themselves as dreaming when awakened from either stage of sleep. It was only the deep sleepers who were likely to label their non-REM reports as involving thinking. . . . Light sleepers had faster heart and respiration rates, higher body temperature, and more body movements and awakenings during sleep. (Van de Castle 269)ODMresearcher • modern • Van de Castle

It appears that light sleepers don’t move very far out of the physical reference point.

Stage 3 — Deep Sleep

Deep sleep is a focus beyond the waking self, perhaps state 6) True Astral Experiences or beyond.

Deep or “delta” sleep represents the point where consciousness is completely detached from physical reality. (Monroe 63)FJOBEr • modern • Monroe

Dreamless State of Union (The Upanishads)

Th Upanishads describe deep sleep as a state of unity.

The Spirit of man hastens to that place of rest where the soul has no desires and the Spirit sees no dreams.

What was seen in a dream . . . is seen to be a delusion. But when like a king or a god the Spirit feels ‘I am all,’ then he is in the highest world. It is the world of the Spirit, where there are no desires, all evil has vanished, and there is no fear. . . .

NOTE: Where nothing filters your experience

The Soul in the embrace of Atman NOTE: unchanging, eternal, innermost self, the Spirit of vision, feels only peace all around. All desires are attained, since the Spirit that is all has been attained, no desires are there, and there is no sorrow.

NOTE: How can there be sorrow when you are in the fullness of the now? There is only being.

There a father is a father no more. . . . The worlds are no longer worlds. . . .

There the Spirit sees not, but though seeing not he sees. How could the Spirit not see if he is the All? But there is no duality there, nothing apart for him to see. . . .

NOTE: A state of being. By not seeing one thing, we become all.

For only where there seems to be a duality, there one sees another, one feels another’s perfume, one tastes another, one speaks to another, one listens to another, one touches another and one knows another.

But in the ocean of Spirit the seer is alone beholding his own immensity.

NOTE: It is the only thing to see

This is the world of Brahman NOTE: the Source. (unknown 135-137)SuTwisdom • Vedic • unknown

In dreams the mind beholds its own immensity. What has been seen is seen again, and what has been heard is heard again. What has been felt in different places or faraway regions returns to the mind again. . . .

But when the mind is overcome by its own radiance, then dreams are no longer seen: joy and peace come to the body. (unknown 72)PUwisdom • Vedic • unknown

Attention is so undivided, its own light (radiance) is perceived.

For ever remaining the same, the Spirit of man wanders in the world of waking life and also in the world of dreams. He seems to wander in thought. He seems to wander in joy.

But in the rest of deep sleep he goes beyond this world and beyond its fleeting forms. (unknown 134)SuTwisdom • Vedic • unknown

For more, see “Transcendent States of Being” in skylike-awareness.php and “The One, The Many, and the Flow” in unity-of-consciousness.php.

Stage 4 — REM — Vivid, Emotional Dreaming

REM — Closer to the Physical

REM sleep or no REM sleep, your dreams exist constantly beneath consciousness, even in the waking state. The personality is constantly affected by them. . . .

The eye movements noted in the beginning of REM sleep are only indications of dream activity that is closely connected with the physical layers of the self. These periods mark not the onset of dreams but the return to the personality from deeper layers of dream awareness to more surface ones. The self is actually returning to more surface levels to check upon physical environment. . . .

The self travels to areas of reality that are far divorced from the physical areas of mobility. The muscles are lax then because physical activity is not required. The energy that is not being expended physically is used to sustain mental actions. The chemical excesses built up in the waking state are automatically changed as they are drained off, into electrical energy which also helps to form and sustain dream images. (Roberts 222-223)SD&Pchanneled • modern • Seth

REM dreams likely happen when the dream self, in its own terms, “dreams”. It goes from socializing into a dream — whether that be entering a rote, reverie, or just free dreaming. We may become focused in the hypnotic waking self or into a Waking Self Fragment, who gets emotionally involved in these physical-seeming dreams.

Those who remember dreams in NREM sleep are remembering higher (frequency) experiences, true levels of dreaming by the dream self, further out beyond the physical.

Checking in on the Physical

There are marked differences associated with age. A normal newborn infant spends approximately 50 percent of its sleeping time in the REM stage, and the time premature infants spend in REM sleep has been reported to be as high as 70 to 80 percent. . . . The REM percentage figure for children decreases to the level found for adults by about the fourth year. (Van de Castle 233-234)ODMresearcher • modern • Van de Castle

Children dream vividly and more often. They return more frequently, however, to periods of near wakefulness in order to check their physical environment, since they are not as sure of it as adults are. In deep periods of sleep, children range further away, as far as dream activities are concerned. (Roberts 223)SD&Pchanneled • modern • Seth

Vivid, Emotional Dreaming

Because REM dreaming involves the waking self, it is more emotional and dramatic. This corresponds with states 4) Waking Self Fragment and 5) Rationalized Astral Experiences.

Sleep talking throughout the night is a common occurrence. . . . It changes in tone, growing more expressive and emotional during REM periods. (Moss 56)HIoDhypnosis • modern • Moss

Lucid Dreaming and REM

State 3) Lucid Dreaming always occurs during REM sleep. The full waking self focus without the dream projections is state 4) Out of Body Experience.

Lucid dreaming occurs during REM periods. . . .

The longer you wait before returning to sleep, the less likely it is for lucid dreams to occur. When you awaken from REM dreaming, you brain persists in a REM-like state for several minutes afterwards. (LaBerge 156-157)LDLDer, researcher • modern • LaBerge

The EEG pen tracings, an objective record of Worsley’s physiological activity, indicated both that he was fully asleep in a REM period and that he gave the prearranged ocular signal. Worsley was awakened and reported an unmistakable lucid dream. (Van de Castle 444)ODMresearcher • modern • Van de Castle

Physiological Correlates of Dream Activity

Eye Movement

The eye movements in dreams reflect where we’re looking in the dream.

The researchers found that there were three cases in which only vertical eye movements had preceded the awakening. In these cases, the subjects’ dreams involved action in the vertical plane such as throwing a basketball toward a net, looking down to pick up another ball, then shooting again. There was one instance where purely horizontal movements were observed; this subject reported seeing two people throwing tomatoes at each other. Dreams reported on ten occasions, when few or no eye movements had appeared for a minute before investigators woke the subjects, involved the dreamer watching something at a distance or just staring fixedly at some object. (Van de Castle 231)ODMresearcher • modern • Van de Castle

Breathing

Voluntary control of the mental image of respiration during lucid dreaming is reflected in corresponding changes in actual respiration. (LaBerge 86)LDLDer, researcher • modern • LaBerge

Physiological Changes

Researchers discovered more and more physiological changes that accompany REM periods: The pulse rate quickens and becomes irregular; the breathing rate becomes faster and irregular; the blood pressure becomes irregular; males have full or partial penile erections, females have erect nipples, an engorged clitoris, and lubricated genitals; large muscles become limp, while small muscles in the face or fingers twitch sporadically. (Garfield 35)CDLDer • modern • Garfield

Body Movement

Reaching for a jacket was associated with EMG activity from an arm, and in a dreamer who reported jumping over a line, EMG activity was shown for the leg, arm, and trunk muscles. . . . Electrodes attached to the chin and lip areas of subjects detected significant EMG activity during conversational dreams, but not during visual dreams. (Van de Castle 273)ODMresearcher • modern • Van de Castle

This should be no surprise, as we’re doing these actions mentally, and only our body paralysis prevents actual movement.

Body Position Changes and Dream Changes

If a large body movement occurred, the continuity of the dream was interrupted. The presence of a body movement seemed to signal the conclusion of some specific dream activity, because the dreamer frequently reported being located in a different setting or being engaged in different activities after the body movement occurred. (Van de Castle 258)ODMresearcher • modern • Van de Castle

Things Influencing Sleep Stages

Socializing

Experimental studies have clearly established that when a person engages in singular quiet daily activities, he or she actually has more dreams (increased amount of REM) than when engaged in busy social activities. Subjects who studied, read, wrote, and so on in a room alone all day showed lengthened REM cycles at night (as much as 60 percent more REM). Relative isolation increases dreaming (and total isolation can produce hallucinations in normal people). (Garfield 92)CDLDer • modern • Garfield

Engaging in solo activities while awake is a focus that continues into our sleep, as we engaging in dreams (the nonphysical equivalent of watching movies and playing video games).

Engaging socially has the same effect — a continuation of that same behavior when falling asleep. This translates to nonphysical socializing — an activity quite different from REM dreaming. I’ve noticed that after a night of parties and socializing, I continue socializing in the near realm after falling asleep. see “Continuing Parties After Falling Asleep” above.

Sleep Deprivation

Reduction in total sleep time appears to be at the expense of rapid eye movement (REM) sleep. (Lewis 49)DEresearcher • modern • Lewis

This shows that dreaming (challenges and entertainment) is the least important part of sleep.

Learning

Researchers have frequently observed increased REM following new learning. (Garfield 92)CDLDer • modern • Garfield

This fits with Seth’s description of the stages of sleep. He states that deep sleep is a period of higher learning, and REM lets us put the new learning to use in physical terms.

See “Moving Into Dream States” in nature-of-dreams.php.

Senses in the Dream State

For the primary section on nonphysical senses used in the dream state, see the whole of “Higher Sense Perception” in higher-sense-perception.php.

Closing Your Eyes in Dreams

The astral body is simply a familiar form we project out of habit. We don’t actually use the eyes from that body to see. We simply peer through that body unobstructed. Our ability to see isn’t blocked by closing our eyes, wearing blindfolds, or being within a vehicle rationalization. Our perception is higher-dimensional, and is not blocked by any astral structure when we want to see through it.

Even so, our expectations can get involved and alter our experience.

Remote Viewing

We need only think of someone to see them and their surroundings in our mind. With a stronger focus, we actually go to them. This is essentially a telepathic window but without the telepathy.

See “Telepathic Windows” in communication.php.

How Light Affects Near Realm Vision

It is interesting when possible to determine the inconsistencies of observation of Locale I NOTE: the physical/near realm activities while in the Second State NOTE: out of body. Except in unusual instances, most “visual” input registers in shadings of black and white. This seems true under any lighting conditions. However, strong light and shadow create wrong perceptions. For example, a strong light reflecting from the dark hair of a man brings the impression that he is blond rather than dark. (Monroe 66)JOotBOBEr • modern • Monroe

Blurry Vision Expectations

Around 6th grade I developed terrible vision. I wore glasses for years, then contacts, then experienced the wonder of Lasik in my mid-20s and could see normally again.

During the period of poor natural vision, going to bed meant I removed my contacts or glasses, meaning my entrance into and out of the dream world was with blurred vision, an expectation that occasionally made its way into my dreams.

Requesting Clarity

As strange as it seems, we can get clear perception in the dream state or an OBE by simply asking for it. I’ve read countless instances of this, and eventually tried it myself — it worked.

My vision just after separation was often blurry and out of sync. I could quickly improve it, however, by demanding “Clarity now.” (Buhlman 33)ABtBOBEr • modern • Buhlman

Precognitive Dreams

Our higher-frequency selves have access to tremendous amounts of information that remain subconscious to our waking selves. At those far more intelligent levels, we decide what we allow the waking self to know. Part of the challenge of incarnating on Earth is forgetting who we are and not knowing what is coming. But at times we allow ourselves glimpses.

We have access to subconscious information and higher sense perception in the dream state.

In the early 1990s, when I was in high school, I was part of a youth group. A few times a year, we traveled for gatherings with youth groups in other regions — some out of state. I made many friends and we would write letters to each other (this was before the internet). These letters had no schedule. Sometimes someone would write, sometimes not. But over and over I would dream about a specific friend the night before their letter would arrive. It became such a predictable pattern that after such a dream, I’d awake knowing that a letter from a specific person would be arriving that day.

How do I explain this? It’s likely the friend sending the letter had me in their thoughts as they imagined me receiving and reacting to their letter and wondering what I would write back. This probably led to them reaching out to me in their thoughts during dreams, which would cause us to meet up in the dream world.

This is likely, and would explain me dreaming about them in the days following their sending of the letter. But as to the to-the-day specific timing of these dreams, what with letters traveling across states taking a range of days to weeks to arrive, there might have been more to it — a looking forward, or feeling in the night some reflection of excitement or connection from the next day.

A very remarkable feature in my dream life in those days was the prophetic nature of some of the dreams, especially those dreamed towards the morning. The reenaction of the dream scene or the fulfillment of the presage that very day, or during the course of the next few days was so remarkable that I never ceased to wonder at the occurrences. . . .

One dream scene showed me reading a letter from a friend whom I had not met in years. . . . The same day. . . . I found a letter from him amongst the others delivered to me.

I saw a relative in my dream whom I had not met for months and he called on the same day. (Krishna 279)LWKmeditator • Hinduism • Krishna

I dreamed of Oberlin after being accepted but before I ever saw it. The hills, rooms, halls, computers . . . expectations and fears of what it would all be like. There were rooms of sex and drugs, and the newness of moving in. Some aspects were taken from SSU memories.

Mass Shared Dreams

In the dream state we have access to the mass movements of consciousness that end up resulting in physical events.

Mass or shared dreams . . . are shared at one time or another by the majority of living persons on your planet. . . .

The dreams usually are not precognitive, although they might appear to be, since many of the dream events will later occur. They are not precognitive, however, because in a large measure they bring about or cause the later events.

They occur, comparatively speaking, just above that layer which Jung refers to as the collective unconscious. If you could tune into these dreams, you would have a good idea of the main events of the future because you would see them being born. They are concerned with significant events that affect many countries. They represent deep intents, wishes and purposes. . . .

One man passionate willing good or evil can overbalance literally a hundred men. And in the dream state, also, leaders can be born and make themselves known. The people already know them in mass dreams before they are recognized in physical reality. (Roberts 278-279)SD&Pchanneled • modern • Seth

When I first saw Barrack Obama speaking in 2004 (four years before running for president), I knew very little about him. But about 5-10 minutes into his speech, I became certain that he was going to be president, and I said out loud “He’s going to be our next president”. He was elected president in 2008.

Impending Illness and Death in Dreams

Impending Illness

Information about impending illness likely comes from the deeper awareness that comes from the shortened context of the dream state. When high, I can feel the energy flows of the body much more clearly. Some of the following perceptions are due to that more subtle energy sense.

It’s also possible that some of these were dreams of future events — especially those which showed no symptoms upon waking.

Sensed

Some are sensed directly, without rationalization.

A man who dreamed that his leg was turned to stone . . . developed a paralysis of this leg a few days later. (Van de Castle 364)


[A minister of justice] dreamed that he suffered from apoplexy (stroke) and died of this condition three days later. (Van de Castle 365)


Macario himself dreamed of a pain in his throat, awoke feeling well, but later that day developed severe inflammation of his throat. (Van de Castle 365)ODMresearcher • modern • Van de Castle

Sensed and Rationalized

Some are sensed, and then rationalized in the context of the dream.

[A man] dreamed on two successive occasions that his ear was being beaten with a stone. Soon afterward, he developed a serious inflammation of the ear on the same side as he had been beaten in his dream. (Van de Castle 365)


[A woman] had recurring nightmares of dogs tearing at her stomach a few months before she was diagnosed with stomach cancer. (Van de Castle 366)


A woman who dreamed that a stranger threw oil over her and set it on fire came down with typhoid fever three days later. (Van de Castle 368)


The night before he experienced a perforated ulcer, a twenty-nine-year-old man dreamed in which he was eating pizza and his stomach “broke open.” A forty-year-old man who had a recurrent dream about a rat gnawing in the lower right part of his abdomen was eventually diagnosed as having a duodenal ulcer. (Van de Castle 368)


[A journalist] had a dream in which torturers were placing hot coals beneath his chin. He felt the heat start to sear his throat and screamed in desperation as “the coals gnawed his larynx.” He awoke very disturbed and received a long-distance call from his girlfriend, who had just experienced a horrible dream of being with him in a bed filling with blood. In a later dream, medicine men stuck hypodermic needles into what he called his “neck brain. . . . ” A physical checkup confirmed the presence of cancer in his thyroid gland, which is located near the larynx. (Van de Castle 366)


In his dream, he was on a stage receiving tremendous applause, which he acknowledged with a bow. He then opened his violin case and took out, not a violin, “but a machine gun and swiftly I put the muzzle to my mouth and rat-a-tat-tat I blow my brains out. . . . I fall to the ground”. The patient woke from his dream and experienced a massive heart attack a few minutes later. (Van de Castle 367)


For nearly a year, [a woman] repeatedly dreamed that a woman resembling a nurse held a lighted candle toward the dreamer’s left leg. At first the nurse did not burn the dreamer, but as the dreams continued, the nurse came closer and did seem to burn the dreamer. . . . She developed an infection in the bone marrow of her left leg. (Van de Castle 369)ODMresearcher • modern • Van de Castle

Symbolically Communicated

Some are clear symbolic messages to the waking consciousness coming through the dream.

A patient with breast cancer dreamed her head was shaved and the word cancer written on it. She awoke with the knowledge that her cancer had metastasized (spread) to her brain. . . . Three weeks later, her dream diagnosis was confirmed. (Van de Castle 366)ODMresearcher • modern • Van de Castle

Impending Death

A woman dying of cancer had recurring dreams of being on the bank of a river and seeing a hand beckoning from the other side. As the days passed, the width of the river gradually decreased until, a few days before her death, it had narrowed to a tumbling spring which she knew she could step across easily. (Van de Castle 355-356)ODMresearcher • modern • Van de Castle

Crossing a river is a very well-known physical representation of death.

Remembering Dreams

Remembering Dreams

Why Remembering Is Difficult

Our experiences in the dream state follow our attention, with varying degrees of adherence to physical laws. They can go so many levels deep — stories within reveries within gateways, with varying levels of projection. Add to this the ability to rewind stories and taking different actions, visual communications from people not present, expectations coming true, rationalizations from our waking selves, and sensations from our sleeping environment, and it’s no wonder they’re hard to remember.

Imagine the confusion if someone were observing your experiences, but couldn’t tell the difference between your physical life and the experiences of the characters in books you were reading, movies and shows you were watching, your daydreams, news and web sites you were reading, and stories other people were telling you. If they thought all of that was actually your direct experiences, then you’d have an idea of how confusing our dream life can be to our waking self.

A key part of understanding our dreams is being aware of what we’re thinking at any given time — especially what we want, fear, or simply expect to happen. If what we’re focusing on happens, we know we’re the cause of it. That self awareness lies at the center of understanding our dreams. It’s also important to understand how consciousness works so that we can make note of the various scene transitions.

By becoming more aware of your consciousness as it operates in physical life, you can learn to watch it as it manipulates through these other less familiar areas. Probable realities are only probable to you because you are not aware of them. . . .

You can learn to “shift gears,” stand aside from your own experience, and examine it with much better perspective.(Roberts 251)SSchanneled • modern • Seth

Difficulty Remembering Transitions

One of the general challenges of consciousness is retaining continuity across transitions. This is true even in the physical. While biking home, I may decide I need to charge my battery, but often forget when I arrive and enter the house. Imagine how much more difficult it can be in the dream state when suddenly moving through gateways, entering and exiting memories, moving through telepathic crossings, and experiencing scene changes when our focus changes.

Transitions are the hardest part of dreams to remember. They can be sudden or gradual, but often feel like entirely different dreams, and we’re unsure how we got from one to the other. “The next thing I remember” often accompanies a scene transition.

Wrote a twentieth-century Indian master, Sri Aurobindo Ghose, “. . . it is even possible to become wholly conscious in sleep and follow throughout from beginning to end or over large stretches the stages of our dream-experience; it is found that then we are aware of ourselves passing from state after state of consciousness to a brief period of luminous and peaceful dreamless rest, which is the true restorer of the energies of the waking nature, and then returning by the same way to the waking consciousness. It is normal, as we thus pass from state to state, to let the previous experiences slip away from us; in their turn only the more vivid or those nearest to the waking surface are remembered: but this can be remedied—a greater retention is possible or the power can be developed of going back in memory from dream to dream, from state to state, till the whole is once more before us. A coherent knowledge of sleep-life, though difficult to achieve or to keep established, is possible.” (LaBerge 136)LDLDer, researcher • modern • LaBerge

The true art of dreaming is a science long forgotten by your world. . . .

A practitioner of this ancient art learns first of all how to become conscious in normal terms, while in the sleep state. Then he becomes sensitive to the different subjective alterations that occur when dreams begin, happen, and end. (Roberts 182)URchanneled • modern • Seth

Multiple Versions — Rewind and Retry

Another confusing factor in remembering dreams is that we have the ability to rewind and retry scenes. This is only possible in rotes (memories), but a similar experience could be the result of a short subdream happening in realtime.

The result is that we’ll remember a scene happening multiple times in different ways, which our waking self has trouble making sense of.

See “Rewind and Retry” in attention.php.

Things that Enhance Recall

Bringing Consciousness Over

When I spend time trying to retain consciousness while falling asleep, it can pay off in vivid dream recall, complete with being able to recall exact quotes. This helps build a bridge to other levels of reality.

Shifting to Physical Focus

Shifts to physical focus while dreaming seem to increase dream recall, as it’s involving the waking self more often.

Open Windows

Having the windows open provides fresh air, which I feel makes my dreaming more vivid. Additionally, the sounds from outside that it lets in momentarily rouse the waking self’s focus more often, keeping it nearby while dreaming.

Remembering While in Bed

The best time to remember dreams is right after waking up. Remain in a sleepy waking state without moving, and allow scenes to pop in and expand. A single scene can unfold the rest of the dream experience.

The best time to begin developing skill in dream recall is in the morning from a natural awakening. When you awaken spontaneously in the morning, you are awakening directly from a REM period. Any time that you awaken by yourself you awaken from a dream. . . .

Knowing that you have just completed a dream, the next step is crucial: don’t open your eyes! Lie still with closed eyes and let images flow into your mind. . . . The tiniest fragment of the last dream can serve as a hook for the whole night’s series. . . . In reverse order the scenes of the last dream appear. It is not like a film run backward; the whole scenes, in complete sections, line up in reverse order. . . .

NOTE: They line up as you remember causes and causes of causes. Especially the gateways.

Let your mind wander over images of the people close to you, your family, your intimate friends. Like rifling the pages of a photographic book, you may hit upon the image you seek in passing. You will know. . . .

Hermann Rorschach . . . observed that is was necessary to lie still when awakening because any quick motor movement like jumping out of bed disrupts memory of the dream. . . . Allow yourself to recall whatever dreams come to you in the position in which you awake. Lie still and let the images flow. Then roll over. . . . For some as yet unknown reason, additional dream recall often comes when you move gently from one position and settle into another. . . .

NOTE: I’ve noticed this as well. The position of the body is stored as an aspect of the memories.

One research team clearly established that dream recall is richest and most detailed immediately after a REM period ends. Researchers awakened sleepers at four different times: (1) when the EEG machine showed they were experiencing REM: sleepers reported, as expected, an ongoing dream story: (2) during a body movement immediately after REM stopped: sleepers awakened at this point describe complete, vivid, specific dream stories; (3) sleepers were awakened five minutes after REM stopped: they reported vague snatches of dream stories; and (4) sleepers were awakened ten minutes after REM stopped: most of these sleepers had no dream recall or only a blurry impression of a dream. . . .

You can actually train yourself to awaken after a dream story is completed naturally. (Garfield 204-208)CDLDer • modern • Garfield

Being Reminded During the Day

New Life Experiences

Alcohol

I often find that I have vivid dreams and good dream recall after a night of going out, drinking alcohol, and socializing.

Valuing Dreams

Dreamers who regard dreams as important and even vital to success in life will receive and remember helpful dreams. (Garfield 84)


Value your dreams. Don’t reject any one of them. The dream you dismiss as ridiculous or trivial . . . may be the very one with great potential to blossom beautifully. . . . Attend patiently to all your dreams and they will provide you with remarkable insights about yourself. (Garfield 204)CDLDer • modern • Garfield

This is true. Some of my most valuable and revealing dreams I almost didn’t write down, not thinking them worth writing at first. For example:

It can be so easy for the waking mind to dismiss dreams. As we switch to our waking context, the threads of our dreams rapidly lose relevance and the interests of the day grab us. But grabbing hold of that one single thread we do recall can bring back an entire scene which can lead to more scenes, bringing back really important and revealing details.

Writing Down Dreams Daily

In one study, researchers found that dreamers who have trained themselves to self-awaken from REM periods can do so with remarkable accuracy. In another study, students learned to substantially increase their dream recall during the first two weeks of keeping a regular dream journal and meeting with a group three hours a week to discuss dreams. When they were given a special task one night to use their dreams to creatively solve a problem, there was four times as much dream recall as on other nights. (Garfield 218)CDLDer • modern • Garfield

Seth: “You know very well, because it has happened many times, that if you do not write [the dream] down you will forget it—and only part of you wants to.”

“I usually tell myself,” Stewie said. “But then, I seem to make a judgment, like, if it’s good, I’ll write it down; if it’s a bad dream, then I won’t.”

That is your problem!” Seth stated. “You should not make a judgement! Simply write [the dreams] down!

“The very habit [that is] set up when you write down your dreams and recall them, opens up channels between what you think of, now, as your conscious and unconscious selves. The training teaches you to switch from one level of reality to another. (Roberts 400)


Each time you remember to wake up and record a dream, you are doing something with your consciousness, and it is important. For you think enough of your interior life to consciously record it as a physical event in your time. And with your beliefs, that is important. (Roberts 420)CWSchanneled • modern • Seth

Telling Dreams to a Friend

I often find that when I’m telling my dreams to someone, I’ll sometimes remember more details in the process.

Many people find that telling a dream to a friend helps them to recall it. The very act of putting the dream into words and trying to explain or express it seems to stimulate both recall of the dream and insight into aspects of it. (Garfield 214)CDLDer • modern • Garfield

What Hinders Recall

Sleeping In

Sleeping in has always caused me to forget dreams, as they fade over time. At best I lose the details and at worse, I completely lose the threads of context and it fades away completely.

Snoozing is equally bad. When my alarm goes off and I hit snooze, I often begin a new dream that breaks off my memory of the previous one. Each snooze does the same, and I end up remembering very little.

Writing Down Dreams While Still Dreaming

After an amazing dream, I may write it down after waking up in the near realm, or while still within the dream. Having accomplished that, I then go on to new adventures.

I often dreamed I was recording the dream. Occasionally, however, I felt certain I was actually recording because I could feel myself writing with what I believed to be the pen on what I believed to be the pad. On rousing further, I discovered I was actually tracing words with my fingers on my skin. In one case, the thigh of my right leg served as a pad and in another my right cheek. (Garfield 212)CDLDer • modern • Garfield

Emotional Attachment

If you’re having some incredible experience but are unable to pull yourself out of it to write it down, it’ll transition into dreams and you’ll have forgotten by morning. No doubt some of the most amazing dreams are forgotten because I am too involved to leave them.

A Mindset of Fear and Rigidity

In dream travel it is quite possible to journey to other civilizations—those in your past or future, or even to worlds whose reality exists in other probable systems. There is even a kind of “cross-breeding,” for you affect any system of reality with which you have experience. There are no closed realities, only apparent boundaries that seem to separate them. The more parochial NOTE: narrow your own world view, however, the less you will recall of their dreams or their activities, or the more distorted your “dream snapshots” will be. (Roberts 423)UR2channeled • modern • Seth

Low dream recallers seem to be conformist, self-controlled, and defensive; they are likely to be more confident and less self-aware than habitual high dream recallers. (Garfield 217)CDLDer • modern • Garfield

These are all signs of a fear-dominated mindset, one more likely to filter experiences to a very narrow band of reality.

Vince Foulkes: “Hypnagogic dreamers tended to have greater social poise, to be more self-accepting, to be less rigidly conforming to social standards, and to be more adept at producing voluntary waking fantasy. . . . ” They also pointed out that strong similarities existed between the rigid “authoritarian personality” syndrome and the characteristics of individuals who seemed unable to spontaneously enter into lively hypnagogic imagery. (Van de Castle 268)ODMresearcher • modern • Van de Castle

Even recalling a tiny portion of a dream in the space of months was an achievement for [Florence]. . . .

“You are still afraid of your inner self,” [Seth] began. “You still do not trust your dreams.” (Roberts 398-399)CWSchanneled • modern • Seth

Dream Names and Words

Always record a unique verbal expression immediately. If I awaken with a dream poem in mind and I also recall the entire preceding scene, I dare not describe the scene first and then the poem. . . . I write the poem itself immediately. (Garfield 212)CDLDer • modern • Garfield

I love it when I remember weird names of things from the dream world.

Miscellaneous

Miscellaneous

The World’s Attitude Towards Dream Abilities

Throughout history, there have been shifting attitudes towards the sort of magical-seeming powers we have in dream state. In the Western world we are coming out of a long era that has been hostile to it. In the last century, popular culture has come to embrace the idea of superheroes who are invulnerable, who can fly, shape-shift, or use magic. Comics and fantasy lead the way, inspired by our experiences in the dream state. And these in turn capture our imagination, our desire to go beyond our physical limitations.

Dream Interpretation

Dream interpretation relies upon the silly notion that everything experienced in the dream state has a secret meaning and stands for something entirely different from what it is. This is an attempt to make some sense of dreams when a true understanding is lacking. The same attempt to find meaning in physical life has led to superstitious beliefs in signs, lucky charms, incantations, and personifying natural forces as various gods or spirits that can be negotiated with.

Other Times and Worlds

While our consciousness in the dream state is often focused on things related to our physical life, we are free to experience anything, including other times and worlds.

Traveling to Distant Worlds

Distant or Future Civilizations

Truly Bizarre Dreams

Boring Memories

Not all memories are worth sharing. Some are just boring.

Animals Can See Spirits

Temporal Oddities